{"id":664920,"date":"2026-06-29T20:28:21","date_gmt":"2026-06-29T20:28:21","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/664920\/"},"modified":"2026-06-29T20:28:21","modified_gmt":"2026-06-29T20:28:21","slug":"the-10-most-problematic-movie-characters-of-the-1970s","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/664920\/","title":{"rendered":"The 10 most problematic movie characters of the 1970s"},"content":{"rendered":"<p>Paul in \u2018Last Tango in Paris\u2019 (Bernardo Bertolucci, 1973)<img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/06\/Paul-in-\u2018Last-Tango-in-Paris-Bernardo-Bertolucci-1973-Far-Out-Magazine.jpg\" alt=\"Paul in \u2018Last Tango in Paris\u2019 (Bernardo Bertolucci, 1973)\"\/><\/p>\n<p><a href=\"https:\/\/faroutmagazine.co.uk\/tags\/marlon-brando\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">Marlon Brando<\/a> and director Bernardo Bertolucci <a href=\"https:\/\/faroutmagazine.co.uk\/the-story-behind-the-notorious-shoot-of-last-tango-in-paris\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">were involved in a controversy during the making of the erotic drama Last Tango in Paris<\/a> that continues to generate backlash over the alleged abuses on set. A scene called for Brando\u2019s character, Paul, to rape his young lover, Maria Schneider\u2019s Jeanne, using butter as a lubricant, but Bertolucci wanted the female actor\u2019s honest reaction.<\/p>\n<p>Although she was aware that the scene would be intimate, she was not informed about the butter beforehand, meaning that Schneider\u2019s consent had been violated. While Brando revealed that he later attempted to apologise as he felt ashamed for going along with Bertolucci\u2019s intentions, it doesn\u2019t change that Schneider was traumatised by the incident, and was nearly 30 years younger than him at the time. It\u2019s instances like this that sparked the need for intimacy coordinators in the 21st century.<\/p>\n<\/p>\n<p>Mr Wint and Mr Kidd in \u2018Diamonds Are Forever\u2019 (Guy Hamilton, 1971)<img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/06\/Mr-Wint-and-Mr-Kidd-in-\u2018Diamonds-Are-Forever-Guy-Hamilton-1971-Far-Out-Magazine.jpg\" alt=\"Mr Wint and Mr Kidd in \u2018Diamonds Are Forever\u2019 (Guy Hamilton, 1971)\"\/><\/p>\n<p><a href=\"https:\/\/faroutmagazine.co.uk\/tags\/james-bond\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">James Bond<\/a> has had multiple<a href=\"https:\/\/faroutmagazine.co.uk\/pierce-brosnan-approved-bond-girl-didnt-want-job\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\"> problematic moments as a franchise<\/a> over the years, but Diamonds Are Forever was a particularly weak one for the series. It was after audiences lashed out at George Lazenby\u2019s interpretation of the character in the masterpiece On Her Majesty\u2019s Secret Service that EON convinced Sean Connery to return for one more film, which would be much broader and sillier than anything that came before.<\/p>\n<p>Although the film inexplicably featured the return of Blofeld, despite his implied death in You Only Live Twice, it also cast Bruce Glover and Putter Smith as Mr Wint and Mr Kidd, respectively, who are henchmen implied to be lovers. The film is already fairly outdated in its depiction of women and people of colour, but the extra touch of homophobia only makes Diamonds Are Forever worse when reassessing the entire franchise.<\/p>\n<\/p>\n<p>Tracy in \u2018Manhattan\u2019 (Woody Allen, 1979)<img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/06\/Mariel-Hemingway-Woody-Allen-Manhattan-1979-Far-Out-Magazine.jpg\" alt=\"Mariel Hemingway - Woody Allen - Manhattan - 1979\"\/><\/p>\n<p><a href=\"https:\/\/faroutmagazine.co.uk\/scarlett-johansson-defends-friendship-woody-allen\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">The controversies that continue<\/a> to surround <a href=\"https:\/\/faroutmagazine.co.uk\/tags\/woody-allen\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">Woody Allen<\/a> mean that virtually all of his films are problematic in one way or another, but Manhattan is perhaps the most disturbing in terms of its parallels to real life. Allen plays Isaac Davis, a comedy writer in New York, who is currently dating the 17-year-old Tracy, played by Mariel Hemingway in a performance that earned her an Academy Award nomination for \u2018Best Supporting Actress\u2019.