{"id":458749,"date":"2026-03-05T10:42:09","date_gmt":"2026-03-05T10:42:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/458749\/"},"modified":"2026-03-05T10:42:09","modified_gmt":"2026-03-05T10:42:09","slug":"molly-vs-the-machines-a-harrowing-rage-inducing-documentary-about-social-media","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/458749\/","title":{"rendered":"Molly Vs the Machines \u2014 a harrowing, rage-inducing documentary about social media"},"content":{"rendered":"<p>Unlock the Editor\u2019s Digest for free<\/p>\n<p class=\"article__content-sign-up-topic-description o3-type-body-base\">Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.<\/p>\n<p>Molly Vs the Machines is a harrowing feature-length documentary that attempts to take on the giants of Silicon Valley by focusing on a teenage girl from north-west London and her father\u2019s fight for justice in her name. Molly Russell was 14 when she died in 2017. Her suicide came after months of viewing content on social media about depression and self-harm. Five years after her death, a UK inquest concluded that \u201cshe died from an act of self-harm whilst suffering from depression and the negative effects of online content.\u201d<\/p>\n<p>These negative effects have been minimised by the companies that distribute it, but this film does a coolly furious job of dismantling their defences. It is a collaboration between director Marc Silver, academic <a href=\"https:\/\/www.ft.com\/content\/0cca6054-6fc9-4a94-b2e2-890c50d956d5\" title=\"\" data-trackable=\"link\" rel=\"nofollow noopener\" target=\"_blank\">Shoshana Zuboff<\/a>, author of The Age of Surveillance Capitalism, and, provocatively, AI, producing a hybrid of documentary and dramatisation. The makers prompt AI software to tell the story of Molly Russell\u2019s life. The result is a brief history of the digital age: its evolution from the early days of optimistic anarchy to the present era of opportunistic, and many would say predatory, maximisation of profit. This runs alongside memories of Molly\u2019s childhood, as told by her family and friends, and gently explains how social media and the internet became an integral part of life for her and for her generation.<\/p>\n<p>The documentary attempts to tell a vast, sprawling tale of data harvesting and tech giants aiming to replace politics and even states, but its makers know that its greatest power lies in the personal and specific. Molly\u2019s father, Ian, makes the indelible point that he thought his daughter was safe at home, in her bedroom, but that, through her smartphone, others were making the decisions about what was suitable for her to see. He speaks with grace and eloquence about his decision to confront Meta about the company\u2019s insistence that many of the horrific posts his daughter saw were not in violation of their policies. <\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/03\/https:\/\/d1e00ek4ebabms.cloudfront.net\/production\/d8881a16-3066-4aa4-9afb-de85f9d798d4.jpg\" alt=\"Molly stands outside in a school uniform, with digital distortion and facial recognition graphics overlaying her image.\" data-image-type=\"image\" width=\"1643\" height=\"1095\" loading=\"lazy\"\/>Molly had viewed content on social media about depression and self-harm <\/p>\n<p>The film also recreates parts of the inquest, including some of the testimony of Meta\u2019s then \u201chead of health and wellbeing policy\u201d, Elizabeth Lagone, on a studio set. Much like Channel 4\u2019s 2022 film Grenfell, which used actors to dramatise parts of the Grenfell Tower inquiry, this technique makes plain the simple, horrifying facts of the case.<\/p>\n<p>This dramatisation is watched by Ian and by a group of Molly\u2019s school friends whose role here is vivid and deeply moving. They are older now, of course, as their friend will never be. The UK government has just begun its public consultation on a social media ban for under-16s. This distressing and insistent documentary shows what is at stake.<\/p>\n<p>\u2605\u2605\u2605\u2605\u2606<\/p>\n<p>Channel 4, March 5 at 9pm, then streaming<\/p>\n","protected":false},"excerpt":{"rendered":"Unlock the Editor\u2019s Digest for free Roula Khalaf, Editor of the FT, selects her favourite stories in this&hellip;\n","protected":false},"author":2,"featured_media":458750,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[96,2839,56,54,55],"class_list":["post-458749","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-entertainment","tag-movies","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/458749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=458749"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/458749\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/458750"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=458749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=458749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=458749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}