{"id":389698,"date":"2026-01-25T12:44:08","date_gmt":"2026-01-25T12:44:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/389698\/"},"modified":"2026-01-25T12:44:08","modified_gmt":"2026-01-25T12:44:08","slug":"a-new-minority-report-in-sight-with-the-first-images-of-the-sci-fi-film-starring-chris-pratt","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/389698\/","title":{"rendered":"A New Minority Report in Sight with the First Images of the Sci-Fi Film Starring Chris Pratt"},"content":{"rendered":"<p>\n\t\t\t\t\tChris Pratt steps into a future that looks familiar until it doesn\u2019t. The first images murmur Minority Report, but the questions they raise feel far more dangerous.\t\t\t\t<\/p>\n<p>First images of Reconnu coupable put Chris Pratt back in sci-fi mode, with a ticking-clock premise that wastes no time. Directed by Timur Bekmambetov, the thriller traps a man before an AI tribunal and gives him 90 minutes to prove his innocence. The footage leans into screen-based storytelling reminiscent of Searching, while echoes of Minority Report are hard to miss. With Rebecca Ferguson as the digital judge and Annabelle Wallis as the spouse in the crosshairs, the Sony release is slated for January 28, 2026.<\/p>\n<p>A glimpse into Found Guilty (Reconnu coupable): Chris Pratt\u2019s latest sci-fi adventure<\/p>\n<p>The cinematic world is buzzing as first-look footage from Found Guilty reveals an ambitious science-fiction thriller led by Chris Pratt. Set in a near-future world and built on high-tension stakes, the film blends character-driven storytelling with cutting-edge visuals. Slated for a January 28, 2026 release, it positions itself as a pulse-pounding addition to Pratt\u2019s genre work.<\/p>\n<p>Piecing together the future: an AI tribunal and a race against time<\/p>\n<p>At the core of Found Guilty is a chilling setup: an AI-governed tribunal where Pratt\u2019s character, accused of an unspecified crime, has only 90 minutes to prove his innocence. Directed by Timur Bekmambetov, a pioneer of the Screenlife approach popularized by projects like Searching, the film embraces immersive visual language built around screens and interfaces as framing devices.<\/p>\n<p>This production fuses the urgency of human survival with a sharp critique of technology\u2019s encroachment on personal freedom. Its premise invites comparison to Minority Report, echoing that classic\u2019s fascination with the interplay of justice and predictive systems.<\/p>\n<\/p>\n<p>A star-studded cast adds depth<\/p>\n<p>Pratt fronts the film after successes such as Guardians of the Galaxy and The Tomorrow War. Rebecca Ferguson portrays the calculating AI judge, a presence both detached and formidable, while Annabelle Wallis brings emotional stakes as the protagonist\u2019s wife. The ensemble is rounded out by Kali Reis and Rafi Gavron, whose roles add complexity to the narrative.<\/p>\n<p>This project also marks a reunion for Pratt and Bekmambetov after their collaboration on Wanted. The director\u2019s penchant for unconventional camera techniques and dynamic storytelling is primed to stand out in Found Guilty.<\/p>\n<p>A cinematic echo and timely critiques<\/p>\n<p>While Found Guilty crafts its own identity, it nods to landmark sci-fi about systems and surveillance, particularly Minority Report. Bekmambetov\u2019s sensibility keeps the film poised between innovation and homage, using interface-driven storytelling reminiscent of works like Searching to place audiences inside the protagonist\u2019s escalating crisis.<\/p>\n<p>With an early 2026 rollout on the horizon, all eyes are on how Sony Pictures France will build momentum. A first teaser posted on Instagram has already fueled speculation about the moral weight of an AI-administered justice system.<\/p>\n<p>A date to mark for sci-fi enthusiasts<\/p>\n<p>As January 28, 2026 approaches, Found Guilty looks set to deliver relentless pacing, thorny ethical stakes, and standout performances. Positioned as a potential high point for speculative cinema in 2026, it aims to ignite debate around technology, accountability, and the fragile boundaries of human judgment.<\/p>\n","protected":false},"excerpt":{"rendered":"Chris Pratt steps into a future that looks familiar until it doesn\u2019t. The first images murmur Minority Report,&hellip;\n","protected":false},"author":2,"featured_media":389699,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[96,2839,56,54,55],"class_list":{"0":"post-389698","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-entertainment","9":"tag-movies","10":"tag-uk","11":"tag-united-kingdom","12":"tag-unitedkingdom"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/389698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=389698"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/389698\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/389699"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=389698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=389698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=389698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}