{"id":119971,"date":"2025-09-07T03:14:07","date_gmt":"2025-09-07T03:14:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/119971\/"},"modified":"2025-09-07T03:14:07","modified_gmt":"2025-09-07T03:14:07","slug":"fuze-review-twisty-london-set-heist-thriller-should-have-stolen-some-personality-toronto-film-festival-2025","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/119971\/","title":{"rendered":"Fuze review \u2013 twisty London-set heist thriller should have stolen some personality | Toronto film festival 2025"},"content":{"rendered":"<p class=\"dcr-130mj7b\">At <a href=\"https:\/\/www.theguardian.com\/film\/toronto-film-festival-2024\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">last year\u2019s Toronto film festival<\/a>, genre-switching Scottish director David Mackenzie premiered <a href=\"https:\/\/www.theguardian.com\/film\/article\/2024\/sep\/09\/relay-movie-review-riz-ahmed\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Relay<\/a>, his sly, charmingly lo-tech riff on paranoid thrillers of the 70s. It was a film that sadly crumbled in its last act (and at the box office months later) but it was an admirable attempt to do the one thing people keep begging of directors: make the kind of films that they used to make.<\/p>\n<p class=\"dcr-130mj7b\">His follow-up, Fuze, also premiering at Toronto, is another hark back, just not quite as far this time. It\u2019s closer to something that might have come out of British cinema in the early 2000s, a fruitful period for the crime thriller, spurred on by the emergence of Guy Ritchie and a desire to both return to classics of the 60s and 70s and beat Hollywood at its own game. In fact, it\u2019s a film that would have hugely benefitted from Ritchie and his considerable swagger at the helm, resembling the kind of action thriller he might have taken on in his recent, underrated period, of expertly made if ultimately low-level winners.<\/p>\n<p class=\"dcr-130mj7b\">In Mackenzie\u2019s hands, it\u2019s a little flat, looking and feeling more like an ITV drama, sorely missing both a sense of cinema and a vibrant personality. The film kicks off with a burst of loud music, coupled with titles that suggest some attitude, albeit of a dated variety, and ends with something similar, with the last-minute arrival of some cheeky humour shared in some \u201cwhat happened next\u201d text and a spunky Ramones outro (Mackenzie has said the film is supposed to feel like \u201ca heist film made by the Ramones\u201d). But in-between these points, it\u2019s all rather pedestrian, with a plodding TV score and a dearth of energy, a killer for a film about both a ticking bomb and a daring heist.<\/p>\n<p class=\"dcr-130mj7b\">It starts immediately with the discovery of the bomb (Mackenzie and screenwriter Ben Hopkins do get credit for keeping things at a tight 91 minutes), a second world war relic found on a construction site in London. It leads to an evacuation and the command of a military bomb expert (Aaron Taylor-Johnson) working with the local police (headed up by Gugu Mbatha-Raw). As they try to control the scene, a secret heist is under way (led by Theo James and Sam Worthington), all strands soon converging in ways that would be too spoiler-y to reveal.<\/p>\n<p class=\"dcr-130mj7b\">It\u2019s no surprise that things are not as they initially seem and the hatched plan is a fun idea, at least in practice. But while there\u2019s something engaging in how the film takes us to a place so, literally, far from where we started, how we get there is not as entertaining or propulsive as it should be with anonymously staged action, easy-to-spot twists and a crucial lack of suspense. What had first seemed clever dissipates into silly, a masterplan reliant on far too many variables to make much sense. Yet Hopkins and Mackenzie seem convinced there\u2019s something smarter afoot, ending their film with a baffling flashback that adds nothing but a sense of confusion to the ending and what they think their film is.<\/p>\n<p class=\"dcr-130mj7b\">Even before the mildly superior Relay fell afoul of a rotten ending, the film suffered from Mackenzie\u2019s lack of style in certain setpieces, taking us to De Palma territory but without any of his precise choreography and sleek command. There\u2019s a similar problem here and we maybe could have been distracted away from the script\u2019s mediocrity by some more kinetic camerawork or by a score that made us feel something more (like the work done by the goosebump-giving music for Ritchie\u2019s patchily plotted Wrath of Man). It\u2019s somewhat lifted by an attractive cast who all know how to hold our attention (Mackenzie, like Ritchie, has an eye for actors who wouldn\u2019t look out of place heading up a fashion campaign) but it\u2019s never in service of all that much. Fuze isn\u2019t quite a bomb but you\u2019ll be frustrated at the lack of a spark.<\/p>\n","protected":false},"excerpt":{"rendered":"At last year\u2019s Toronto film festival, genre-switching Scottish director David Mackenzie premiered Relay, his sly, charmingly lo-tech riff&hellip;\n","protected":false},"author":2,"featured_media":119972,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[96,2839,56,54,55],"class_list":["post-119971","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-entertainment","tag-movies","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/119971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=119971"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/119971\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/119972"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=119971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=119971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=119971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}