{"id":711427,"date":"2026-07-26T03:25:10","date_gmt":"2026-07-26T03:25:10","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/711427\/"},"modified":"2026-07-26T03:25:10","modified_gmt":"2026-07-26T03:25:10","slug":"angel-witch-by-angel-witch-the-story-behind-the-song","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/711427\/","title":{"rendered":"Angel Witch by Angel Witch; the story behind the song"},"content":{"rendered":"<p id=\"elk-feeb3aca-883f-11f1-aae1-4998d6b600e7\">Most musicians would absolutely love to pick the song that becomes their most cherished anthem. Unfortunately, life doesn\u2019t work like that. As he cheerfully admits today, Angel Witch singer\/guitarist Kevin Heybourne wrote the song that would give his band its name and become their perennial set-closer, when he was still a teenager, \u201cliterally just mucking about on my guitar, trying to write a song.<\/p>\n<p>\u201cIt\u2019s not like any of our other stuff, is it?\u201d he continues. \u201cAt that point there was no Angel Witch anyway. I was just finding my feet as a songwriter. It was just bedroom stuff, when your parents tell you turn it down, you know?\u201d<\/p>\n<p><a id=\"elk-seasonal\"\/><\/p>\n<p id=\"elk-feeb3aca-883f-11f1-aae1-4998d6b600e7-2\">Much has been written about those heady days in the early 80s when the <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.loudersound.com\/features\/amazing-nw-bhm-bands-should-have-been-bigger\" data-url=\"https:\/\/www.loudersound.com\/features\/amazing-nw-bhm-bands-should-have-been-bigger\" data-hl-processed=\"none\" data-mrf-recirculation=\"inline-link\" data-before-rewrite-localise=\"https:\/\/www.loudersound.com\/features\/amazing-nw-bhm-bands-should-have-been-bigger\" rel=\"nofollow noopener\" target=\"_blank\">New Wave Of British Heavy Metal<\/a> swept across the UK, conjuring countless great bands and inspiring Metallica in the process. But with the obvious exceptions of <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.loudersound.com\/features\/every-iron-maiden-album-ranked-from-worst-to-best\" data-url=\"https:\/\/www.loudersound.com\/features\/every-iron-maiden-album-ranked-from-worst-to-best\" data-hl-processed=\"none\" data-mrf-recirculation=\"inline-link\" data-before-rewrite-localise=\"https:\/\/www.loudersound.com\/features\/every-iron-maiden-album-ranked-from-worst-to-best\" rel=\"nofollow noopener\" target=\"_blank\">Iron Maiden<\/a>, <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.loudersound.com\/features\/def-leppard-best-albums\" data-url=\"https:\/\/www.loudersound.com\/features\/def-leppard-best-albums\" data-hl-processed=\"none\" data-mrf-recirculation=\"inline-link\" data-before-rewrite-localise=\"https:\/\/www.loudersound.com\/features\/def-leppard-best-albums\" rel=\"nofollow noopener\" target=\"_blank\">Def Leppard<\/a> and <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.loudersound.com\/features\/saxon-best-albums\" data-url=\"https:\/\/www.loudersound.com\/features\/saxon-best-albums\" data-hl-processed=\"none\" data-mrf-recirculation=\"inline-link\" data-before-rewrite-localise=\"https:\/\/www.loudersound.com\/features\/saxon-best-albums\" rel=\"nofollow noopener\" target=\"_blank\">Saxon<\/a>, few of the movement\u2019s key players truly deserved legendary status: Angel Witch being the key exception.<\/p>\n<p>Latest Videos From Louder<\/p>\n<p>Darker, heavier and more adventurous than their innumerable peers, Kevin\u2019s crew may not have equalled the commercial achievements of the aforementioned legendary trio, but their self-titled 1980 debut album is widely and rightly regarded as one of the genuine classic records of that era.<\/p>\n<p class=\"vanilla-image-block\" style=\"padding-top:56.25%;\">\n<p><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/07\/xDZTHMJMscBCefHb6MPa3k.jpg\" alt=\"Angel Witch&amp;rsquo;s Kevin Heybourne performing onstage in the early 1980s\"   loading=\"lazy\" data-new-v2-image=\"true\" data-original-mos=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/07\/xDZTHMJMscBCefHb6MPa3k.jpg\" data-pin-media=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/07\/xDZTHMJMscBCefHb6MPa3k.jpg\" class=\"rounded-[var(--image--border-radius,0)] inline\"\/>\n<\/p>\n<p>Angel Witch\u2019s Kevin Heybourne in the early 1980s (Image credit: George Bodnar Archive\/Iconicpix)<\/p>\n<p id=\"elk-64069900-8844-11f1-b015-096920383754\">And while the upbeat boogie rock of its opening title track (yes, it\u2019s Angel Witch by Angel Witch from the album Angel Witch) is in no way typical of their sound, it is a certified NWOBHM anthem. As Kevin notes with a chuckle, if he had tried to write a song that would endure for 40 years, it definitely wouldn\u2019t have worked out.