{"id":792718,"date":"2026-10-05T13:56:15","date_gmt":"2026-10-05T13:56:15","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/792718\/"},"modified":"2026-10-05T13:56:15","modified_gmt":"2026-10-05T13:56:15","slug":"mary-beard-suggests-tweaks-to-british-museums-handling-of-queues-to-see-bayeux-tapestry-british-museum","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/792718\/","title":{"rendered":"Mary Beard suggests \u2018tweaks\u2019 to British Museum\u2019s handling of queues to see Bayeux tapestry | British Museum"},"content":{"rendered":"<p class=\"dcr-1s160rg\">Mary Beard has intervened in the row about excessively long queues for the <a href=\"https:\/\/www.theguardian.com\/world\/bayeux-tapestry\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">Bayeux tapestry<\/a> by visiting the line and submitting a list of improvements to the British Museum.<\/p>\n<p class=\"dcr-1s160rg\">Beard, 71, is a trustee of the museum and inspected the queue herself after visitors to the tapestry complained that they had to wait for hours for their turn to view it, and some were turned away with no guarantee they would get another time slot.<\/p>\n<p class=\"dcr-1s160rg\">One visitor posted on social media that she had been waiting since she was seven to see the Bayeux tapestry, and had bought tickets only to be turned away after queueing.<\/p>\n<p>Mary Beard, seen here at the announcement of the Booker prize shortlist last month, said she had some sympathies for the museum. Photograph: David Parry\/Shutterstock<\/p>\n<p class=\"dcr-1s160rg\">The museum has since announced new measures to make the viewing of the tapestry, which has returned to <a href=\"https:\/\/www.theguardian.com\/uk-news\/england\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">England<\/a> after 1,000 years in France, more accessible. This includes longer opening hours to prevent queues, a new audio guide to help people move along the embroidery, and additional signage and seating.<\/p>\n<p class=\"dcr-1s160rg\">Beard, a celebrated classicist and TV presenter, told the Guardian she had visited to \u201cchat to people in the queue\u201d, adding: \u201cThe atmosphere was very good, with people who had come from everywhere. I thought some tweaks were necessary: more benches for old ladies like me, more guidance on wait times.\u201d<\/p>\n<p class=\"dcr-1s160rg\">She said she had some sympathies for the museum: \u201cWe had to expect some teething troubles \u2013 this isn\u2019t like an ordinary exhibition, everyone has come to see the same one object! The important thing is to put those teething troubles right.\u201d<\/p>\n<p class=\"dcr-1s160rg\">Members of the public keen to see the Bayeux tapestry faced online queues of up to nine hours when tickets went on sale for the first time this summer. There were reports of 40,000 people queueing by mid-morning, with that figure ballooning to almost 80,000 by mid-afternoon. The next wave of public tickets for the tapestry will go on sale on 21 October at 10am.<\/p>\n<p class=\"dcr-1s160rg\">Adult tickets cost \u00a333 during peak times and \u00a327 at off-peak hours, compared with its usual \u20ac12 (\u00a310) fee to see the tapestry in its home in Bayeux, Normandy.<\/p>\n<p><a data-ignore=\"global-link-styling\" href=\"#EmailSignup-skip-link-10\" class=\"dcr-76akua\">skip past newsletter promotion<\/a>Free newsletter |Every weekday<\/p>\n<p class=\"dcr-vf9hps\">Sign up to First Edition<\/p>\n<p class=\"dcr-djbwnz\">Our morning email breaks down the key stories of the day, telling you what\u2019s happening and why it matters<\/p>\n<p><img src=\"https:\/\/www.newsbeep.com\/uk\/wp-content\/uploads\/2026\/10\/1791208575_848_1000.jpg\" alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"dcr-gx9601\"\/><\/p>\n<p id=\"EmailSignup-skip-link-10\" tabindex=\"0\" aria-label=\"after newsletter promotion\" role=\"note\" class=\"dcr-76akua\">after newsletter promotion<\/p>\n<p class=\"dcr-1s160rg\">The British Museum\u2019s handling of the exhibition has come under scrutiny after the Guardian revealed that the controversial tech billionaire Peter Thiel was given a private viewing of the tapestry. The Trump-supporting businessman\u2019s public software company, Palantir, <a href=\"https:\/\/www.theguardian.com\/world\/2026\/jun\/02\/tuesday-briefing-palantirs-rise-and-why-so-many-oppose-its-role-in-the-british-state\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">plays a controversial role in the British state<\/a>.<\/p>\n<p class=\"dcr-1s160rg\">Of the viewing, the museum\u2019s chair, George Osborne, said: \u201cIt wasn\u2019t like we expected anyone to know about it.\u201d The museum\u2019s director of development, Charlotte Appleyard, hosted Thiel at a VIP viewing of the tapestry before it opened to the public on 18 August.<\/p>\n<p class=\"dcr-1s160rg\">When asked what the museum might have received in return, Osborne said: \u201cThe short answer is [Thiel] hasn\u2019t offered any money, and were he to offer money, the board would consider it and have to take into account the pros, you know, receiving more income, and the reputational risks.\u201d<\/p>\n<p class=\"dcr-1s160rg\">A <a href=\"https:\/\/www.theguardian.com\/culture\/british-museum\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">British Museum<\/a> spokesperson said they were \u201cdelighted by the excitement\u201d people had shown. They added: \u201cWe also know that some visitors have faced longer queues than we would have wanted, so we are introducing a series of measures to make the experience smoother and give more people the time they need to enjoy the tapestry.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Mary Beard has intervened in the row about excessively long queues for the Bayeux tapestry by visiting the&hellip;\n","protected":false},"author":2,"featured_media":792719,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[49,50,51,47,52,48],"class_list":["post-792718","post","type-post","status-publish","format-standard","has-post-thumbnail","category-headlines","tag-headlines","tag-news","tag-top-news","tag-top-stories","tag-topnews","tag-topstories"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/792718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=792718"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/792718\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/792719"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=792718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=792718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=792718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}