{"id":477730,"date":"2026-03-15T23:47:12","date_gmt":"2026-03-15T23:47:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/477730\/"},"modified":"2026-03-15T23:47:12","modified_gmt":"2026-03-15T23:47:12","slug":"mystifier-black-metal-and-blasphemy-in-brazil","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/477730\/","title":{"rendered":"Mystifier: black metal and blasphemy in Brazil"},"content":{"rendered":"

If Sepultura<\/a> became the international face of the Brazilian metal scene, then Mystifier represented is blasphemous underside. In 2020, as they released a documentary, Dois dias na Capital do Metal da Morte, mainman Armando \u2018Beelzeebubth\u2019 da Silva Concei\u00e7\u00e3o looked back over a career of chaos and provocation<\/p>\n

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The awe has its own force of gravity. The three members of Mystifier have made a pilgrimage to the Cemit\u00e9rio do Bonfim in Belo Horizonte, nearly 800 miles south of their hometown, Salvador, that sits on Brazil\u2019s east coast.<\/p>\n

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Amid row upon dense row of gothic gravestones and mausoleums stands a structure that has become the most potent epicentre of the country\u2019s underground metal scene and beyond. Flanked by two dark pillars holding up an imposing arched shrine, a contrasting white marbled, crucified Christ looks down, as if in mourning for the act of blasphemy that was carried out under its shadow.<\/p>\n

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It was here in 1987 that four bullet-belted, ghoulishly made-up teenagers shot the cover for the album without which Mystifier, and a host of other bands now sworn to the dark, would not exist: Sarc\u00f3fago\u2019s landmark black\/thrash debut, I.N.R.I..<\/p>\n

Band founder and guitarist, Armando \u2018Beelzeebubth\u2019 da Silva Concei\u00e7\u00e3o, vocalist, bassist and keyboard player Diego Do\u2019Urden and drummer Eduardo \u2018Warmonger\u2019 Amorim are being filmed for an online documentary on Mystifier, Dois dias na Capital do Metal da Morte (\u2018Two Days In The Capital Of Death Metal\u2019).<\/p>\n

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\"Mystifier\n<\/p>\n

Mystifier in the late 1980s (Image credit: Press)<\/p>\n

Across its 46 revealing minutes, it\u2019s made clear that their deep and profound connection to their roots is inseparable from the multi-faceted, often contrarian and trailblazing path they\u2019ve travelled since their formation two years after I.N.R.I.\u2019s release.<\/p>\n

\u201cTo talk about emotions is quite easy, right, my brothers?\u201d muses an overcome Beelzeebubth. \u201cTo talk about sensations is a little difficult.\u201d<\/p>\n

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Before I.N.R.I.\u2019s release, Beelzeebubth had been a diehard fan of Sepultura. Their original lead vocalist, Wagner Antichrist, had abandoned them for Sarc\u00f3fago, starting an inter-band feud in the process. Inspired to form a band of his own,in part a homage to the sacrilegious, blastbeating frenzy of his newfound heroes, Beelzeebubth took Mystifier into even darker, more primitive places over the course of two demos and their 1992 debut album, Wicca.<\/p>\n

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\"Mystifier\n<\/p>\n

Mystifier in the late 1980s (Image credit: Press)<\/p>\n

The bestial roars of then-vocalist Meugninousouan seemed to emanate from another realm, tapping into the kind of abyssal atmospheres that had been both early death and black metal\u2019s unholy grail, granted only to those whose sense of purpose was willing to go beyond the realms of the rational. The band even staged their own, I.N.R.I.-inspired photoshoot featuring a blood-stained Christ crawling with an equally blood-splattered cross as the band carried flaming torches behind him.<\/p>\n

Satanism was a symbol to be against the system, to be against the \u2018good people\u2019 \u2013 the rich ones who wanted to dominate and enslave the poor people <\/p>\n

Beelzeebubth<\/p>\n

\u201cI was only 18 years old when we took that picture for the back cover of Wicca,\u201d Beelzeebubth recalls. \u201cI wanted to take the most extreme shot that any band on the planet had ever done! Several people stopped their cars to watch us as we did the shoot.<\/p>\n

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\u201cA friend brought a dog to the session for some reason, and some Christian people said that it was blasphemy and called the fuckin\u2019 cops. But it was liberating. It was a time of many discoveries and many realisations in my life.\u201d<\/p>\n

If the release of I.N.R.I. was a watermark for some, not everyone was onboard from the off. \u201cThey were different times,\u201d says Beelzeebubth. \u201cSome thrash, death and grindcore bands did not support or like black metal bands. Sarc\u00f3fago faced a lot of rejection by that audience, mainly for the rivalry with Sepultura. It took time for Brazilians to open their minds to bands like us, Sarc\u00f3fago, Vulcano, Impurity and others.\u201d<\/p>\n

