{"id":47477,"date":"2025-08-06T08:34:09","date_gmt":"2025-08-06T08:34:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/47477\/"},"modified":"2025-08-06T08:34:09","modified_gmt":"2025-08-06T08:34:09","slug":"morning-links-for-august-5-2025","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/47477\/","title":{"rendered":"Morning Links for August 5, 2025"},"content":{"rendered":"<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tTo receive\u00a0<a href=\"https:\/\/www.artnews.com\/t\/morning-links\/\" rel=\"nofollow noopener\" target=\"_blank\">Morning Links<\/a>\u00a0in your inbox every weekday,\u00a0sign\u00a0up\u00a0for our\u00a0<a href=\"https:\/\/cloud.email.artnews.com\/artnews-signup\/\" rel=\"nofollow noopener\" target=\"_blank\">Breakfast with ARTnews<\/a>\u00a0newsletter.<\/p>\n<p>\t\tThe Headlines\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tA GULF OF SOFT POWER.\u00a0<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3Df65bffc8df28325c3962d6fc01032501eda3dcb30f0283b91fc9744f353054697de030d7d6a910580e15723f26e76be94067b09ca209bb3a&amp;data=05%7C02%7Cmduron%40artnews.com%7Cde19ec4ff484499d707008ddd422ef29%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638899968721806797%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=KnEh0WcKoxyzsLCeaPWOw7j%2B0gH2i3ngCpC03kKM4Gc%3D&amp;reserved=0\">Politico<\/a>\u00a0reports that\u00a0Qatar\u00a0has \u201ccemented its soft power\u201d in the art world, with the country launching an edition of\u00a0<a href=\"https:\/\/www.artnews.com\/t\/art-basel\/\" id=\"auto-tag_art-basel\" data-tag=\"art-basel\" rel=\"nofollow noopener\" target=\"_blank\">Art Basel<\/a>\u00a0in Doha next February. The move,\u00a0Politico\u2019sCarlo Martuscelli\u00a0writes, \u201creflects the growing influence of the Gulf region in the high-end art world, long dominated by Euro-American hubs,\u201d as evinced by its lavish spending \u201creportedly over $1 billion annually\u2014on iconic artworks, including C\u00e9zanne\u2019s\u00a0The Card Players and\u00a0Gauguin\u2019s\u00a0Nafea Faa Ipoipo.\u201d With the\u00a02022 FIFA World Cup\u00a0in\u00a0the rear view, the country is expanding its cultural endeavors through global partnerships. This ambition, though, has not come without criticism. Qatar has long faced ongoing scrutiny over labor rights, especially in light of World Cup infrastructure deaths,\u00a0 as well as a European Parliament corruption scandal that some have dubbed \u201cQatargate.\u201d\u00a0Critics like artist\u00a0Gregory Sholette\u00a0warn that art fairs risk becoming vehicles for political agendas, questioning how much the art world\u2019s elite is complicit in laundering reputations. Art Basel CEO\u00a0Noah Horowitz\u00a0deflected those criticisms to\u00a0Politico, praising Qatar\u2019s \u201cvisionary\u201d cultural investments.<\/p>\n<p>\t\tRelated Articles<\/p>\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2025\/08\/1754469249_441_GettyImages-91370075.jpg\" data-lazy-src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2025\/08\/1754469249_441_GettyImages-91370075.jpg\" alt=\"Two men in suit jackets in a gallery.\" data-lazy- data-lazy- height=\"\" width=\"\"\/><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tPOWER TO THE PEOPLE.\u00a0London\u2019s\u00a0National Gallery\u00a0has announced that it\u2019s going to engage with the public by way of a new initiative called\u00a0NG Citizens,\u00a0a representative panel, initially of 50 people, which will advise the museum on its future policy and direction. Or as the museum puts it, \u201cNG Citizens represents a bold step toward public participation, cementing the gallery as a pioneer in audience inclusion and setting a new standard for how national cultural institutions engage with the people they serve.