{"id":383903,"date":"2026-01-22T09:34:16","date_gmt":"2026-01-22T09:34:16","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/383903\/"},"modified":"2026-01-22T09:34:16","modified_gmt":"2026-01-22T09:34:16","slug":"reservoir-loneliness-well-being-and-photography","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/383903\/","title":{"rendered":"Reservoir: Loneliness, Well-Being and Photography"},"content":{"rendered":"

\"Lisa<\/a>In February 2025, the Los Angeles Center of Photography <\/a>initiated a new and innovative photographic generator, designed to create a shared repository of responses to the global loneliness crisis through visual storytelling. It was concepted and developed by\u00a0Jennifer Pritchard<\/a>, and Dr. Rotem Rozental <\/a>(Executive Director of LACP\u00a0and Chief Curator @rotroz). Six International educators were invited:\u00a0Mishka Henner<\/a> (UK) \/ Erik Kessels<\/a> (NL) \/ George Nobechi <\/a>(Japan) \/ Aline Smithson <\/a>(CA, USA) \/ Penelope Umbrico <\/a>(NY, USA) \/ Rodrigo Valenzuela<\/a> (CA, USA), and over 40 artists participated in this 9 month initiative.<\/p>\n

Opening on January 29th at the the Los Angeles Center of Photography<\/a>, from 6 \u2013 8pm, the exhibition will feature a expansive collection of photographic and video responses to Loneliness created over the last nine months. The artists include\u00a0Lynne Breitfeller<\/a> (NJ), Annette LeMay Burke<\/a> (CA), Julia Buteux <\/a>(RI), Chung-Ping Cheng<\/a> (CA), Cathy Cone<\/a> (VT), David Ellis<\/a> (CA), Allyson Ely<\/a> (CA), Nancy Farese<\/a> (CA), Leslie Gleim <\/a>(HI), Bootsy Holler <\/a>(CA), Rohina Hoffman <\/a>(CA), Valerie Horvath<\/a> (WA), Cynthia Johnston <\/a>(MA), Sandra Klein<\/a> (CA), Ana Leal <\/a>(Brazil), Dana Long Kim <\/a>(WA), T. Chick McClure<\/a> (CA), Lisa McCord <\/a>(CA), Christina McFaul <\/a>(CA), Stacy Mehrfar <\/a>(NY), Diane Meyer <\/a>(CA), Joan Morse <\/a>(WA) , Karen Pape<\/a> (VA), Gillian Peckham<\/a> (WA), Carl Pfirman<\/a> (CA), Olivia Phare<\/a> (AZ), Wendy Ploger <\/a>(AZ), Mario Rodriguez <\/a>(FL), Rosalie Rosenthal<\/a> (KY), Jacque Rupp <\/a>(CA), Patricia Sandler<\/a> (CA), Asiya al-Sharabi<\/a> (VA\/Egypt), Lisa Wissner-Slivka <\/a>(WA), Elisabeth Smolarz<\/a> (NY), Donna Tramatozzi<\/a> (MA), MG Vander Elst<\/a> (NY), Junko Yokota <\/a>(Ill), Ada Zieli\u0144ska <\/a>(POL).<\/p>\n

\"LeMayBurke\"<\/a><\/p>\n

Photos by \u00a9Annette LeMay Burke, Concept and Design by \u00a9Penelope Umbrico<\/p>\n

Dr. Rotem Rozental shares the concept:<\/p>\n

Much like reservoirs regulate the flow and storage of water, providing a sense of stability for their communities, this invitation-only collaborative project incubates new approaches through creative practice, research, and engagement.<\/p>\n

Extending and amplifying LACP\u2019s commitment to nurturing well-being and connectedness through visual storytelling, this multi-year project brings together artists, master teachers, art centers, curators, publishers, medical institutions, mental health specialists, and technology innovators to incubate, develop, and create groundbreaking projects, anchored in the meeting point of visual technologies, psychological and physical well-being and the ebbs and flows of human connection.<\/p>\n

