{"id":483944,"date":"2026-03-19T11:46:11","date_gmt":"2026-03-19T11:46:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/483944\/"},"modified":"2026-03-19T11:46:11","modified_gmt":"2026-03-19T11:46:11","slug":"ready-or-not-2-here-i-come-review-sarah-michelle-gellar-is-back-to-her-best-in-this-very-gory-game-of-cat-and-mouse","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/483944\/","title":{"rendered":"Ready or Not 2: Here I Come review \u2013 Sarah Michelle Gellar is back to her best in this very gory game of cat and mouse"},"content":{"rendered":"<p>Your support helps us to tell the story<\/p>\n<p class=\"sc-1uza6dc-0 iCTyfe\">From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it&#8217;s investigating the financials of Elon Musk&#8217;s pro-Trump PAC or producing our latest documentary, &#8216;The A Word&#8217;, which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.<\/p>\n<p class=\"sc-1uza6dc-0 iCTyfe\">At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.<\/p>\n<p class=\"sc-1uza6dc-0 iCTyfe\">The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.<\/p>\n<p>Your support makes all the difference.Read more<\/p>\n<p>Ready or Not 2: Here I Come knows exactly why <a href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/films\/reviews\/ready-or-not-review-film-comedy-horror-samara-weaving-cast-a9120696.html\" title=\"Ready or Not: Horror-comedy doesn\u2019t mess around with its social commentary\" rel=\"nofollow noopener\" target=\"_blank\">its predecessor<\/a> was a hit. Matt Bettinelli-Olpin and Tyler Gillett\u2019s sequel to their 2019 horror, which earned $57m worldwide against its $6m budget, barely gives Grace (<a href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/films\/features\/samara-weaving-borderline-interview-b2823164.html\" title=\"Samara Weaving: \u2018Starring in a horror film shook the anxiety out of me \u2013 I didn\u2019t need my meds after that\u2019\" rel=\"nofollow noopener\" target=\"_blank\">Samara Weaving<\/a>) time to finish her cigarette before she\u2019s knocked back into action. Sat outside the smouldering ruins of her husband\u2019s family estate as the ambulances roll in \u2013 they chose to play a deadly game of hide and seek on her wedding night, so she blew them all up \u2013 she\u2019s swiftly carted off to hospital, stripped down and patched up, all so she can put right back on the shredded and bloodied remains of her bridal gown for round two.<\/p>\n<p>Her massacre of the Le Domas clan has left a power vacuum within the satanic one per cent, which can only apparently be solved with more deadly hide and seek. Rinse and repeat. It\u2019s not original, but it still works. Horror is the rare genre where you can simply reload the gun and fire off a few new rounds. And, this time, the bullets are of a particularly fine make: <a href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/tv\/features\/sarah-michelle-gellar-interview-wolf-pack-buffy-b2270585.html\" title=\"\u2018We were taught that other actresses were out to get you\u2019: Sarah Michelle Gellar on slaying, sexism and surviving Hollywood\" rel=\"nofollow noopener\" target=\"_blank\">Sarah Michelle Gellar<\/a>, Kathryn Newton, Elijah Wood, The Pitt\u2019s Shawn Hatosy, and, unexpectedly, The Fly director David Cronenberg all make an appearance.<\/p>\n<p>Grace can at least now rely on the help of her estranged sister Faith (Newton). Writers Guy Busick and R Christopher Murphy attempt to make their sequel about familial loyalty, the question of whether blood really is thicker than water, as Grace and Faith spend half the runtime bickering over who abandoned who. Meanwhile, brother-and-sister act Ursula (Gellar) and Titus Danforth (Hatosy) have been tasked by their imperious father (Cronenberg) to kill Grace and win the High Seat, which would in turn essentially hand them the keys to the world. But if they win, who actually wears the crown? Daddy didn\u2019t bother to explain that one.