{"id":384406,"date":"2026-01-22T15:36:08","date_gmt":"2026-01-22T15:36:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/384406\/"},"modified":"2026-01-22T15:36:08","modified_gmt":"2026-01-22T15:36:08","slug":"its-open-warfare-in-the-castle-how-the-traitors-lost-its-soul-television","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/384406\/","title":{"rendered":"It\u2019s open warfare in the castle! How The Traitors lost its soul | Television"},"content":{"rendered":"<p class=\"dcr-130mj7b\">For the past year, <a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/the-traitors\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">The Traitors<\/a> has had a massive problem. No, not the parade of indistinguishable white male contestants. Nor the way it increasingly kills off its most likable characters too early (RIP Jessie). Not even the fact that the disproportionate number of people of colour who leave the show early suggests it has a big problem with unconscious bias. Actually, sorry: let me rephrase. The Traitors has two massive problems.<\/p>\n<p class=\"dcr-130mj7b\">But here\u2019s the one that defines this series: what the point of the show actually is. The celebrity version blew the previous regular season of The Traitors out of the water. It was absolutely charming, featuring a bunch of lovely people playing a gripping game while committing the politest series of murders possible. It smashed the normal version in every sense: ratings, watchability, how instantly it hooked you. And it was always going to be that way, given that this is a show that functions best when you\u2019re rooting for as many contestants as possible. So when nearly every player is one you\u2019re already familiar with, it inevitably makes for more gripping TV than a series where you spend the first two weeks going: \u201cSorry, there\u2019s a guy in there called Jack?\u201d<\/p>\n<p class=\"dcr-130mj7b\">But the runaway success of The Celebrity Traitors has risked the standard version looking as if its USP is: \u201cThe dull one.\u201d The show\u2019s producers have decided to deal with that problem by amping up the drama. Before its launch, <a href=\"https:\/\/www.theguardian.com\/media\/claudia-winkleman\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">Claudia Winkleman<\/a> called its new direction \u201chardcore\u201d and \u201cbrutal\u201d, adding that: \u201cWe get some very juicy round tables \u2026 It gets very heated &#8230; it gets ugly.\u201d She\u2019s certainly not wrong. Some of this year\u2019s contestants seem incapable of having their name mentioned at the round table without blowing their stack. James is often tetchy. Jade is on a constant hair trigger. By the end of Friday\u2019s show, there was such bad blood that she even refused Matty\u2019s offer of a hug, and he had to come back to try again the following episode.<\/p>\n<p>Head to head \u2026 Harriet takes on Rachel.  Photograph: BBC\/Studio Lambert\/Euan Cherry<\/p>\n<p class=\"dcr-130mj7b\">There has also been open warfare in the castle for the first time, with Fiona explosively going head-to-head with Rachel in a way that seemed genuinely ill-tempered. Even Harriet\u2019s strategic attempt to take Rachel out devolved into such an unpleasantly aggressive breakfast shouting match that she has since told the Times: \u201cIt was awful watching it, I lost my temper and it\u2019s not nice to see that \u2026 It was so intense, the pressure just got to me. That was insane behaviour. I\u2019d never normally shout at someone I only met two weeks ago over breakfast.\u201d<\/p>\n<p class=\"dcr-130mj7b\">It is, frankly, a massive shame. When it was first broadcast, The Traitors was a breath of fresh air. It felt like a revolution in reality TV, not because it had a penchant for the dramatic, but because it was populated by hugely relatable people navigating reality TV dynamics in an extremely nice way. So endearingly understated were the first couple of seasons, that sometimes people got kicked out of the game because they admitted to playing the game. It was the most British reality show imaginable.<\/p>\n<p>\u2018On a constant hair trigger\u2019 \u2026 Jade in The Traitors. Photograph: BBC\/Studio Lambert\/Euan Cherry<\/p>\n<p class=\"dcr-130mj7b\">In its first season, The Traitors was hailed as channelling the joy of the first season of Big Brother \u2013 where a bunch of ordinary people captivated the nation by being low-key daffy. Whose most iconic moment involved the entire cast (and viewing public) uniting in their apocalyptic hatred of calculated gameplay \u2013 and vilifying a man called Nick for writing some names on a bit of paper. It was a comparison that felt very apt \u2013 like BB, the early outings of The Traitors charmed a broad audience, many of whom wouldn\u2019t normally go near the histrionics and confrontation of a typical reality show.<\/p>\n<p class=\"dcr-130mj7b\">In 2026, however, ruthless rules The Traitors. Winning the show has increasingly morphed into an exercise in who can be the most cut-throat. And that person, without question, is Rachel. She effortlessly batted away both Fiona and Harriet\u2019s ferocious attacks. The way she blindsided Ross with: \u201cWas Hugo this dramatic in the turret?\u201d at the round table was one of the most astonishingly brazen bits of gameplay the show has ever produced. She will seemingly stop at nothing to win \u2013 and it\u2019s working. Barring, of course, any last-minute dramatics from Faraazatha Christie.<\/p>\n<p>\u2018Read a copy of American Psycho as a training manual\u2019 \u2026 Paul Gorton in The Traitors series two. Photograph: Studio Lambert\/BBC<\/p>\n<p class=\"dcr-130mj7b\">There have been cut-throat players before, of course \u2013 season two\u2019s Paul Gorton even read a copy of American Psycho as a training manual. He didn\u2019t, however, manage to match his arrogance levels to his ability to not get booted out, <a href=\"https:\/\/www.theguardian.com\/commentisfree\/2024\/jan\/26\/the-traitors-game-reality-show-bbc\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">and proved an unwitting comic delight<\/a>. Series one\u2019s Wilf certainly had no compunction in stabbing his fellow traitors in the back. But his tendency to break down in tears when sticking the knife in \u2013 not to mention <a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2022\/dec\/22\/the-traitors-finale-review-so-thrilling-your-heart-wont-stop-hammering-in-your-chest\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">being gloriously undone by Kieran\u2019s parting shot<\/a> \u2013 kept him the right side of likable. And while there\u2019s been one other proper watch-through-fingers moment of brutality \u2013 <a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2024\/dec\/28\/we-all-love-tv-show-the-traitors-what-does-that-say-about-us\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Harry\u2019s betrayal of Mollie in season two\u2019s finale<\/a> \u2013 that, at least, came in the show\u2019s dying seconds.<\/p>\n<p class=\"dcr-130mj7b\">To watch The Traitors now, though, is no longer to immerse yourself in the friendliness that characterised previous seasons. Instead, it\u2019s to plunge yourself into an energy that feels much more predictably reality TV, with its histrionics and manufactured drama. Where, for the first time, truly unpleasant moments have flared up. It is, of course, still very watchable television, but given the state of the world right now, do we really want to see the UK\u2019s most lovely bit of reality escapism morph into something much harder and more aggressive? No thanks. In attempting to become a more brutal version of itself, it\u2019s hard not to suspect that The Traitors has lost something: a bit of its soul.<\/p>\n","protected":false},"excerpt":{"rendered":"For the past year, The Traitors has had a massive problem. No, not the parade of indistinguishable white&hellip;\n","protected":false},"author":2,"featured_media":384407,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[96,391,56,54,55],"class_list":{"0":"post-384406","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-tv","8":"tag-entertainment","9":"tag-tv","10":"tag-uk","11":"tag-united-kingdom","12":"tag-unitedkingdom"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/384406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=384406"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/384406\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/384407"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=384406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=384406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=384406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}