{"id":472485,"date":"2026-03-13T01:11:11","date_gmt":"2026-03-13T01:11:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/472485\/"},"modified":"2026-03-13T01:11:11","modified_gmt":"2026-03-13T01:11:11","slug":"in-the-blink-of-an-eye-review-painfully-sappy","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/472485\/","title":{"rendered":"In The Blink Of An Eye review \u2014 &#8216;painfully sappy&#8217;"},"content":{"rendered":"<p>The fates of a Neanderthal family, a modern-day couple, and a futuristic astronaut intertwine across the annals of human history.<\/p>\n<p>Veritable eons ago, Stanley Kubrick bridged the ancient yesterday to the distant tomorrow with a miraculous transition in <a href=\"https:\/\/www.empireonline.com\/movies\/reviews\/empire-essay-2001-space-odyssey-review\/\" target=\"_blank\" rel=\"nofollow noopener\">2001: A Space Odyssey<\/a>. Modern moviegoers might yawn at that famous cut from femur to spaceship; these days, Marvel blockbusters span centuries with abandon. The achingly earnest new sci-fi drama In\u00a0The\u00a0Blink\u00a0Of\u00a0An\u00a0Eye leaps whole millennia and back again multiple times over. Will audiences even, well, blink at its cross-cutting ambition?<\/p>\n<p><img alt=\"In The Blink Of An Eye\" loading=\"lazy\" decoding=\"async\" data-nimg=\"fill\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' %3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAQAAAC1HAwCAAAAC0lEQVR42mO8\/B8AAqsB1DKTUZgAAAAASUVORK5CYII='\/%3E%3C\/svg%3E&quot;)\"   src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/03\/In-The-Blink-Of-An-Eye-Review-scaled-e1773352541754.jpg\"\/><\/p>\n<p>Directed by <a href=\"https:\/\/www.empireonline.com\/movies\/features\/every-pixar-movie-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">Pixar<\/a> wizard Andrew Stanton (<a href=\"https:\/\/www.empireonline.com\/movies\/reviews\/wall-e-review\/\" target=\"_blank\" rel=\"nofollow noopener\">WALL\u2022E<\/a>, the forthcoming <a href=\"https:\/\/www.empireonline.com\/movies\/news\/toy-story-5-trailer-reunites-woody-and-buzz-as-the-gang-face-an-existential-tech-crisis\/\" target=\"_blank\" rel=\"nofollow noopener\">Toy Story 5<\/a>), this streaming-banished riddle juggles three timelines, toggling between mankind\u2019s past,\u00a0present\u00a0and future. We begin sometime during the Pleistocene Epoch, where a family of Neanderthals struggles to survive. No sooner have we met them than\u00a0we\u2019re\u00a0blipped forward hundreds of thousands of years to follow an academic (Rashida Jones) studying their\u00a0remains\u00a0while coping with a family illness and a long-distance relationship. Meanwhile \u2014 or rather, much later still \u2014 a lone astronaut (Kate McKinnon) settles into a space odyssey. Her mission:\u00a0relocate\u00a0a vulnerable cargo of embryos across the cosmos to humanity\u2019s new home.<\/p>\n<p>We\u2019re\u00a0all connected by our need for connection, the movie concludes \u2014 a less-than-profound insight to glean from the whole of human history.<\/p>\n<p>Watching In\u00a0The\u00a0Blink\u00a0Of\u00a0An\u00a0Eye,\u00a0it\u2019s\u00a0easy to see why it spent a Hollywood eternity unseen \u2014 first as a script nobody would film, then as a movie nobody would release. The respective stories of this intercut triptych never take on a life of their own. Having once wrung great pathos from the travails of a lonely robot, Stanton struggles to lend the similarly wordless dawn-of-man scenes here any visual or dramatic interest;\u00a0they\u2019re anthropological filler. Jones and Daveed Diggs have good chemistry in the 21st-century plotline, but their tentative romance must, by necessity, unfold in fast-forward montage. Likewise, while\u00a0it\u2019s\u00a0nice to see McKinnon tamp down her sketch-comic zaniness to play\u00a0scene partner to a friendlier HAL 9000,\u00a0she\u2019s\u00a0starring in a survival thriller reduced to essential functions only.<\/p>\n<p>We\u2019re\u00a0all connected by our need for connection, the movie concludes \u2014 a less-than-profound insight to glean from the whole of human history.\u00a0Maybe animation\u00a0could have animated such prosaic wisdom. But as with <a href=\"https:\/\/www.empireonline.com\/movies\/reviews\/john-carter-review\/\" target=\"_blank\" rel=\"nofollow noopener\">John Carter<\/a>, a live-action canvas limits Stanton\u2019s imagination. Even the tinkle of a Thomas Newman score\u00a0can\u2019t\u00a0provide a\u00a0Pixarian\u00a0sense of wonder.\u00a0Don\u2019t\u00a0expect Kubrickian splendour, either, from an epic with the chronological scope of 2001 but none of the wow factor. Meditating drippily on the grand cycle of life, In\u00a0The\u00a0Blink\u00a0Of\u00a0An\u00a0Eye plays more like <a href=\"https:\/\/www.empireonline.com\/movies\/reviews\/cloud-atlas-review\/\" target=\"_blank\" rel=\"nofollow noopener\">Cloud Atlas<\/a> as a self-help seminar. Into the streaming void it now goes, destined to fossilise under the sands of time.<\/p>\n<p>WALL\u2022E director Andrew Stanton weaves together three different stories across three different eras of human history. The result is a streaming epic as painfully sappy as it is structurally ambitious.<\/p>\n","protected":false},"excerpt":{"rendered":"The fates of a Neanderthal family, a modern-day couple, and a futuristic astronaut intertwine across the annals of&hellip;\n","protected":false},"author":2,"featured_media":472486,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[96,2839,56,54,55],"class_list":["post-472485","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-entertainment","tag-movies","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/472485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=472485"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/472485\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/472486"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=472485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=472485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=472485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}