By no means should That\u2019s Life! have ever worked as a television programme. For more than 20 years it functioned as an absurd grab bag of features that at times seemed specifically designed to induce tonal whiplash in its viewers.<\/p>\n
To demonstrate this point, That\u2019s Life! was the show that introduced the nation to Prince, a talking dog who could say the word\u201csausages\u201d, but it was also the show that put pressure on the government to introduce mandatory seatbelt use for children. This was the show that invented a new animal as an April fool\u2019s joke, only for coachloads of tourists to arrive at London Zoo to try to spot it. It was also the show that embarked on a vigorous three-month investigation into allegations of widespread sexual abuse by teachers at a boys\u2019 boarding school, resulting in the school\u2019s closure less than two weeks after the feature aired.<\/p>\n
All of which makes That\u2019s Life! sound like The One Show on human growth hormones. Yet the show was one of the most popular of its time, regularly pulling in close to 20 million viewers. Key to its success was its producer and presenter, Esther Rantzen<\/a>.<\/p>\n Starting her career as a BBC Radio trainee sound effects assistant, Rantzen rose up the ranks as a researcher on shows such as Ned Sherrin\u2019s BBC-3 before being given her first shot at presenting on Braden\u2019s Week, a magazine show that came to sticky end when its host, Bernard Braden, was fired for advertising margarine on ITV. Nevertheless, that was all the grounding Rantzen needed to start a show of her own.<\/p>\n Rantzen with other members of the That\u2019s Life! cast in 1989. Photograph: Bill Lovelace\/Daily Mail\/REX\/Shutterstock<\/p>\n Along with producer John Lloyd, Rantzen devised That\u2019s Life!, a series that would encompass every issue and indignity known to man. Fronted by Rantzen, with an ever-changing swirl of co-presenters around her, That\u2019s Life would take on everything from dubious advertising to the over-proliferation of crisp flavours<\/a>. There would be vox pops about the share of domestic tasks undertaken by men<\/a> and genuinely nightmarish features where people would pose as waxworks then burst into song<\/a> in a bid to inspire more singing in Britain.<\/p>\n And Rantzen was the perfect host. This was down to her ability to maintain a sense of ease between all these tonal extremes. It paid off in spades, since when That\u2019s Life! got serious, it got extremely serious. In 1984 it used a story about Ben Hardwick, a two-year-old boy who needed a liver transplant, to push for more widespread organ donation. And it worked \u2013 MPs noted in parliament in 1988 that it had directly led to a boom in the number of transplants.<\/p>\n It also revealed the story of Nicholas Winton, dubbed the British Schindler, a man who assisted in the rescue of 669 children from what was then Czechoslovakia on the eve of the second world war. Winton\u2019s acts went unacknowledged for half a century, until a 1988 episode of That\u2019s Life! sat him in the studio audience, revealing that he was surrounded by dozens of the children he saved, along with their children and grandchildren. It was a profoundly emotional piece of television, and one that Rantzen was rightly proud of; this year she wrote the Guardian a letter of complaint when its list of the BBC\u2019s 100 greatest moments omitted the episode<\/a>.<\/p>\n That\u2019s Life! also focused heavily on child abuse, which resulted in Rantzen setting up Childline, the first national helpline for children in danger or distress. According to the NSPCC, Childline has helped six million children since it was established in 1986.<\/p>\n When That\u2019s Life! ended in 1994, Rantzen continued to embody the spirit of the series in all her ventures. She hosted her own talkshow, named Esther, which ran for eight years. And Hearts of Gold, which was inspired by Winton, shone a light on members of the public who had done good deeds, seeking out numerous unsung heroes. She continued to champion consumer rights with the shows Old Dogs New Tricks and Esther Rantzen\u2019s House Trap. She also had stints on Strictly, I\u2019m a Celebrity and Celebrity First Dates.<\/p>\n Following the death of her husband, Desmond Wilcox, in 2000, Rantzen increasingly turned her focus towards end of life care. BBC Two\u2019s How to Have a Good Death was a landmark programme about palliative care, and she built on this further after her cancer diagnosis in 2023. When she found out her cancer had reached stage four, she publicly announced that she had joined Dignitas, and used her final stretch of time to campaign heavily for assisted dying. Three weeks ago, MPs voted against an attempt to legalise it in England and Wales.<\/a> But Rantzen\u2019s relentless campaigning means that the conversation is unlikely to go away. Even in death, she may yet prove to be one of this country\u2019s greatest campaigners.<\/p>\n Share your tributes and memories<\/p>\n You can share your tributes and memories of Esther Rantzen using this form.<\/p>\n Your responses, which can be anonymous, are secure as the form is encrypted and only the Guardian has access to your contributions. We will only use the data you provide us for the purpose of the feature and we will delete any personal data when we no longer require it for this purpose. For alternative ways to get in touch securely please see our tips guide<\/a>.Show more<\/p>\n","protected":false},"excerpt":{"rendered":"By no means should That\u2019s Life! have ever worked as a television programme. 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