{"id":196847,"date":"2025-10-13T10:20:08","date_gmt":"2025-10-13T10:20:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/196847\/"},"modified":"2025-10-13T10:20:08","modified_gmt":"2025-10-13T10:20:08","slug":"souleymanes-story-review-superb-performance-ballasts-drama-of-man-clinging-on-in-the-margins-in-paris-movies","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/196847\/","title":{"rendered":"Souleymane\u2019s Story review \u2013 superb performance ballasts drama of man clinging on in the margins in Paris | Movies"},"content":{"rendered":"<p class=\"dcr-130mj7b\">There\u2019s a turnaround in the climax of this noctambulist Paris immigrant drama that suddenly charges the film\u2019s seemingly neutral title with meaning. Food courier protagonist, Souleymane, is hopefully in the process of altering his destiny, and this key scene is carried by fantastic acting from <a href=\"https:\/\/www.theguardian.com\/world\/2024\/oct\/29\/abou-sangare-french-film-lhistoire-de-souleymane-migrant-residency\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Abou Sangar\u00e9<\/a>: trembling violently as a lifetime\u2019s tension and struggle, as well as the daily grind of an app wage slave, comes pouring out.<\/p>\n<p class=\"dcr-130mj7b\">Souleymane is a kind of every-immigrant, clinging on at the margins of the French capital. Hailing from <a href=\"https:\/\/www.theguardian.com\/world\/guinea\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">Guinea<\/a>, he sublets the delivery app account of Cameroonian Emmanuel (Emmanuel Yovanie) in order to work. Under constant pressure to meet food delivery targets, he needs money in order to pay fellow Guinean Barry (Alpha Oumar Sow), who is coaching him how to pass his asylum interview the day after next. But the harassed Souleymane struggles to reproduce the details of the political repression story that Barry recommends he tell.<\/p>\n<\/p>\n<p class=\"dcr-130mj7b\">Riding shotgun with Souleymane as he crosses the Parisian boulevards, the film features some of the hairiest cycling scenes since Buster Keaton. Director Boris Lojkine shoots France\u2019s ever-shifting capital with hazy impressionistic beauty, occasionally breaking out of shallow focus with a sobering crystalline composition to situate his protagonist in this capitalist warren. But Souleymane is the constant focal point and in a precarious position \u2013 not just traffic-wise, but also economically and emotionally. As he needily bugs the app\u2019s call centre, then loses his rag with a restaurateur behind on his orders, the film watches these micro-humiliations steadily erode his soul.<\/p>\n<p class=\"dcr-130mj7b\">In its intimate accompaniment of an immigrant trying to make ends meet, Lojkine\u2019s film is reminiscent of <a href=\"https:\/\/www.theguardian.com\/film\/2006\/oct\/06\/worldcinema.drama\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Ramin Bahrani\u2019s 2005 New York-set drama Man Push Cart<\/a> \u2013 though it\u2019s even less sentimental in the full swing of the digital age, often curtly ending scenes as if on the same tight schedule as Souleymane. But the issues are fundamentally the same: the enforced invisibility of a class of economic migrants who are now so numerous that many game the system, doubling their exploitation. Sangar\u00e9\u2019s exemplary, unfeigned performance helps them speak.<\/p>\n<p class=\"dcr-130mj7b\"> Souleymane\u2019s Story is in UK and Irish cinemas from 17 October.<\/p>\n","protected":false},"excerpt":{"rendered":"There\u2019s a turnaround in the climax of this noctambulist Paris immigrant drama that suddenly charges the film\u2019s seemingly&hellip;\n","protected":false},"author":2,"featured_media":196848,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[96,2839,56,54,55],"class_list":["post-196847","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-entertainment","tag-movies","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/196847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=196847"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/196847\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/196848"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=196847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=196847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=196847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}