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/03\/ready-or-not-sarah-michelle-gellar.jpeg\"  loading=\"lazy\" alt=\"Sarah Michelle Gellar in \u2018Ready or Not 2: Here I Come\u2019\" class=\"sc-1mc30lb-0 ggpMaE inline-gallery-btn\"\/><\/p>\n<p>open image in gallery<\/p>\n<p>Sarah Michelle Gellar in \u2018Ready or Not 2: Here I Come\u2019 (Searchlight Pictures)<\/p>\n<p>Gellar\u2019s always at her best when she\u2019s able to slink back into the venomous skin of <a href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/films\/features\/cruel-intentions-soundtrack-b2506710.html\" title=\"Cruel Intentions at 25: Placebo, The Verve and the making of the greatest soundtrack in teen movie history\" rel=\"nofollow noopener\" target=\"_blank\">Cruel Intentions\u2019s Kathryn Merteuil<\/a>, and Wood has some fun with the placid, perma-smile of a lawyer tasked by the literal devil to explain the game\u2019s rules. And, boy, are there a lot of rules to explain, as the film manoeuvres itself to introduce its cabal of new assailants, chiefly the sniper-trained Ignacio El Caido (N\u00e9stor Carbonell), tycoon Wan Chen Xing (Olivia Cheng), and party boy Viraj Rajan (Nadeem Umar-Khitab).<\/p>\n<p>More subclauses are required to explain why Grace and Faith end up bathed in blood every other scene. Ready or Not 2 is exhaustingly attached to any image from the first film it deems \u201ciconic\u201d, yet the original was at least early to the \u201ceat the rich\u201d trend, and still feels more emotionally honest than a lot of what came after (think Anya Taylor-Joy smugly chowing down on her cheeseburger <a href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/films\/reviews\/the-menu-movie-review-anya-taylor-joy-b2225690.html\" title=\"The Menu review: Scattershot satire, but Ralph Fiennes and Anya Taylor-Joy are bliss\" rel=\"nofollow noopener\" target=\"_blank\">at the end of The Menu<\/a>).<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/03\/RON2_13898_v2.jpeg\"  loading=\"lazy\" alt=\"Kathryn Newton, Sarah Michelle Gellar and Samara Weaving in \u2018Ready or Not 2: Here I Come\u2019\" class=\"sc-1mc30lb-0 ggpMaE inline-gallery-btn\"\/><\/p>\n<p>open image in gallery<\/p>\n<p>Kathryn Newton, Sarah Michelle Gellar and Samara Weaving in \u2018Ready or Not 2: Here I Come\u2019 (Searchlight Pictures)<\/p>\n<p>Here, it\u2019s not a matter of vengeance against the elite but survival. And Weaving bellows and grunts like a wounded creature trying to get the boot off their back. While the world around her gets increasingly silly \u2013 to the film\u2019s credit, the excess is usually quite funny, and there\u2019s an inspired sequence involving mutual pepper spraying \u2013 Grace still stands at the centre with the kind of demented determination that recalls Marilyn Burns\u2019s Sally Hardesty laughing her head off as the truck drives away at the end of The Texas Chain Saw Massacre (1974). It\u2019s the same game, but it\u2019s easy to root for the same winner.<\/p>\n<p>Dir: Tyler Gillett, Matt Bettinelli-Olpin. Stars: Samara Weaving, Kathryn Newton, Sarah Michelle Gellar, Shawn Hatosy, David Cronenberg, Elijah Wood. Cert 15, 108 minutes.<\/p>\n<p>\u2018Ready or Not 2: Here I Come\u2019 is in cinemas from 20 March<\/p>\n","protected":false},"excerpt":{"rendered":"Your support helps us to tell the story From reproductive rights to climate change to Big Tech, The&hellip;\n","protected":false},"author":2,"featured_media":483945,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[96,2839,56,54,55],"class_list":["post-483944","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-entertainment","tag-movies","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/483944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=483944"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/483944\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/483945"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=483944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=483944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=483944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}