<\/p>\n<p>That the film makes light of this relationship is troubling, especially since Isaac idolises Tracy\u2019s innocence before abandoning her because he is in love with Mary, played by Diane Keaton. Although the sexualisation of teenage girls is sadly a theme that is present in many of Allen\u2019s films, and would obviously come back to haunt him, Manhattan is particularly bad because he allegedly tried to make a pass at Hemingway in real life.<\/p>\n<\/p>\n<p>Commander Akiro Mitamura in \u20181941\u2019 (Steven Spielberg, 1979)<img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/06\/Commander-Akiro-Mitamura-in-\u20181941-Steven-Spielberg-1979-Far-Out-Magazine.jpg\" alt=\"Commander Akiro Mitamura in \u20181941\u2019 (Steven Spielberg, 1979)\"\/><\/p>\n<p><a href=\"https:\/\/faroutmagazine.co.uk\/tags\/steven-spielberg\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">Steven Spielberg<\/a> has had <a href=\"https:\/\/faroutmagazine.co.uk\/who-has-the-most-best-picture-nominations-in-oscars-history\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">such an unprecedented level of success in the industry<\/a> that his few misfires stick out like sore thumbs. It was after directing two stone-cold masterpieces in a row with Jaws and Close Encounters of the Third Kind that Spielberg attempted to make a raucous comedy with 1941, a satirical look at the bombing of Pearl Harbour that initiated the United States\u2019 involvement in World War II.<\/p>\n<p>1941 is more unfunny than it is offensive, as Spielberg overworks the film\u2019s gags to such an alarming degree that the experience becomes weightless. Nonetheless, casting the legendary Japanese actor Toshira Mifune as the stereotypical villain Commander Akiro Mitamura felt like a complete misuse of a great talent, and a slap in the face to the more grounded films he made about Japan in the aftermath of World War II with director Akira Kurosawa.<\/p>\n<\/p>\n<p>Paul Kersey in \u2018Death Wish\u2019 (Michael Winner, 1974)<img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/06\/Paul-Kersey-in-\u2018Death-Wish-Michael-Winner-1974-Far-Out-Magazine.jpg\" alt=\"Paul Kersey in \u2018Death Wish\u2019 (Michael Winner, 1974)\"\/><\/p>\n<p><a href=\"https:\/\/faroutmagazine.co.uk\/tags\/charles-bronson\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">Charles Bronson<\/a> was <a href=\"https:\/\/faroutmagazine.co.uk\/the-american-hero-who-became-an-iconic-hollywood-tough-guy\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">a former war hero <\/a>and bit part actor who got a chance to become a star with Death Wish, a shocking vigilante revenge thriller that turned into a sensation, playing Paul Kersey, a mild-mannered architect whose wife is killed by a vile gang of criminals, which leads him to pursue justice on his own when the cops prove to be incompetent. <\/p>\n<p>Although Death Wish may have begun as a commentary on the perseverance of violence in society, it was transformed into a right-wing fantasy about a vigilante who tracks down suspected criminals, most of whom belong to some sort of racial minority. The fact that the film was a success led to four sequels in which Bronson reprised his role, as well as a poorly timed remake in 2018, where Bruce Willis took over the role of Kersey.