{"id":787708,"date":"2026-09-30T18:46:11","date_gmt":"2026-09-30T18:46:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/787708\/"},"modified":"2026-09-30T18:46:11","modified_gmt":"2026-09-30T18:46:11","slug":"he-said-the-secret-to-a-happy-life-is-attention-to-the-details-william-morris-gallery-reopens-after-major-rehang-and-restoration-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/787708\/","title":{"rendered":"\u2018He said the secret to a happy life is attention to the details\u2019: William Morris Gallery reopens after major rehang and restoration &#8211; The Art Newspaper"},"content":{"rendered":"<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The William Morris Gallery in Walthamstow, northeast London, located in a Grade II-listed manor the artist lived in as a teenager, is reopening this Saturday (3 October) after a major rehang and revamp. Six gallery spaces have been transformed, new discoveries have been brought out on view, while the gallery\u2019s collection has been rearranged in a way that provides a more nuanced, expanded view of its complex and often contradictory namesake. <\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The project is the first major overhaul at the gallery since it was redeveloped in 2012, and its reopening has been timed to mark the 130th anniversary of Morris&#8217;s death.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">A major focus, says the architect Sam Jacob, has been on the building\u2019s role as a former home: \u201cWhat we tried to do all the way through was to try to bring a bit more of a domestic sensibility to it,\u201d he tells The Art Newspaper. Interior architectural details have been brought out with the careful use of colour, local craftspeople have been commissioned to create plinths that look like furniture, and new features have been added that give a cosy, accessible feel to the building. Above the front door, for example, hangs a hand-blown lamp by the designer Stewart Hearn, to help \u201cmake this feel like a home,\u201d says gallery director Hadrian Garrard, \u201cand like a place that you don&#8217;t feel intimidated to walk into\u201d.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">For Garrard this approach aligns closely with Morris\u2019s own philosophy, as well as the identity of the institution, which is home to the world\u2019s most comprehensive collection of Morris\u2019s work as a designer, writer and activist.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cMorris said that the secret to a happy life is proper attention to the details of the everyday,\u201d he says. \u201cSo rather than us building a new wing, having a big piece of glass, and working with an architect to make a very overt statement, this is a room by room, detailed, thoughtful restoration that is financially sustainable and has been done in response to people that use the gallery.\u201d Waltham Forest borough locals have been consulted in the process; community members were invited to contribute interpretation of the works on display, family workshops were held to help ensure labels are accessible to all ages, and a community advisory panel was invited to feed back on curation, communications and interpretation.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The redevelopment has also sought to address the conflicting character and life of Morris, who was born into great privilege but spent much of his life pursuing socialist ideals, and who wished for everyone to own beautiful things but whose own textile creations\u2014through his company Morris &amp; Co\u2014were only affordable to the wealthy few.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Throughout the house are \u201cgentle prompts\u201d towards his complex biography, Garrard explains. They begin in the entrance hall, where the information desk has been redone in copper. \u201cWe chose copper because the reason William Morris was so well set up in life was due to his father\u2019s investment in the Devon Great Consols Mine in Tavistock,\u201d in which workers, <a class=\"transition-colors duration-default shadow-externalLink hover:text-red-1\" href=\"https:\/\/morrissociety.org\/wp-content\/uploads\/W02.15.1.Eisenmann.pdf\" target=\"_blank\" rel=\"nofollow noopener\">including children<\/a>, laboured in poor conditions.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The desk is \u201ca tribute in a way to that complicated history,\u201d Garrard continues. He adds: \u201cwe\u2019ve asked a master engraver to come and write some words in memory of the workers of the mine onto it\u201d.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Another example of such a prompt is a room that directly contrasts Morris\u2019s left-wing politics with the high-end products created by Morris &amp; Co. What Jacob describes as a \u201csocialist red\u201d ceiling looms above luxurious, \u201cpicture gallery red\u201d walls. Objects in the room, meanwhile, range from a large-scale hanging textile commissioned for a wealthy patron\u2019s home to a satchel with radical socialist pamphlets, which Morris published and distributed, spilling out of it. \u201cThe idea was you&#8217;d have this beautiful interior and this object that sat really at odds with everything,\u201d Garrard says. \u201cI want people to feel a little bit sick when they come in here.\u201d There are plans to add William Morris\u2019s personal copy of Karl Marx\u2019s Capital\u2014which features an elaborate gold design on its front\u2014to the display in the future.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Garrard is clear that while the gallery is not there to \u201cworship heroes\u201d\u2014a bust of Morris has been moved out of the foyer\u2014he feels Morris is a figure \u201cworth celebrating\u201c. The artist\u2019s contradictions, he says, are often things that \u201cconflict with all of us\u201c. He adds: \u201cI think that&#8217;s quite a nice thing with Morris: to look at the complexities of being a human being.