\u201d In her\u00a0<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3Df65bffc8df28325cee16f2fd99e52bd2bbd6084299481cea3172e85230020ba55bf3f5e3a7f52875621cfb03650d0eade448102b27ad2c22&amp;data=05%7C02%7Cmduron%40artnews.com%7Cde19ec4ff484499d707008ddd422ef29%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638899968721833789%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=CsSUZU%2F3oJWQ8U5axPEyNRUV7qgvtrL5sj8EF5l2eWA%3D&amp;reserved=0\">latest column<\/a>\u00a0for the\u00a0London Standard,\u00a0Melanie McDonagh\u00a0\u00a0writes, \u201cIn general, if someone mentions the words Citizen\u2019s Assembly, just assume the worst. Whatever it is, it will be a buck-passing, backside-covering, partisan and annoying exercise in an institution \u2013 usually a government \u2013 trying to get through whatever measures it had in mind to begin with, only with the supposed sanction of the public.\u201d The National Gallery will choose its panelists via lottery by November, with 20 of them being embedded in the gallery\u2019s decision making for the next five years.\u00a0<\/p>\n<p>\t\tThe Digest\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tRonald Perelman\u2019s\u00a0$410 million art damage lawsuit is nearing a verdict. Summary arguments have been filed in a contentious dispute stemming from a 2018 fire at Perelman\u2019s East Hamptons estate. [<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3Df65bffc8df28325cc3bc28739572ce82956743cf95be474a96ae09eca72eabd2e9c598c339c9dd3d09f7327a7d4df344904e78302ea9f3dc&amp;data=05%7C02%7Cmduron%40artnews.com%7Cde19ec4ff484499d707008ddd422ef29%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638899968721887946%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=022RnihKmw6wF5fV7uIJ0rB7Se%2Fm91A2uSoAYjs2w3U%3D&amp;reserved=0\">Artnet News<\/a>]<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe\u00a0Brooklyn Museum, the\u00a0Los Angeles County Museum of Art, and\u00a0New York\u2019s Museum of Modern Art\u00a0are set to share 63 Impressionist, Post-Impressionist, and modern artworks from the\u00a0Henry and Rose Pearlman Foundation. [<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3Df65bffc8df28325cfe39d88857866c888fafccd9a728abef992c1122f943f688bfa200f6639a7c3ddf6d9647f4a4b8f5a9c0dd6e96af30ba&amp;data=05%7C02%7Cmduron%40artnews.com%7Cde19ec4ff484499d707008ddd422ef29%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638899968721910662%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=VLFHzXdYEPL52BLapWzJMX1Ip8iIosxM8MG1uUtH0uU%3D&amp;reserved=0\">The Art Newspaper<\/a>\u00a0\/\u00a0<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3Df65bffc8df28325cb88486e5436aa34e37a874a083d99efa112a0e9cd6c87319ec632318788dfecb1b1f77725e2dc7a00c8604790bcaaf78&amp;data=05%7C02%7Cmduron%40artnews.com%7Cde19ec4ff484499d707008ddd422ef29%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638899968721928417%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=imdnsN2UmlLGaaHNEj4d9MqS2rO%2BlmJgyH1UeVK8yJU%3D&amp;reserved=0\">ARTnews<\/a>\u00a0]<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tRead about how an exchange between psychoanalyst\u00a0Jamieson Webster\u00a0and performance artist\u00a0P. Staff\u00a0in the dimly lit Aspen Chapel \u201cechoed through the rest of\u00a0Aspen Art Week.