<\/p>\n<\/p>\n<p>Kenickie in \u2018Grease\u2019 (Randal Kleiser, 1978)<img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/06\/Kenickie-in-\u2018Grease-Randal-Kleiser-1978-Far-Out-Magazine.jpg\" alt=\"Kenickie in \u2018Grease\u2019 (Randal Kleiser, 1978)\"\/><\/p>\n<p>Grease became<a href=\"https:\/\/faroutmagazine.co.uk\/explaining-the-ending-of-grease\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\"> the biggest hit musical of the \u201870s<\/a> and landed a hit soundtrack, turning <a href=\"https:\/\/faroutmagazine.co.uk\/tags\/john-travolta\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">John Travolta<\/a> and Olivia Newton-John into icons of both cinema and music. Although there is a lot about Grease that is dated, most of it can be explained by the fact that it is set in a heightened, satirical version of the \u201850s that\u2019s based on the cultural idolisation of the era.<\/p>\n<p>That being said, the character of Kenickie, played by Jeff Conaway, the best friend of Travolta\u2019s Danny, has stoked controversy for a line in the song \u2018Summer Nights\u2019, in which he says \u2018Did she put up a fight?\u2019 when referencing Sandy. The line was altered in many of the subsequent television broadcasts of the film, and has since been changed in both staged musical performances and the Grease Live television event that aired for the film\u2019s anniversary.<\/p>\n<\/p>\n<p>Oliver Barrett IV in \u2018Love Story\u2019 (Arthur Hiller, 1970)<img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/06\/Love-Story-Arthur-Hiller-1970-Far-Out-Magazine.jpg\" alt=\"Love Story - Arthur Hiller - 1970\"\/><\/p>\n<p><a href=\"https:\/\/faroutmagazine.co.uk\/tags\/ryan-o-neal\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">Ryan O\u2019Neal<\/a> may have already <a href=\"https:\/\/faroutmagazine.co.uk\/the-devastating-story-behind-tatum-o-neils-oscar-win\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">been a problematic figure in real life<\/a>, but he\u2019s actually not why Love Story has aged so poorly. The film is an incredibly cloying, melodramatic romantic drama that promotes unhealthy standards about relationships, and O\u2019Neal\u2019s character, Oliver Barrett IV, is an entitled brat who never has a healthy dynamic with his girlfriend, Jenny Cavilleri, played by Ali McGraw.<\/p>\n<p>The line \u201cLove means never having to say you\u2019re sorry\u201d embodies the ridiculous double-standards at play in Love Story, which was based on a national bestseller and became the biggest film of its year. While there are plenty of older romance films that don\u2019t hold up to scrutiny, Love Story\u2019s success taught an entire generation the wrong lessons and might very well be to blame for the current popularity of other romance authors like Nicholas Sparks and Colleen Hoover.<\/p>\n<\/p>\n<p>Tripper in \u2018Meatballs\u2019 (Ivan Reitman, 1979)<img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/06\/Tripper-in-\u2018Meatballs-Ivan-Reitman-1979-Far-Out-Magazine.jpg\" alt=\"Tripper in \u2018Meatballs\u2019 (Ivan Reitman, 1979)\"\/><\/p>\n<p><a href=\"https:\/\/faroutmagazine.co.uk\/tags\/bill-murray\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">Bill Murray<\/a> had <a href=\"https:\/\/faroutmagazine.co.uk\/the-only-directors-who-understand-bill-murray-according-to-bill-murray\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">a fairly good relationship with director<\/a> Ivan Reitman, who would later give him his career-defining role in Ghostbusters, but neither had really refined their comedic craft at the point when they made Meatballs, one of the first films to capitalise on the popularity of the Saturday Night Live success.<\/p>\n<p>The raunchy comedy about camp counsellors leading a camp had the makings of a fun slapstick film like Animal House, but it\u2019s a bit too mean-spirited and gross, with Murray\u2019s character Tripper being a particularly intolerable aspect. Tripper harasses his female colleagues and needlessly puts kids in danger; it might have been funny if he had been adding some sort of sarcastic edge to the performance, but Tripper doesn\u2019t have any of the charm or intelligence that made Peter Venkman so perfect in Ghostbusters.