{"id":559968,"date":"2026-05-01T04:59:12","date_gmt":"2026-05-01T04:59:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/559968\/"},"modified":"2026-05-01T04:59:12","modified_gmt":"2026-05-01T04:59:12","slug":"nancy-holt-review-cosmic-thrills-as-the-universes-hidden-power-is-unleashed-art","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/559968\/","title":{"rendered":"Nancy Holt review \u2013 cosmic thrills as the universe\u2019s hidden power is unleashed | Art"},"content":{"rendered":"<p class=\"dcr-130mj7b\">It pays to think big if you\u2019re an artist. You know, zoom out and try to get away from the minutiae of life, the tedium of the everyday, and think on a bit more of a universal scale instead. Land artist <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2021\/apr\/13\/tunnel-visionary-why-was-land-artist-nancy-holt-never-given-her-due\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Nancy Holt<\/a> (1938-2014) was a master at it; at using her work to place the body, and wider humanity, in a global, cosmic context. Holt and the other land artists of her generation \u2013 people like <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2015\/may\/18\/michael-heizer-art-rocks-city\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Michael Heizer<\/a>, <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2022\/nov\/15\/ive-drunk-from-every-river-on-dartmoor-land-artist-richard-long-on-changing-the-face-of-art\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Richard Long<\/a> and her partner, <a href=\"https:\/\/www.theguardian.com\/artanddesign\/jonathanjonesblog\/2015\/nov\/18\/robert-smithson-american-enigma-spiral-jetty-pop-new-york\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Robert Smithson<\/a> \u2013 wanted to break out of the restrictions of paint and canvas, stone and chisel, gallery and museum. Land, nature, the world itself, was the medium.<\/p>\n<p class=\"dcr-130mj7b\"><a href=\"https:\/\/www.goodwoodartfoundation.org\/art\/summer-programme-2026\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Goodwood<\/a> is a fine setting for the biggest UK exhibition of her work to date \u2013 an expansive, lush estate in the middle of the rolling West Sussex countryside. There are two big sculptural installations placed around the grounds, Ventilation System and Hydra\u2019s Head. In the first, a huge metallic mechanism pokes out of the vegetation around the main gallery; big tubular aluminium pipes, all interconnected, snaking their way around the place and back into the building.<\/p>\n<p>Is it this way? \u2026 Trail Markers (1969) at Lismore Castle, Ireland. Photograph: \u00a9 Holt\/Smithson Foundation \/ Licensed by Artists Rights Society, New York. Photograph: Ros Kavanagh<\/p>\n<p class=\"dcr-130mj7b\">Holt wanted to expose the hidden structures of our built environment, but the work feels more bodily than that. It\u2019s like the building\u2019s lungs, like a set of pulmonary ducts that bring in life and expel harmful gases. Ventilation is often hidden away in architecture because it vents out the noxious fumes of septic tanks or sewage systems, but here it\u2019s brought right out into the open. The building belches and breathes just like we do. There should be no shame in that. It\u2019s natural, it\u2019s the stuff of living.<\/p>\n<p class=\"dcr-130mj7b\">Then you walk outside, head through the idyllic meadow, stumble down into the gleaming white chalk quarry and find six little concrete pools filled with water, arranged like the head of the Hydra constellation. Seen from a viewing area above, they\u2019re darkened abysses, black holes that suck up the light, chasms that threaten to drag you in. But up close, suddenly, you see the trees reflecting back at you, birds flying past, the sky, your own face. It\u2019s outer space, distant stars, planet Earth, the birds and bees and trees all right here, in this exact moment. It\u2019s a portrait of you in the universe, a picture of its vastness and your own little place in it. Pretty good for some fetid, stagnant water.<\/p>\n<p>Views into the void \u2026 Hydra\u2019s Head, 1974, Lewiston, New York.   Photograph: Nancy Holt\/Holt\/Smithson Foundation \/ Licensed by Artists Rights Society, New York<\/p>\n<p class=\"dcr-130mj7b\">The rest of the works are in the main gallery space. There are photographs, diagrams and poems, and as is so often the case with land artists, they struggle to match up to the imposing power of the big outdoor works. One series of photos documents<a href=\"https:\/\/www.livefortheoutdoors.com\/magazines\/country-walking\/britains-most-beautiful-waymarkers-meet-the-long-distance-trail-signs-that-are-as-gorgeous-as-the-paths-theyre-on\/\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\"> <\/a>waymarkers on stones and gates in the countryside \u2013 little coloured dots on rocks, like tiny minimalist paintings in nature. Another series depicts an English forest where Holt buried a poem she wrote for Smithson, with instructions on how to find it. Except we don\u2019t get the poem, or the instructions. Just some photos of wet ferns.<\/p>\n<p class=\"dcr-130mj7b\">Other photos see Holt \u201cdrawing\u201d with light and shadow, making black and white curves and lines with slits in paper. They\u2019re pretty, but a little dull. A light installation shines a spotlight on mirrors, tracing elliptical reflections across the opposite wall. Her <a href=\"https:\/\/holtsmithsonfoundation.org\/sun-tunnels\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Sun Tunnels<\/a> \u2013 massive concrete cylinders installed in the Utah desert, channelling and corralling sunlight \u2013 is documented in a series of photos. They\u2019re all nice enough works, but they don\u2019t communicate her ideas of universal vastness and endless interconnectedness all that well.<\/p>\n<p class=\"dcr-130mj7b\">Which is a shame, because if they could have been bolder and somehow filled the grounds with Holt works on the same scale as Hydra\u2019s Head or Ventilation System, this would be a stunning show. But as it is, it just doesn\u2019t think big enough.<\/p>\n","protected":false},"excerpt":{"rendered":"It pays to think big if you\u2019re an artist. You know, zoom out and try to get away&hellip;\n","protected":false},"author":2,"featured_media":559969,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[6225,6485,6486,1120,96,56,54,55],"class_list":["post-559968","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-design","tag-entertainment","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/559968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=559968"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/559968\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/559969"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=559968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=559968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=559968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}