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As ever, the biggest reasons for that are Charlie Cox and Vincent D\u2019Onofrio. As Daredevil \u2014\u00a0now clad in a black-and-red suit, with comics-accurate interlocking Ds \u2014\u00a0and Fisk, they routinely plumb the depths of their characters\u2019 emotions, even when the writing is broadly familiar.<\/p>\n
Speaking of hitting hard, the brutal action is a consistent highlight.<\/p>\n
As their eternal psychological chess game continues,\u00a0Scardapane\u00a0interrogates some depressingly relevant political themes: whether evidence still matters, the cost of integrity, and how even the smallest act of rebellion can make an impact. When Fisk\u2019s Anti-Vigilante Task Force sticks random New York citizens into vans for no reason at all,\u00a0it\u2019s\u00a0hard not to think about\u00a0what\u2019s\u00a0happening in the real world, and it makes everything hit that much harder.<\/p>\n
Speaking of hitting hard, the brutal action is a consistent highlight. While it\u00a0doesn\u2019t\u00a0aim for the ambitious long takes that helped put\u00a0Daredevil\u00a0on the map when it first debuted, there are multiple beautifully shot and immaculately choreographed sequences that leave their mark. Many of them involve Benjamin Poindexter, aka Bullseye (Wilson Bethel, having more fun in the role than ever before), for whom everything in his vicinity is a potentially lethal weapon.<\/p>\n
More standout action sequences arrive when Daredevil teams up with Jessica Jones<\/a> (Krysten Ritter). One of the few positives in\u00a0The Defenders<\/a>\u00a0was their fun dynamic, and\u00a0it\u2019s\u00a0a geeky delight to see them share the screen again, especially as it unlocks Daredevil\u2019s lighter side.<\/p>\n