\u201d [<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3Df65bffc8df28325c5491aabfcd92a25c02b7f3ea292fe862b30fa5a15868d6f662250b316e7ddc9a98d5ca7eeea9a45d8586b49c6cb47851&amp;data=05%7C02%7Cmduron%40artnews.com%7Cde19ec4ff484499d707008ddd422ef29%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638899968721945934%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=ztnfHFK%2BVMLhQMyo%2F%2BbfSxAwnFArK0Bk1Uf%2F0QxfYRM%3D&amp;reserved=0\">Interview Magazine<\/a>]<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe\u00a0Tate\u00a0is coming under increasing fire, with critics slating its programming, management, and\u00a0<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3Df65bffc8df28325c7eb465f19a40015b1ff8660b97c84505807f4a243157f928e693eb6743dc4433b49fb9db42d9d0087949d6593ecd98e4&amp;data=05%7C02%7Cmduron%40artnews.com%7Cde19ec4ff484499d707008ddd422ef29%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638899968721963212%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=JLJNIovZ46mZ%2FfrVSDBD2AgpJlRQkeTSthtRefS41Uw%3D&amp;reserved=0\">declining attendance<\/a>. Now\u00a0ArtReview\u00a0has weighed in with\u00a0an essay titled \u201cWhy No One Likes the Tate Anymore.\u201d\u00a0[<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3Df65bffc8df28325ce8452f9768a4e858ea5ccd025800b70cf977a3c995e7abac07db55625410057a97836d6ea306b77e1b73f20482822f0e&amp;data=05%7C02%7Cmduron%40artnews.com%7Cde19ec4ff484499d707008ddd422ef29%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638899968721980114%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=GVfk77yAJFMZ2XyOLKg18q6SiHO2DaWDS8YQJTBurzs%3D&amp;reserved=0\">ArtReview<\/a>]<\/p>\n<p>\t\tThe Kicker\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tTHE CASE OF THE MISSING EGGPLANTS.\u00a0Eggplants from\u00a0Still Life\u00a0(1992\/2025), an installation by artist\u00a0Suzann Victor\u00a0at the\u00a0National Gallery Singapore (NGS), are going missing, the\u00a0<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3Df65bffc8df28325cf889d52a64bf6bd61416e80fafc1d77a992fff8af889aeb6365f671719c9ba54e14f48e8f560fa8b4d8a2eef942d0b27&amp;data=05%7C02%7Cmduron%40artnews.com%7Cde19ec4ff484499d707008ddd422ef29%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638899968721997061%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=j4%2FqEd16faLab1ehoGiKWnEmB9jPRIEVOaaZYazXoyk%3D&amp;reserved=0\">Straits Times<\/a>\u00a0\u00a0reports. The artwork, featuring 200 real eggplants mounted on a wall, is part of the gallery\u2019s revamped exhibition, \u201cSingapore Stories: Pathways And Detours In Art.\u201d While the vegetables are meant to decompose naturally and be replaced regularly, several have been stolen before they had a chance to go rotten. Clear signs have since been installed to discourage tampering with the artwork, and gallery staff now monitor the installation regularly to ensure its integrity.\u00a0L\u00a0ocated on the museum\u2019s second floor, extending into a transitional walkway space, the\u00a0NGS noted that the artwork has \u201caroused unusual curiosity,\u201d with many visitors photographing and interacting with it closely. However, some people have comment online accusing the museum of wasting food.<\/p>\n","protected":false},"excerpt":{"rendered":"To receive\u00a0Morning Links\u00a0in your inbox every weekday,\u00a0sign\u00a0up\u00a0for our\u00a0Breakfast with ARTnews\u00a0newsletter. The Headlines A GULF OF SOFT POWER.\u00a0Politico\u00a0reports that\u00a0Qatar\u00a0has&hellip;\n","protected":false},"author":2,"featured_media":47478,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[26602,26603,6225,6485,6486,1120,96,22401,26604,56,54,55],"class_list":["post-47477","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-art-basel","tag-art-basel-qatar","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-design","tag-entertainment","tag-morning-links","tag-national-gallery-london","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/47477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=47477"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/47477\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/47478"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=47477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=47477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=47477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}