<\/p>\n<\/p>\n<p>Heathcliff in \u2018Wuthering Heights\u2019 (Robert Fuest, 1970)<img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/06\/Heathcliff-in-\u2018Wuthering-Heights-Robert-Fuest-1970-Far-Out-Magazine.jpg\" alt=\"Heathcliff in \u2018Wuthering Heights\u2019 (Robert Fuest, 1970)\"\/><\/p>\n<p><a href=\"https:\/\/faroutmagazine.co.uk\/tags\/wuthering-heights\/\" rel=\"nofollow noopener\" target=\"_blank\">Wuthering Heights<\/a> has gone<a href=\"https:\/\/faroutmagazine.co.uk\/wuthering-heights-movie-review\/\" rel=\"nofollow noopener\" target=\"_blank\"> through many cinematic adaptations<\/a>, none of which have fully captured the essence of the novel, but the 1970 version directed by Robert Fuest is by far the most dull. It\u2019s a major issue when a film based on one of the subversive, heartbreaking psychological romantic dramas of all time is given a G-rating, as Furst\u2019s Wuthering Heights is afraid to have any edge.<\/p>\n<p>By sanding off the film from anything deeper, Timothy Dalton\u2019s Heathcliff seems to be just a tragic figure and a failed romantic lead, and not the abusive, cruel character that emerges in the novel. Wuthering Heights is a complex story of race, class, status, and social hierarchies, and to remove the obsessive emotions from Heathcliff\u2019s fixation on Catherine Earnshaw completely misses the point of what Emily Bront\u00eb was trying to say with her only novel.<\/p>\n<\/p>\n<p>Shun Gon in \u2018The Aristocats\u2019 (Wolfgang Reitherman, 1970)<img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/06\/Shun-Gon-in-\u2018The-Aristocats-Wolfgang-Reitherman-1970-Far-Out-Magazine.jpg\" alt=\"Shun Gon in \u2018The Aristocats\u2019 (Wolfgang Reitherman, 1970)\"\/><\/p>\n<p><a href=\"https:\/\/faroutmagazine.co.uk\/tags\/disney\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">Disney<\/a> has <a href=\"https:\/\/faroutmagazine.co.uk\/song-of-the-south-disney-racist-movie\/\" target=\"_blank\" rel=\"noopener nofollow\" title=\"\">more than a few classic films<\/a> that feature racially insensitive characters, and some of them have remained locked in their vault forever. Although the racist stereotypes in Dumbo and Pinocchio have the excuse that they were made in the \u201840s during the birth of animation, The Aristocats was seemingly released during an era in which Disney had evolved into a more progressive company, as there was nothing offensive in other films made that decade, such as Robin Hood and Pete\u2019s Dragon.<\/p>\n<p>Nonetheless, the character Shun Gon is among the most egregious of their stereotyped animal characters due to the exaggerated East Asian accent, and although Disney has managed to turn nearly all of its animated classics into live-action remakes in recent years, The Aristocats might be avoided entirely because of how hard it would be to deal with the outdated components.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"Paul in \u2018Last Tango in Paris\u2019 (Bernardo Bertolucci, 1973) Marlon Brando and director Bernardo Bertolucci were involved in&hellip;\n","protected":false},"author":2,"featured_media":664921,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[42201,27787,108340,42726,14718,166685,2973,6460,24516,96,37366,596,5453,2413,16360,2839,222786,222787,7198,56,54,55,52328,1829],"class_list":["post-664920","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-1970s","tag-action-movies","tag-animated-films","tag-bernardo-bertolucci","tag-bill-murray","tag-charles-bronson","tag-comedy","tag-disney","tag-drama","tag-entertainment","tag-grease","tag-homepage","tag-james-bond","tag-love","tag-marlon-brando","tag-movies","tag-parody","tag-ryan-o-neal","tag-steven-spielberg","tag-uk","tag-united-kingdom","tag-unitedkingdom","tag-woody-allen","tag-wuthering-heights"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/664920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=664920"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/664920\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/664921"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=664920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=664920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=664920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}