{"id":523303,"date":"2026-04-10T12:34:10","date_gmt":"2026-04-10T12:34:10","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/523303\/"},"modified":"2026-04-10T12:34:10","modified_gmt":"2026-04-10T12:34:10","slug":"the-lowest-point-of-jim-jarmuschs-wildly-uneven-film-is-sadly-the-dublin-section-the-irish-times","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/523303\/","title":{"rendered":"The lowest point of Jim Jarmusch\u2019s wildly uneven film is sadly the Dublin section \u2013 The Irish Times"},"content":{"rendered":"<p>Father Mother Sister Brother <\/p>\n<p>\ue9d9 \ue9d9 \ue9d9 \ue9d7 \ue9d7 <\/p>\n<p>Director: Jim Jarmusch<\/p>\n<p>Cert: 12A<\/p>\n<p>Genre: Dramedy<\/p>\n<p>Starring:  Starring Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Sarah Greene, Indya Moore, Luka Sabbat <\/p>\n<p>Running Time: 1 hr 51 mins<\/p>\n<p class=\"c-paragraph paywall \">At 73, <a href=\"https:\/\/www.irishtimes.com\/tags\/jim-jarmusch\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/jim-jarmusch\/\">Jim Jarmusch<\/a> remains committed to his own brand of drollery. With Father Mother Sister Brother, an anthology of three loosely connected family dramas, he doubles down on the quiet minimalism that has characterised his work since Stranger Than Paradise. Not atypically for a portmanteau picture, <a href=\"https:\/\/www.irishtimes.com\/culture\/film\/2025\/09\/06\/dublin-set-jim-jarmusch-movie-scoops-golden-lion-at-venice-international-film-festival-2025\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/culture\/film\/2025\/09\/06\/dublin-set-jim-jarmusch-movie-scoops-golden-lion-at-venice-international-film-festival-2025\/\">this surprise winner<\/a> from last year\u2019s <a href=\"https:\/\/www.irishtimes.com\/tags\/venice-film-festival\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/venice-film-festival\/\">Venice film festival<\/a> is intermittently arresting and wildly uneven.<\/p>\n<p class=\"c-paragraph paywall \">An opening gambit, in which two siblings visit their estranged father, is the strongest chapter and clearly flags the theme of families ageing apart. Returning Jarmusch players <a href=\"https:\/\/www.irishtimes.com\/tags\/tom-waits\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/tom-waits\/\">Tom Waits<\/a> and <a href=\"https:\/\/www.irishtimes.com\/tags\/adam-driver\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/adam-driver\/\">Adam Driver<\/a> know their way around the director\u2019s deadpan and restraint: glances, pauses and the weight of what goes unsaid unpack familial fractures with comic precision. The performances are finely tuned, sneakily funny and the silences earned. <\/p>\n<p class=\"c-paragraph paywall \">The coming-together of estranged or distant relatives is a beat in a refrain. Subsequent chapters borrow and rework phrases (\u201cBob\u2019s your uncle\u201d), camera shots (notably, an overhead survey of tea) and awkward small talk with varying success.<\/p>\n<p class=\"c-paragraph paywall \">Sadly, the middle section, set in <a href=\"https:\/\/www.irishtimes.com\/tags\/dublin\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/dublin\/\">Dublin<\/a>, is the project\u2019s nadir. The city, alas, is as miscast as the formidable ensemble. The scenario \u2013 a very British afternoon tea between <a href=\"https:\/\/www.irishtimes.com\/tags\/charlotte-rampling\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/charlotte-rampling\/\">Charlotte Rampling\u2019s<\/a> mother and her two daughters in Dublin 7 (?) \u2013 never develops beyond suggestion. <a href=\"https:\/\/www.irishtimes.com\/tags\/cate-blanchett\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/cate-blanchett\/\">Cate Blanchett<\/a> (supposedly frumpy) and <a href=\"https:\/\/www.irishtimes.com\/tags\/vicky-krieps\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/vicky-krieps\/\">Vicky Krieps<\/a> (supposedly punkish) are all wrong and too try-hard for their sketchily outlined characters. A meta-joke concerning Krieps\u2019s anachronistic accent fails to land. Never mind the Luxembourgish brogue: everyone sounds off-key here. Worse, none of the players come close to mastering Jarmusch\u2019s signature laconicism.<\/p>\n<p class=\"c-paragraph paywall \">A final, tender segment concerns orphaned adult twins (Pose\u2019s Indya Moore and Grownish\u2019s Luka Sabbat) reunited in Paris and sifting through their late parents\u2019 effects. Their strolling, driving and easy chatter recapture something of the meandering humanity of the director\u2019s Night on Earth. It\u2019s a sweet coda for a minor entry in the filmmaker\u2019s impressive canon.<\/p>\n<p class=\"c-paragraph paywall \">In cinemas from Friday, April 10th<\/p>\n","protected":false},"excerpt":{"rendered":"Father Mother Sister Brother \ue9d9 \ue9d9 \ue9d9 \ue9d7 \ue9d7 Director: Jim Jarmusch Cert: 12A Genre: Dramedy Starring: Starring&hellip;\n","protected":false},"author":2,"featured_media":523304,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[25206,48218,151530,7157,96,10304,2839,86094,56,54,55,10306,156730],"class_list":{"0":"post-523303","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-adam-driver","9":"tag-cate-blanchett","10":"tag-charlotte-rampling","11":"tag-dublin","12":"tag-entertainment","13":"tag-jim-jarmusch","14":"tag-movies","15":"tag-tom-waits","16":"tag-uk","17":"tag-united-kingdom","18":"tag-unitedkingdom","19":"tag-venice-film-festival","20":"tag-vicky-krieps"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/523303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=523303"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/523303\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/523304"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=523303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=523303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=523303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}