{"id":686956,"date":"2026-07-12T02:25:54","date_gmt":"2026-07-12T02:25:54","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/686956\/"},"modified":"2026-07-12T02:25:54","modified_gmt":"2026-07-12T02:25:54","slug":"robota-review-machines-on-the-march-in-next-gen-version-of-sci-fi-classic-theatre","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/686956\/","title":{"rendered":"Robota review \u2013 machines on the march in next-gen version of sci-fi classic | Theatre"},"content":{"rendered":"<p class=\"dcr-1s160rg\">If our world is currently thinking through the brave new future of generative AI and super intelligence, Karel \u010capek\u2019s 1920 play RUR: Rossum\u2019s Universal Robots proves the notion of robot consciousness and rebellion is not a new anxiety. So does Mary Shelley\u2019s Frankenstein, which \u010capek\u2019s drama resembles in its philosophical debates and moral warnings, despite its futurism.<\/p>\n<p class=\"dcr-1s160rg\">Ella Road adapts \u010capek\u2019s play for our times in this <a href=\"https:\/\/www.theguardian.com\/stage\/headlong\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">Headlong<\/a> and Schwarzman Centre co-production, its science apparently informed by research from Oxford University academics, which gives it a cutting-edge, real-world underpinning.<\/p>\n<p class=\"dcr-1s160rg\">The stage is presented as the operations office for the company, also named RUR, which is creating humanoids by mixing human flesh and blood with code and data at its headquarters on an island (a lovely, lush foliage and scaffold design by Loren Elstein). Dom (Trevor Fox) is the company\u2019s boss \u2013 a \u201cdom\u201d in more ways than one as he is having a Secretary-style, S&amp;M romance with his robot personal assistant, Sulla (Tiffany Gray).<\/p>\n<p>\u2018Informed by research from Oxford University academics\u2019 \u2026 Ronke\u0323 Ade\u0301ko\u0323lue\u0323\u0301jo\u0323\u0301 as Helen and Irfan Shamji as Ali in Robota by Ella Road. Photograph: Helen Murray<\/p>\n<p class=\"dcr-1s160rg\">An activist, Helen (Ronk\u1eb9 Ad\u00e9k\u1ecdlu\u1eb9\u0301j\u1ecd\u0301), who also happens to be the prime minister\u2019s daughter, infiltrates the island in a guerrilla protest. She thinks robots are sentient beings whose \u201chuman\u201d rights need to be protected. The plot thickens when the company creates a replica version of her (Umi Myers), and she subsequently embarks on a romance with Ali (Irfan Shamji), one of the few people on this island.<\/p>\n<p class=\"dcr-1s160rg\">Directed by Roy Alexander Weise, the story is rich in philosophical discussions about science, reproduction and humanness. That, in fact, is the problem in the static first half when every scenario becomes an opportunity to air an ethical or ontological debate.<\/p>\n<p class=\"dcr-1s160rg\">There is discussion on whether robots are capable of developing feelings and desire, as seems the case with robot Helen (Myers), as she becomes embroiled in Helen\u2019s romance with Ali. Alongside Helen\u2019s belief that these robots have a soul (though she seems to have changed her mind by the end), there are also reflections on fidelity \u2013 is Dom really cheating on his wife by having an affair with Sulla the robot? Like Frankenstein\u2019s monster, the robots begin to fight for their right to reproduce and the question of whether they should be allowed, morally, hovers.<\/p>\n<p class=\"dcr-1s160rg\">The pace picks up in the second half and there are sharp, unexpected turns. It is modern in its humour too; Helen is deemed a \u201cMarxist Trustafarian\u201d, and Sulla\u2019s glitching, followed by her rebellion, is an eye-popping comic highlight. It is a picaresque version of the robot apocalypse, no less a warning for its laughter, but a little too cartoonish to be truly chilling.<\/p>\n","protected":false},"excerpt":{"rendered":"If our world is currently thinking through the brave new future of generative AI and super intelligence, Karel&hellip;\n","protected":false},"author":2,"featured_media":686957,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[554,733,4308,86,56,54,55],"class_list":["post-686956","post","type-post","status-publish","format-standard","has-post-thumbnail","category-artificial-intelligence","tag-ai","tag-artificial-intelligence","tag-artificialintelligence","tag-technology","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/686956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=686956"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/686956\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/686957"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=686956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=686956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=686956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}