The following year, Biever would photograph the Packers’ win in the first-ever Super Bowl, again alongside his dad, who would go on to photograph 35 Super Bowls alongside his son. The first ever Super Bowl wasn\u2019t the same crowds \u2013 or number of photographers \u2013 that the game has today. One of Biever\u2019s all-time favorite photos<\/a> shows wide receiver Max McGee running to the end zone with a line of empty seats behind him.<\/p>\n You may like<\/p>\n \n John Biever (on the right) stands in front of the NRG Stadium with two other photographers, Michael Zagaris and Peter Read Miller, before Super Bowl 51 in 2017. (Image credit: Michael Zagaris \/ Getty Images)<\/p>\n \u201cFirst of all, there weren\u2019t that many photographers on the sideline for the first one, like there are now,\u201d Biever told the Associated Press<\/a>. \u201cI remember Bob Hope being next to me at one point on the sidelines at the first Super Bowl. Hollywood stars would show up and just walk on the field and go where they wanted to go. And here\u2019s Bob Hope, and it\u2019s like, wow, for a kid from Wisconsin, that\u2019s pretty cool.\u201d<\/p>\n <\/p>\n Now, Biever has noted that there are usually three rows of photographers, and the sidelines have far less room to move around.<\/p>\n The second year, the teenage photographer would catch the winning touchdown for the 1967 Ice Bowl on film, a touchdown that allowed the Packers \u2013 and the Bievers \u2013 to photograph the second Super Bowl too.<\/p>\n The Packers’ Super Bowl streak ended after the first two, but Vernon Biever\u2019s friend at NFL Films helped the father-son photo team get passes for the next several games, until both of the Vievers received full NFL credentials.<\/p>\n \n John Biever captured this touchdown shot the last time that the Seahawks and Patriots faced off at a Super Bowl in 2015 (Image credit: John Biever \/ Sports Illustrated \/ Getty Images)<\/p>\n John Biever would go on to college, then work as a photo journalist before spending 30 years with Sports Illustrated, then photographing the games for NFL Photos.<\/p>\n That decades-long career comes with its fair share of stories. Once, he was hit in a play at the opening kickoff and broke his camera and his glasses. During the COVID-19 pandemic in 2021, photographers weren\u2019t allowed on the field, but Biever managed to get a stadium seat near the end zone and continue his streak of games.<\/p>\n Over the years, the gear has changed too, evolving from film to digital. In 2003, Biever used digital for the first time at a Super Bowl \u2013 the Canon EOS<\/a> 1D with the EF 600mm f\/4L IS USM lens. \u201cI’m sure the editors were not exactly sure these little digital flash media cards would work,\u201d he said<\/a>. Over the years, he\u2019s worked with both Canon and Nikon systems.<\/p>\n Biever told the New York Times<\/a> that Super Bowl 60 will be his final one, with retirement in his future. The photographer will turn 75 just a few days after this year\u2019s Super Bowl, leaving behind an iconic sports photography legacy.<\/p>\n![\"HOUSTON,](\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/02\/yh4d2HyYNXmerNyDemHTFS.jpg\")
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