<\/p>\n<p>            You may like<\/p>\n<p>\u201cThe whole NWOBHM thing didn\u2019t exist when I wrote Angel Witch,\u201d he recalls. \u201cWe were called Lucifer at that point and we were just a heavy rock band. I was in love with Sabbath, you know? I didn\u2019t like anything else I was hearing. I liked bands like Led Zep and Deep Purple, but I preferred the Sabs because it just made more sense to me, with everything that was happening around me. I thought, \u2018Why is everyone writing love songs?\u2019 I was into the fantasy thing and horror and I just felt that was more of the way to go.\u201d<\/p>\n<p>In fact, Angel Witch is one of Kevin\u2019s band\u2019s only upbeat and cheerful tunes, with lyrics that do seem to point to the internal monologue of a surly teenager. In stark contrast to the music, which kicks all manner of unholy arse, lines like, \u2018The more love I feel for you, the more you fade away\u2019 are unlikely to give Slayer sleepless nights.<\/p>\n<p class=\"newsletter-form__strapline\">Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!<\/p>\n<p>\u201cWell, it was a load of shit that just came out of my head at 17 years old!\u201d the guitarist laughs. \u201cIt\u2019s like a love song, but gone wrong. But I didn\u2019t spend days agonising over the words. It was just another rock song. I\u2019ve no fucking idea what would go through a 17-year-old\u2019s head now, but you had to think on your feet back then. Now you just go on YouTube and learn someone else\u2019s solo or whatever. It\u2019s a shame, really.\u201d<\/p>\n<p>While the rest of the material Kevin was writing as an aspiring teenage musician tended towards a more overtly Sabbath-influenced sprawl of riffs and atmosphere, Angel Witch itself was a snappy, three-minute rampage with a brilliantly simplistic chorus (\u2018You\u2019re an angel witch! You\u2019re an angel witch!\u2019) that, as it turns out, even incredibly drunk people at metal shows can sing along with. None of this was in Kevin\u2019s mind at the time, however. He was just trying to emulate one of his favourite bands.<\/p>\n<p id=\"elk-640699c8-8844-11f1-9704-77a371e7bdf8\">\u201cI\u2019d been listening to a [British psych rock legends] Pink Fairies track, Walk Don\u2019t Run,\u201d Kevin says. \u201cI just loved the groove they used for that and the way there was a pause between hitting each chord. I just worked around that and it just evolved from there. It was easy. The intro guitar part came a bit later. I thought, \u2018I\u2019ve got to start it somehow!\u2019 I\u2019ve got no idea where that came from. I was just messing around with the E and the B string, just to follow the chords, and it just appeared!\u201d<\/p>\n<p>            What to read next<\/p>\n<p>Lucifer became Angel Witch in 1978, just in time for the arrival of the New Wave Of British <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.loudersound.com\/tag\/hevay-metal\" data-auto-tag-linker=\"true\" data-url=\"https:\/\/www.loudersound.com\/tag\/hevay-metal\" data-hl-processed=\"none\" data-mrf-recirculation=\"inline-link\" data-before-rewrite-localise=\"https:\/\/www.loudersound.com\/tag\/hevay-metal\" rel=\"nofollow noopener\" target=\"_blank\">Heavy Metal<\/a>. The band\u2019s eventual breakthrough came three years later when they contributed a track, Baphomet, to a compilation album called Metal For Muthas that was released by EMI in February 1980.<\/p>\n<p>With two early Iron Maiden tracks and Baphomet standing out as the obvious highlights, it swiftly became a cult classic among NWOBHM aficionados, with Angel Witch widely acknowledged as the pick of the nascent bunch. As a result, as Maiden strode imperiously towards world domination, Kevin\u2019s band were next in line for a significant record deal.