\u201d<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"966\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 966'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,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'\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/09\/acd1ef24135112f593d8c9b90e123c1ffedad399-3528x5292.jpg\"\/><\/p>\n<p>Exterior of William Morris Gallery<\/p>\n<p>\u00a9 Photo by Chiara Dalla Rosa<\/p>\n<p>Unseen objects and fresh stories<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The rehang has brought out many objects that have not been seen in public before or for a long time. There is a dress that Morris designed for his wife, Jane, for her to model in the painting <a class=\"transition-colors duration-default shadow-externalLink hover:text-red-1\" href=\"https:\/\/www.tate.org.uk\/art\/artworks\/morris-la-belle-iseult-n04999\" target=\"_blank\" rel=\"nofollow noopener\">La Belle Iseult<\/a> (1858), today housed at Tate Britain. There is Morris\u2019s banner for the Hammersmith Socialist League, which he co-founded, on public display for the first time, on loan from The Working Class Movement Library in Manchester. Other objects will bring visitors almost face-to-face with the man himself\u2014chief among them a lock of Morris\u2019s grey hair, cut from his head after his death by his friend John Carruthers. \u201cI think that&#8217;s a very magical object,\u201d Garrard says.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Another priority for those working on the project was to bring underrepresented stories and figures from Morris\u2019s life to the fore. One section of the second room will focus on the influence of art from the Islamic world on his practice\u2014a theme that was the subject of a <a class=\"transition-colors duration-default shadow-externalLink hover:text-red-1\" href=\"https:\/\/www.wmgallery.org.uk\/event\/william-morris-art-from-the-islamic-world\/\" target=\"_blank\" rel=\"nofollow noopener\">temporary exhibition<\/a> at the gallery in 2024\/25. The work and worlds of women in Morris\u2019s life will also be highlighted, such as with his daughter May\u2019s design for a Flower Garden embroidery, created while she was the director of embroidery at Morris &amp; Co, and books from the collection of Morris\u2019s other daughter Jenny.<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"299.13800000000003\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 299.13800000000003'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,\/9j\/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj\/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj\/wAARCAAJABQDASIAAhEBAxEB\/8QAFwAAAwEAAAAAAAAAAAAAAAAAAAQGBf\/EACYQAAEDAAgHAAAAAAAAAAAAAAEAAwQCBREVIjE0YQYUISNxcoL\/xAAXAQADAQAAAAAAAAAAAAAAAAACBAUG\/8QAGxEAAgIDAQAAAAAAAAAAAAAAAAECBAMREjL\/2gAMAwEAAhEDEQA\/AJatJD95SzRceGM22Epbm5RINF2R03KtpWvk+5TUbKj4UlRNgrOl5MrheTLu043z3DmTshX9R6H6KEXIjksJyb5P\/9k='\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/09\/8a8123df5ff9c145cc8ff24245dd017fafafd372-12000x5574.jpg\"\/><\/p>\n<p>Flower Garden textile by William Morris from 1879<\/p>\n<p>\u00a9 William Morris Gallery<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The gallery is also seeking to support and promote contemporary artists with a new project space. Called \u201cMorris Today\u201d, it is expected to open in 2027.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The project has been funded with the help of around \u00a31.5m raised from trusts including the The Garfield Weston Foundation and the Wolfson Foundation, and further contributions from Waltham Forest Council. The gallery reopens with an exhibition Earthly Paradise: Radical Living in the UK, exploring the lives and homes of people who have pushed artistic and other boundaries in Britain.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Garrard sees the completion of the revamp as perhaps the \u201cmost important piece\u201d of the work he\u2019s been doing since arriving as director in 2022. It is, he adds, hopefully just the beginning.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cI don\u2019t think a museum is ever finished; they should change all the time,\u201d he says. \u201cAnd I think the nice thing about Morris\u2019s ideas is that they&#8217;re becoming more and not less relevant right now.\u201d<\/p>\n<p><a class=\"transition-colors duration-default shadow-externalLink hover:text-red-1\" href=\"https:\/\/www.wmgallery.org.uk\/event\/earthly-paradise\/\" target=\"_blank\" rel=\"nofollow noopener\">Earthly Paradise: Radical Living in the UK<\/a>, William Morris Gallery, Walthamstow, London, 3 October 2026 &#8211; Sunday 28 March 2027<\/p>\n","protected":false},"excerpt":{"rendered":"The William Morris Gallery in Walthamstow, northeast London, located in a Grade II-listed manor the artist lived in&hellip;\n","protected":false},"author":2,"featured_media":787709,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[6225,6485,6486,1120,96,10345,29323,12880,56,54,55,259339,259340],"class_list":["post-787708","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-design","tag-entertainment","tag-museums-heritage","tag-openings","tag-renovation","tag-uk","tag-united-kingdom","tag-unitedkingdom","tag-william-morris","tag-william-morris-gallery"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/787708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=787708"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/787708\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/787709"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=787708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=787708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=787708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}