Cohorts of artists and mentors representing a wide array of locations, approaches, ages, nationalities, and lived experiences will create new works that address the pervasiveness of loneliness in all areas of life\u2014from our shared existence with technology to ageism and the creative process.<\/p>\n

Each cohort explores a sub-theme selected by the artist. The cohorts and artists interact with one another through joint sessions, talks by guest speakers, and crits designed to forge a community across geographies and differences, seeking to overcome loneliness by nurturing an international network of peers.<\/p>\n

\"Ada<\/a><\/p>\n

\u00a9Ada Zielinska<\/p>\n

Background:<\/p>\n

In 2000, political scientist Robert Putnam suggested America is becoming a nation of loners, who lose trust in their institutions as they retreat from life in community to solitude. And it seems things have only gotten worse in the decades that followed. A study published in 2023 examined 1649 adult participants from Norway, the UK, and Australia, and highlighted a direct relation between time spent on social media and an increased feeling of loneliness. Paradoxically, the more technologically connected we are, the more alone and isolated we feel. The Covid pandemic, political and social polarization, global wars, and economic shifts\u2014 those external factors contribute to feelings of isolation and detachment. These issues are further exasperated in a place like Los Angeles, where physical topographies, distances, and access to transportation impact emotional landscapes and contribute to a sense of isolation.<\/p>\n

\"Diane<\/a><\/p>\n

\u00a9Diane Meyer, Empty Space of Nothing<\/p>\n

\"YOKOTA<\/a><\/p>\n

\u00a9Junko Yokota, Considering Possibilities<\/p>\n

About\u00a0the Los Angeles Center of Photography<\/a>: From its home in Downtown Los Angeles, LACP enables communities to capture, interpret, and reimagine the individual and cultural conflicts and the creative combustion that shape Los Angeles and influence the world. Each year, LACP offers hundreds of workshops and classes of all levels and genres online and in-person, it exhibits the work of over 300 photographers in virtual and in-person gallery exhibitions, which are free and open to the public. Additionally, LACP partners with multiple organizations to offer photography and visual literacy education for youth and children in underserved communities.<\/p>\n

Instagram: @la_centerofphoto<\/p>\n

\"From<\/a><\/p>\n

\u00a9 Stacy Arezou Mehfar, Aleph (08.10.25.1.10), from the series Aleph Medium: Archival pigment print Size: 30 x 50 inches Edition of 3<\/p>\n

Mehfar states : To make these photographs, I expose expired medium-format film to the blue sky, then open the back of the camera, deliberately flooding the film with light. The film fails, overexposes, fogs. The sun blinds the picture plane, resulting in images that oscillate between recognizable sky and pure abstraction. Each photograph possesses unique dimensions determined entirely by the sun\u2019s fogging of the film during the initial exposure.<\/p>\n

Aleph came as a response to the loss of my father. Questions of the afterlife struck me almost immediately after he passed in July 2024. The Babylonian Talmud describes\u00a0the afterlife as a place where \u201cthe righteous sit feasting on the brightness of the divine presence.\u201d They do not eat or drink; they consume light itself. Photography promises\u00a0to fix and preserve, making the image permanent and insensitive to light. By sabotaging the medium and inviting technical failure, the process itself becomes a means of investigating the unknown.<\/p>\n

The title references Borges\u2019 El Aleph\u2014a point where all things converge, where everything exists simultaneously\u2014and the Hebrew letter Aleph, \u05d0: the first letter of the alphabet\u00a0and a symbol of the connection between heaven and earth.<\/p>\n

\"A<\/a><\/p>\n

\u00a9Leslie Gleim, A Still Point in a Turning World<\/p>\n

\"Unsettled<\/a><\/p>\n

\u00a9Gillian Peckham, Unsettled Mind<\/p>\n

\"image0\"<\/a><\/p>\n

\u00a9Carl Pfirman, I\u2019m Following You.<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.<\/p>\n