{"id":742082,"date":"2026-08-18T17:46:08","date_gmt":"2026-08-18T17:46:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/742082\/"},"modified":"2026-08-18T17:46:08","modified_gmt":"2026-08-18T17:46:08","slug":"even-its-loos-are-on-the-outside-hi-tech-inside-out-marvel-the-lloyds-building-is-partying-with-the-public-architecture","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/742082\/","title":{"rendered":"\u2018Even its loos are on the outside\u2019: hi-tech, inside-out marvel the Lloyd\u2019s building is partying with the public | Architecture"},"content":{"rendered":"

In his 2012 book A New Kind of Bleak, the critic Owen Hatherley<\/a> called it \u201cmonstrous, compelling\u201d and utterly messed-up. Back in the 1980s, a then Prince Charles suggested it had been inspired by a North Sea oil rig. But none of this stopped it from becoming, in 2011, the youngest ever building to be given Grade I-listed status in the UK.<\/p>\n

And now, as part of its 40th anniversary celebrations, the Lloyd\u2019s building will open to the public for the first time since 2014 for one day only during London\u2019s Open House festival. The iconic building in the heart of the financial district was designed by architect Richard Rogers<\/a> to house the global insurance marketplace. Its futuristic facade has been a celebrated part of the City of London skyline since it opened in 1986, but the interior is rarely seen by the public. Visitor galleries with a view of the trading floor have long been shut for security reasons.<\/p>\n

double quotation markThe Adam Room was sliced into 1,500 pieces and moved to Lloyd\u2019s HQ<\/p>\n

Open House festival is organised by the charity Open City, which aims to make architecture more accessible by inviting government offices, private properties and heritage buildings to let the public in. Free tickets for the Lloyd\u2019s building are released tomorrow for the one day the building is open, on 19 September. The tour will include the underwriting room and the Adam Room as well as examining how the building was designed. \u201cThere was whooping in the office when the Lloyd\u2019s building came in,\u201d says festival director Celia Mead, \u201cbecause we know our visitors really, really want to get inside this landmark institution.\u201d<\/p>\n

Compared with the Parthenon \u2026 Lloyd\u2019s main trading floor, with its mahogany \u2018temple\u2019 holding the Lutine Bell, rung at moments of disaster. Photograph: Jason Alden\/Lloyds<\/p>\n

Lloyd\u2019s is a key example of British hi-tech architecture. This late modernist style evolved in the 1970s and celebrates industrial engineering and prefabricated materials. Lloyd\u2019s is famous for its exposed concrete frame and the six external steel towers that house its staircases, lifts, pipes and ducts. The building\u2019s 12 glass lifts were the first of their kind in the UK, and each tower is permanently topped with steel cranes – partly for maintenance but also to make the building look like a gothic cathedral.<\/p>\n

\u201cIt\u2019s a masterpiece of radical, inside-out architecture,\u201d says Mead, \u201crepresenting London\u2019s confidence and swagger.\u201d From the street, she says, \u201cit catches the attention and you wonder, \u2018What could it be like inside?\u2019\u201d Mead has experienced the building first-hand: \u201cMy mum was an economics teacher and I joined one of her school trips to Lloyd\u2019s 38 years ago. I remember then thinking it was huge.\u201d<\/p>\n

With all the infrastructure removed from the inside, the Lloyd\u2019s building has capacity for a double-height space for the trading floor and a galleried atrium that reaches to the steel and glass barrel-vaulted roof, 14 floors above. Historian Reyner Banham compared the atrium to the Parthenon when he presented Rogers with the Royal Institute of British Architects\u2019 gold medal in 1985.<\/p>\n

The building also includes historical artefacts from Lloyd\u2019s of London\u2019s 338-year history. The Adam Room, originally designed in 1763 for Bowood House in Wiltshire by neoclassical architect Robert Adam, was sliced into 1,500 pieces in 1958 and moved to Lloyd\u2019s HQ. The old library from Lloyds\u2019 former home in the Cooper building on Leadenhall Street \u2013 designed by Sir Edwin Cooper in 1928 \u2013 was similarly salvaged. There is also a 1958 war memorial stained glass by artist Hugh Easton while, on the main trading floor, the Lutine Bell sits, hung within a mahogany, pillared temple. The bell, rescued from the wreck of HMS Lutine, has been used since 1858 to alert insurance underwriters to a maritime disaster. It\u2019s still used to acknowledge ceremonial occasions such as Remembrance Sunday.<\/p>\n

Pieced together \u2026the 18th-century Adam Room within the Lloyds building at One Lime Street. Photograph: Northern Exposure\/Alamy<\/p>\n

The Lloyd\u2019s building\u2019s place in British culture is nuanced. It appeared in 1986, the same year the City was deregulated<\/a>, and came to symbolise that gear change to a voracious capitalist financial market shaped by international powers. The design\u2019s references to industrialism and religion married to futurism invite ruminations about ideas of power in British history.<\/p>\n

Architecturally, though, its reputation has endured. Not everyone is as damning as King Charles. Historian Geraint Franklin, of Historic England, who last year featured the building on the cover of his book High-Tech Britain, says it was designed to adapt and evolve. \u201cLloyd\u2019s is flexible. Its services, lifts and even loos are mounted on the outside, freeing up the workplace inside. In recent years, the glazing has been renovated, carefully recutting the original \u2018sparkle glass\u2019.\u201d This refers to textured glass panes that refract light so the building glitters in the sun.<\/p>\n

\u201cThe main trading areas have been recently refurbished,\u201d adds Franklin. \u201cOn paper, the plan is rational and diagrammatic, but it\u2019s a dynamic, romantic exterior. Lloyd\u2019s was never intended to be taken in at a single glance but to be encountered in snatched views from the streets. It\u2019s obsessively detailed \u2013 with stainless steel, glass and white concrete making up a sharp City palette, highlighted by careful lighting.\u201d<\/p>\n

Mead is just pleased that more people will get to experience this. \u201cIn our programme of over 730 buildings, Lloyd\u2019s is perhaps the greatest statement building. It\u2019s heavyweight, look-at-me and counterintuitive. We\u2019re all about the social impact that access brings \u2013 it gives people a sense of belonging to the city. Can\u2019t wait to hear what they say about Lloyd\u2019s.\u201d<\/p>\n

Tickets to Lloyd\u2019s are free but must be booked in advance at openhouse.org.uk<\/a>. Booking opens at noon tomorrow. London Open House festival runs 12-20 September.<\/p>\n","protected":false},"excerpt":{"rendered":"In his 2012 book A New Kind of Bleak, the critic Owen Hatherley called it \u201cmonstrous, compelling\u201d and…\n","protected":false},"author":2,"featured_media":742083,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[6225,6485,6486,1120,96,56,54,55],"class_list":["post-742082","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-design","tag-entertainment","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/742082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=742082"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/742082\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/742083"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=742082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=742082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=742082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}