Lan has experienced a lot of awe during this new chapter, and so have many others. \u201cThere are some people, however, who bristle at the idea of using a machine to create art, and I understand their wariness,\u201d the illustrator says. \u201cThey might ask: Why are you using a machine to create art? Why can\u2019t you just paint those bananas or that flower yourself?\u201d The artist\u2019s honest answer is that she is simply far more interested in how she can use a plotter to paint at the moment, rather than painting or drawing herself.<\/p>\n
A lot of this interest stems from all the modifications the artist can make in the inbetween: \u201cI can modify my illustrations in dozens of different ways before they reach my pen plotters,\u201d she says, even down to the mark making. Lan has been trialing different recreations of her digital drawings by instructing the plotter to use \u201cshort dashes or long dashes, small or big dots or squiggles\u201d, she shares. Then there is choosing a medium \u2013 different pens, paintbrushes or highlighters, all of which create completely different impressions.<\/p>\n
\u201cI think it\u2019s kind of neat that plotters can produce work that feels both handmade and mechanical or robotic,\u201d Lan ends, \u201cI would describe the work that I\u2019m producing with my plotters as \u2018handmade with a machine\u2019 \u2013 even though I\u2019m using a machine to create art, I think the outcome carries some handmade spirit. They all start out as something that I put time and thought into.\u201d<\/p>\n
This new obsession has come along with a lot of other making, with the illustrator trying her hand at an embroidery machine<\/a>, some debossing<\/a> and even laser cutting<\/a> her colourful graphic drawings into satisfying puzzle pieces with wood. We\u2019ve thoroughly enjoyed following along for all of joys of these material explorations.<\/p>\n