<\/p>\n<p>\u201cWe were actually one of the last bands to get signed from the rest of the NWOBHM bunch, but we were offered a deal by EMI,\u201d Kevin remembers. \u201cBut I didn\u2019t want to do it, mainly because Maiden had already been signed. The other guys in the band really wanted to do it, but the guy that was managing us at the time said, \u2018Do you really want to be under the shadow of a band that have already made it?\u2019 Maiden got a big deal. So we walked away from that. I don\u2019t regret it. You can\u2019t go back and change it.\u201d<\/p>\n<p>Signing instead to the more low-key Bronze Records imprint, Angel Witch headed to Roundhouse Studios in London, in autumn 1980, to record their first album. At this point, Kevin felt he was progressing as a songwriter and that Angel Witch was probably a bit too lightweight for inclusion on what could be the most important album his band would ever make.<\/p>\n<p>\u201cI honestly didn\u2019t think about doing the song for the album, but everyone said it had to be a bloody single!\u201d he laughs. \u201cThe producer said, \u2018It\u2019s got to be done!\u2019 so that happened. It evolved in the studio, actually. I changed a few bits and shortened it, because it used to be much longer with three verses and an extremely long solo, which I call \u2018practising on stage\u2019! Ha ha ha!\u201d<\/p>\n<p class=\"vanilla-image-block\" style=\"padding-top:56.25%;\">\n<p><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/07\/NY9U2LGMcRRUbgC8GkrkTH.jpg\" alt=\"Angel Witch performing onstage in 2013\"   loading=\"lazy\" data-new-v2-image=\"true\" data-original-mos=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/07\/NY9U2LGMcRRUbgC8GkrkTH.jpg\" data-pin-media=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/07\/NY9U2LGMcRRUbgC8GkrkTH.jpg\" class=\"rounded-[var(--image--border-radius,0)] inline\"\/>\n<\/p>\n<p>(Image credit: Kevin Nixon\/Metal Hammer Magazine\/Future via Getty Images\/Future via Getty Images)<\/p>\n<p id=\"elk-64069a86-8844-11f1-b3bb-cb0595fbd7ef\">Angel Witch\u2019s debut was released in December 1980, receiving a flurry of great reviews along the way. Nearly 40 years on, it still stands out as one of the few genuine classics of the NWOBHM era. But while deep cuts like Atlantis and Angel Of Death are a truer representation of Kevin Heybourne\u2019s unique song-writing, it was the album\u2019s titular opening track \u2013 released as a single just before the album\u2019s unveiling \u2013 that somewhat inevitably became Angel Witch\u2019s not-so-secret weapon for all future live engagements.<\/p>\n<p>\u201cYeah, people were liking it straight away,\u201d Kevin says. \u201cThere was a big push from the record company when it was released as a single. So people knew it and they expected it and it ended up that we had to play it. I think at one point we were doing it twice, at the beginning of the set and at the end! That was stupid, really. But yeah, as a song, it\u2019s basically nailed to my back! Ha ha ha!\u201d<\/p>\n<p>After calling it a day in the mid-80s, Kevin brought Angel Witch back from the dead multiple times, most recently reuniting the band in 2008 with a new line-up and realising, much to his surprise, that they were more in demand than ever. Of course, he can never scratch Angel Witch from the setlist, but playing it every night isn\u2019t an issue.<\/p>\n<p>\u201cOh, I have to. It\u2019s the name of the band! If you take it out then there is no Angel Witch.\u201d<\/p>\n<p>Originally published in Metal Hammer issue 330 (December 2019) <\/p>\n","protected":false},"excerpt":{"rendered":"Most musicians would absolutely love to pick the song that becomes their most cherished anthem. Unfortunately, life doesn\u2019t&hellip;\n","protected":false},"author":2,"featured_media":711428,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[96,128,56,54,55],"class_list":["post-711427","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-entertainment","tag-music","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/711427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=711427"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/711427\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/711428"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=711427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=711427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=711427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}