{"id":155573,"date":"2025-09-23T14:20:14","date_gmt":"2025-09-23T14:20:14","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/155573\/"},"modified":"2025-09-23T14:20:14","modified_gmt":"2025-09-23T14:20:14","slug":"turner-prize-2025-review-the-stunning-paintings-get-my-vote","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/155573\/","title":{"rendered":"Turner prize 2025 review \u2014 the stunning paintings get my vote"},"content":{"rendered":"<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Another autumn, another Turner prize exhibition, this year landing at the magnificent baroque Cartwright Hall in Bradford. The exhibition spans the civic art gallery\u2019s two floors, with each of the four nominated artists given a single room of equal size. It\u2019s a beautifully installed show of work by four very different artists and an intriguing snapshot of what\u2019s going on in contemporary art.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">The Korean-Canadian Zadie Xa\u2019s floor-to-ceiling installation Moonlit Confessions Across Deep Sea Echoes: Your Ancestors Are Whales, and Earth Remembers Everything, is the most sensually alluring. A mirrored gold floor reflects vividly painted walls depicting a sun and moon in perpetual rise and fall; scenes of folk rituals and marine life are painted onto stitched linen, all of it tied together with the motif of the conch. <\/p>\n<p><img decoding=\"async\" alt=\"Photograph of Zadie Xa's Turner Prize 2025 artwork at Cartwright Hall Art Gallery.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2025\/09\/\/3edcbd72-134b-40b8-bea2-c9b28d10c866.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>Moonlit Confessions Across Deep Sea Echoes: Your Ancestors Are Whales, and Earth Remembers Everything, by Zadie Xa<\/p>\n<p>DAVID LEVENE<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">A central chandelier of brass bells and bamboo string forms the shape of one, and four large shells containing speakers emit a soundscape that includes a frankly horrifying passage from the sci-fi doyenne Ursula K Le Guin\u2019s The Ones Who Walk Away from Omelas.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Apparently it is an invitation to consider the state of the oceans and what their inhabitants might say to us. But, for me, the chilling audio speaks to the horrors of contemporary conflicts and our own sense of paralysis about them. Intentional or not, it\u2019s effective.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u2022 <a href=\"https:\/\/www.thetimes.com\/culture\/art\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" rel=\"nofollow noopener\" target=\"_blank\">Read more art reviews, guides and interviews<\/a><\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Also timely is the Peterborough-born Rene Matic\u2019s presentation, which explores political duplicity with a vast white flag bearing the legend NO PLACE on one side and FOR VIOLENCE on the other, quoting American senators in the days after last year\u2019s assassination attempt on Donald Trump. <\/p>\n<p><img decoding=\"async\" alt=\"Photograph of Rene Mati\u0107's artwork &quot;No Place&quot; at the Cartwright Hall Art Gallery.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2025\/09\/\/34e95811-611f-4bb4-9317-4e876ca97710.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>Rene Matic\u2019s NO PLACE flag<\/p>\n<p>DAVID LEVENE<\/p>\n<p><img decoding=\"async\" alt=\"Photograph of Rene Mati\u0107's Turner Prize 2025 exhibition at Cartwright Hall Art Gallery.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2025\/09\/\/65661d79-fb31-46c6-aed3-cb7f39235605.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>Feelings Wheel, by Rene Matic<\/p>\n<p>DAVID LEVENE<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">The contradictions are obvious. Matic contrasts this with works looking at care and humanity: a photographic installation, Feelings Wheel, and a sound piece, 365, pay tribute to protest (a chant of \u201cfree Palestine\u201d that broke out in 2023 among Tube commuters features alongside bell ringers and Rihanna\u2019s Lift Me Up) and queer visibility as unifying forces. It\u2019s very heart-on-sleeve but gives us plenty to think about.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Nnena Kalu, from Glasgow, is the first learning-disabled artist to be nominated for the Turner, though this is only acknowledged five minutes into a seven-minute introductory film that most visitors won\u2019t watch. <\/p>\n<p><img decoding=\"async\" alt=\"Photograph of Nnela Kanu's art installation at the Cartwright Hall Art Gallery.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2025\/09\/\/070ed0a2-487c-41ce-92a6-895973ed5d60.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>Sculptures by Nnena Kalu<\/p>\n<p>DAVID LEVENE<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">I\u2019d argue that her non-art school approach gives valid context to the work, a vigorous expression of an urgent need to create, and makes sense of the intensity of her drawings and sculptures, which are created by wrapping streams of fabric, rope, clingfilm, paper and VHS tape around a solid structure. I understand the impulse to avoid filtering her work only through that lens but by not having any real explanation in the wall text (the other artists get a bit), curators do it a disservice.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u2022 <a href=\"https:\/\/www.thetimes.com\/article\/what-next-for-the-turner-prize-the-rotting-corpse-of-art-world-lb5gjmwkq\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" rel=\"nofollow noopener\" target=\"_blank\">What next for the Turner prize, the \u2018rotting corpse\u2019 of art world?<\/a><\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Traditionalists may breathe a sigh of relief on entering the room occupied by the Baghdad-born painter Mohammed Sami. Memory and conflict are his subjects \u2014 the unreliable, fragmentary nature of the former and the causes and effects of the latter. Evocative, allusive and fantastically well executed, these are stunning works that reward lengthy contemplation.<\/p>\n<p><img decoding=\"async\" alt=\"Painting of a round table and chairs viewed from above, with shadows cast across the scene.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2025\/09\/\/048dbf8b-b0d8-423d-9efb-5a142a1ff2b4.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>The Grinder, by Mohammed Sami<\/p>\n<p>DAVID LEVENE<\/p>\n<p id=\"last-paragraph\" class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Unusually this year, all four artists appear to be at similar points in their careers, which is exactly as I think the Turner should be. Sami would be my choice for the prize \u2014 but as ever in this annual comparison of apples and oranges, I look forward to being wrong.<br \/>\u2605\u2605\u2605\u2605\u2606<br \/>Cartwright Hall, Bradford, Sep 27 to Feb 22, <a href=\"https:\/\/bradfordmuseums.org\/venue\/cartwright-hall-art-gallery\/\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" rel=\"nofollow noopener\" target=\"_blank\">bradfordmuseums.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Another autumn, another Turner prize exhibition, this year landing at the magnificent baroque Cartwright Hall in Bradford. The&hellip;\n","protected":false},"author":2,"featured_media":155574,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[6225,6485,6486,1120,96,56,54,55],"class_list":["post-155573","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-design","tag-entertainment","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/155573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=155573"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/155573\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/155574"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=155573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=155573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=155573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}