Groucho was the cigar-chomping wit with the improbable moustache, Chico was the piano-playing rustic grifter and Zeppo played the straight man and the lover. But as any Marx Brothers fan knows, Harpo was the pantomime, who cracked up the audience without saying a word, dressed in his tattered raincoat and curly wig. His persona was childlike and mischievous but also musical \u2013 he let his harp and his taxi horn do the talking. But now we get to see, or rather hear, a new side to Harpo Marx. A very special recording has been unearthed of Harpo in 1964 speaking to an audience, in character.<\/p>\n
Arthur \u201cHarpo\u201d Marx was born Adolph Marx in New York in 1888. He started performing with his brothers in 1910, and his nickname probably came about because of his instrument of choice \u2013 he was an entirely self-taught musician. By 1915, due to his nerves around speaking on stage, Harpo reinvented himself as a mute clown, and stayed that way, even when he was offered $50,000 to speak a single word (\u201cMurder!\u201d) in the Marx Brothers film A Night in Casablanca (1946).<\/p>\n
Harpo did sometimes speak to his live audiences, says historian Robert Bader, author of Four of the Three Musketeers: The Marx Brothers on Stage. \u201cIf the audience was good, or if he thought it was a great show, or the mood struck him, he would come out and do this speech.\u201d These monologues were known as Red\u2019s Speech, and in the 1920s, famous wit Alexander Woollcott wrote Harpo some bespoke lines, turning it into a \u201cvery loquacious, crazy speech with all these fancy words in it that Harpo himself would never have used\u201d. Harpo would step forward, unfurl an oversized scroll and begin chattering away. \u201cHe had a very soft-spoken way of speaking,\u201d remembers his son Bill Marx. \u201cOne of his one of his great joys was returning to his childhood, and it comes out in the way he speaks.\u201d<\/p>\n<\/p>\n
But these monologues, like the speeches he made for charitable causes, were never recorded. \u201cHe had a lovely voice,\u201d says Bader. \u201cHe should have done more. His line for years was, \u2018I don\u2019t want to tear down a character that it took me decades to build.\u2019 So when he went and did this in front of an audience, he did it for charity.\u201d<\/p>\n
In the early 1960s, Harpo officially retired three times due to his health, but couldn\u2019t resist performing. Bader says he was always looking for a loophole to get back on stage, arguing that charity gigs didn\u2019t really count as work. \u201cHarpo was always trying to play the angle where he wanted to go out and perform in front of people without saying it was work.\u201d<\/p>\n
Adverts for this particular fundraiser, for the Riverside Symphony Orchestra in southern California in March 1964, promised that the 75-year-old Harpo would speak, which was bound to get the public\u2019s attention: \u201cHarpo Marx will narrate Prokofiev\u2019s Peter and the Wolf in a version written by himself and Groucho.\u201d After the musical portion of the show, including the Toy Symphony, and two songs arranged by Bill, Harpo stepped up to the lectern and said: \u201cBelieve it or not \u2026 I\u2019m going to talk.\u201d That day, to an audience full of children, Harpo narrated Peter and the Wolf, which as Bill Marx explains was a family favourite: \u201cThat\u2019s his return to childhood. He loved the story.\u201d<\/p>\n
Harpo also a delivered a \u201cRed\u2019s Speech\u201d, mentioning two of his sons, who were there that night. He also included topical references to the Republican primaries that were then in full swing. That was his brother\u2019s influence, says Bader: \u201cHarpo never wore his politics on his sleeve, but Groucho did.\u201d You can also sense Harpo responding to the audience, improvising a little.<\/p>\n
Harpo with Groucho and Chico in At the Circus. Photograph: Cine Text\/Sportsphoto\/Allstar<\/p>\n
\u201cWhat was not advertised was that this time there would be a microphone to record Harpo\u2019s voice. And of course, one knew that it would be his final public performance. Harpo died six months later in September. That\u2019s what makes the discovery of these tapes so special. They were found almost by accident in a box labelled with an entirely different show. I was almost in tears,\u201d says Bader. \u201cIt was just so special for me.\u201d<\/p>\n
It took a lot of technical work to make the recordings clear. Harpo wasn\u2019t well practised at staying in the range of a microphone for one thing. But now the show can be enjoyed, just as it was in 1964. \u201cYou know, we try to keep the Marx Brothers alive every way we can,\u201d says Bader. \u201cThe people who were longtime Marx Brothers fans are going to see a side of him that they just weren\u2019t aware of.\u201d<\/p>\n
Bill describes the recording as \u201ca joy to listen to \u2026 a slice of comedic and film and stage history that should endure\u201d. He wasn\u2019t at the Riverside that night, but he remembers seeing his father perform for the first time at the London Palladium in 1950, when he was put to work as a 12-year-old propman, filling the pockets of Harpo\u2019s overcoat with all his toys and instruments. \u201cIt was my introduction to show business and what he did and how he did it. And the fact that people adored this man. As I do, still.\u201d<\/p>\n
Harpo Speaks!<\/a> <\/a>is available on 5 June from Ramseur Records<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Groucho was the cigar-chomping wit with the improbable moustache, Chico was the piano-playing rustic grifter and Zeppo played…\n","protected":false},"author":2,"featured_media":609974,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[6491,96,56,54,55],"class_list":["post-609973","post","type-post","status-publish","format-standard","has-post-thumbnail","category-celebrities","tag-celebrities","tag-entertainment","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/609973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=609973"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/609973\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/609974"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=609973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=609973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=609973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}