In the early 80s, the Brazilian underground was riven by factions: within cities, between cities, and between rival scenes. The military dictatorship that ruled over Brazil from 1964 to 1985, and the extreme levels of poverty that were deeply entrenched throughout the country, all created a violence-primed backdrop that was reflected in the raw, visceral nature of the music of that time.<\/p>\n

\u201cThe tribalism was very strong here in Brazil, for sure,\u201d says frontman Diego. \u201cThe skinheads had the Nazi guys and they were against the punks. But eventually the metal guys joined the punks and the hardcore people to fight the Nazis, because the skinhead guys were the real evil guys. If there are still a couple of them nowadays, they are afraid of coming out. Nobody ever sees a Nazi at concerts anymore.\u201d<\/p>\n

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\"Mystifier\n<\/p>\n

Mystifier guitarist Beelzeebubth in 2020 (Image credit: Press)<\/p>\n

The year of Mystifier\u2019s formation, Sepultura released Beneath The Remains, the album that, despite the inroads Sarc\u00f3fago had made, truly broke out of the Brazilian scene and made them an international sensation. As much as thrash, with its roots in social upheaval, had always been embedded in the Brazilian underground, their transition from the dank, deathly approach of their early years left the remaining Brazilian bands with ambivalent feelings.<\/p>\n

The skinheads had the Nazi guys and they were against the punks. But the metal guys joined the punks to fight the Nazis.<\/p>\n

Beelzeebubth<\/p>\n

\u201cSome of the bands tried to change a little bit to try out this new formula that Sepultura had, and some of the extreme people got upset because they were getting out of the Satanic extremity of the first two records,\u201d says Diego. \u201cBut back then it was so difficult to get into the international market. It was a game of luck and contacts.<\/p>\n

\u201cSo when Sepultura became famous, it was actually good for us, because the Brazilian scene stood out to the world. You could even say that it helped Mystifier because we were found by Osmose Productions after that.\u201d<\/p>\n

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\"Mystifier\n<\/p>\n

Mystifier in 2020 (Image credit: Press)<\/p>\n

Released by the French underground label, Mystifier\u2019s following two albums, 1993\u2019s G\u00f6etia and 1996\u2019s milestone The World Is So Good That Who Made It Doesn\u2019t Live Here, saw the band become a cult act worldwide while consciously refusing to fall into standard black metal tropes. Even the use of keyboards, along with the operatic vocals on The World Is So Good\u2026, forged their own, adversarial bond with black metal\u2019s founding, undiluted ideals.<\/p>\n

\u201cI don\u2019t like to repeat the same old formulas,\u201d states Beelzeebubth. \u201cI am always looking for new sources of inspiration. I didn\u2019t want to sound like a traditional Norwegian band, as many were doing for trading and profit.\u201d<\/p>\n

MYSTIFIER – An Elizabethan Devil Worshipper’s Prayer Book (LIVE in BH 2019) – YouTube
\n\"MYSTIFIER<\/p>\n

Watch On <\/a><\/p>\n

To this day, Mystifier are still a revered act. 2019\u2019s Protogoni Mavri Magiki Dynasteia, their first album in 18 years after a series of line-up battles, drew rave reviews and live shows induced states of feral rapture. Mystifier\u2019s driving belief in metal\u2019s darkest, most persevering forces is a boundless resource.<\/p>\n

\u201cI\u2019m an occultist,\u201d says Beelzeebubth. \u201cI have always been very interested in the mystery about the truth about our existence. I have kept my eyes opened during the night to see in the darkness, and I am devoted to bands that wrote their lyrics about it, such as Slayer, Venom, Possessed and Cirith Ungol. My imagination went from Heaven to Hell.\u201d<\/p>\n

\u201cIn Brazil,\u201d adds Diego, \u201cSatanism was a rebellious movement. If you look at the Brazilian bands that stood out at the time, everybody was from a poor background. So that condition of being poor and living a very difficult life, a dangerous life, a very violent life in the slums, that gave us the feeling of rebellion against all that was considered \u2018right\u2019.<\/p>\n

\u201cThat includes the church and the government, so the Satanism was a symbol to be against the system, to be against the \u2018good people\u2019 who actually were not good \u2013 the rich ones who wanted to dominate and enslave the poor people. It was a symbol of justice for us, to represent our fight.\u201d<\/p>\n

Originally published in Metal Hammer 339 (August 2020)<\/p>\n","protected":false},"excerpt":{"rendered":"If Sepultura became the international face of the Brazilian metal scene, then Mystifier represented is blasphemous underside. In…\n","protected":false},"author":2,"featured_media":477731,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[96,128,56,54,55],"class_list":["post-477730","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-entertainment","tag-music","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/477730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=477730"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/477730\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/477731"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=477730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=477730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=477730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}