{"id":789244,"date":"2026-10-02T03:48:21","date_gmt":"2026-10-02T03:48:21","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/789244\/"},"modified":"2026-10-02T03:48:21","modified_gmt":"2026-10-02T03:48:21","slug":"ivan-argote-the-artist-behind-the-infamous-pigeon-sculpture-for-new-yorks-high-line-to-debut-permanent-installation-in-italy-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/789244\/","title":{"rendered":"Iv\u00e1n Argote\u2014the artist behind the infamous pigeon sculpture for New York&#8217;s High Line\u2014to debut permanent installation in Italy &#8211; The Art Newspaper"},"content":{"rendered":"<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The Colombian artist Iv\u00e1n Argote will make his mark in Italy this month with a permanent, site-specific work located in Bene Vagienna in the northwestern province of Cuneo (from 11 October). Argote is best-known for Dinosaur (2024), a monumental pigeon which was shown on the High Line in New York from 2024 to 2026.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The new installation, selected for the third edition of the Radis\u00a0public art project, takes the form of a revitalised public space called Piazza del Chafleo.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cSculptures will be dispersed throughout the space, entering into dialogue with the histories of Bene Vagienna, the projects [devised by the village] for improving water use, the Roman ruins, and the site\u2019s religious mysticism,\u201d says a statement by the artist.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The Radis initiative\u00a0is\u00a0supported by Fondazione Arte CRT, the art-oriented arm of the Italian banking foundation, Fondazione CRT. Radis, which references the Piedmontese word for \u2018root\u2018, is also supported by another banking foundation, Fondazione CRC.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Previous commissions for Radis include permanent public works by Giulia Cenci in Rittana and Petrit Halilaj in Dogliani, both in Piedmont. <\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cThe work that Iv\u00e1n Argote has imagined for Bene Vagienna will unearth the ancient memory of the town, intertwining it with the life of its community today. Joining the installations by Giulia Cenci and Petrit Halilaj, it will expand the Radis map, adding to the itinerary that winds across the region, increasing its visibility,\u201d says the patron and\u00a0president of Fondazione Arte CRT,\u00a0Patrizia Sandretto Re Rebaudengo, in a statement.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Argote\u2019s work celebrates the history and traditions of Bene Vagienna, creating a new meeting point for the town which he hopes will be renamed. \u201cFor almost ten years, I have been working on the idea of creating the Piazza del Chafleo, a place whose name comes from an imaginary verb that I hope will gain meaning through the way the space is used,\u201d Argote says in a statement.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">He tells The Art Newspaper: \u201cWhen we inaugurate the space, people will be like, \u2018What the hell does Chafleo mean?\u2019 And my idea was maybe with time, people will start giving sense to this verb depending on how they use the park.\u201d<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Public spaces are important communal spaces, he stresses. \u201cWe&#8217;re losing a little bit of this human contact. Now we can connect easily with people around the world in seconds. But I think maybe it is somehow easy now to be more insulting or let&#8217;s say, misconsider others because we have this distance. I think public spaces somehow make this contact real.\u201d<\/p>\n<p>Scribbling<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The commission comes at a busy time for Argote. A show of his new works derived from scribbles launches at Perrotin gallery in London during Frieze week (6 October-19 December) called <a class=\"transition-colors duration-default shadow-externalLink hover:text-red-1\" href=\"https:\/\/www.perrotin.com\/en\/events\/mamarrachos-quinceanera-2026-london\" target=\"_blank\" rel=\"nofollow noopener\">Mamarrachos: Quincea\u00f1era<\/a>. The works echo his first show with Perrotin in Paris in 2011, reflecting the longstanding relationship between the artist and the gallery.<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"621.6746666666667\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 621.6746666666667'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,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'\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/10\/6b003ffa1b19edb1ca53323619fede02c541237a-4500x4344.jpg\"\/><\/p>\n<p>Argote&#8217;s Mamarracho, 2026<br \/>\u00a9 ADAGP, Paris, 2026. Courtesy of the artist and Perrotin<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cIn 2008 I asked Perrotin to show my work\u2026 I was doing a lot of interventions in public spaces; there has been humour involved in my work since the beginning. It was the only gallery that had this kind of window open to humour or absurdity, I would say with figures like Maurizio Cattelan,\u201d says Argote.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cThe\u00a0Mamarrachos\u00a0series is a kind of a drawing system or architectural system. I am paying tribute to that show in the London show, but in a new way. I&#8217;ve done these paintings which have become also architectural pieces.\u201d<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Argote\u2019s exhibition <a class=\"transition-colors duration-default shadow-externalLink hover:text-red-1\" href=\"https:\/\/www.dallascontemporary.org\/upcoming\" target=\"_blank\" rel=\"nofollow noopener\">How to Move a Monument on a Tuesday Morning<\/a>\u00a0also recently opened at Dallas Contemporary (until 31 January 2027).<\/p>\n","protected":false},"excerpt":{"rendered":"The Colombian artist Iv\u00e1n Argote will make his mark in Italy this month with a permanent, site-specific work&hellip;\n","protected":false},"author":2,"featured_media":789245,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[6225,6485,6486,157336,1120,96,479,19344,56,54,55],"class_list":["post-789244","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-commissions","tag-design","tag-entertainment","tag-italy","tag-public-art","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/789244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=789244"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/789244\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/789245"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=789244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=789244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=789244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}