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Credit: Far Out \/ Record Sleeve<\/p>\n
Sat 10 October 2026 2:30, UK <\/p>\n
It doesn\u2019t take an avid Brian Wilson or The Beach Boys<\/a> fanatic to understand that music is, in fact, the purest form of therapy.<\/p>\n In fact, despite being voted one of the happiest songs of all time by researchers, \u2018Good Vibrations\u2019 was actually constructed through both the basic psychological means to create a feel-good, \u2018happy\u2019 tune and Wilson\u2019s deep-rooted knowledge and understanding of how, precisely, music can become a main source of real, honest enjoyment.<\/p>\n The song was first inspired by Wilson\u2019s interest in what his mother once described as \u201cgood vibrations\u201d and how, often, animals like dogs know when a person is a good egg or a bad egg based on their general presence or aura. Taking that simple existential musing and applying it to the therapeutic impacts<\/a> of music, \u2018Good Vibrations\u2019 became an ode to the broader spiritual bonds that often make us feel happier and better connected with others.<\/p>\n Although Wilson worked on the song tirelessly and relentlessly, and it came together across six different studios, its formation and basis were fairly simple. As Tony Asher later recalled, \u201cBrian was playing what amounts to the hook of the song: \u2018Good, good, good, good vibrations.\u2019 He started telling me the story about his mother.\u201d<\/p>\n Continuing, \u201cHe said he\u2019d always thought that it would be fun to write a song about vibes and picking them up from other people. So as we started to work, he played this little rhythmic pattern, a riff on the piano, the thing that goes under the chorus.\u201d<\/p>\n Armed with the phenomenal powerhouse that was The Wrecking Crew<\/a>, Wilson ensured that the track matched the vision of it in his mind, motivated by the previous response to Pet Sounds to make something even bigger, better, and timeless than he\u2019d made before. Of course, he hadn\u2019t known just how much of a landmark album their 1966 magnum opus would become in time, but that also just goes to show how completely committed he was to being the best musician he could possibly be.<\/p>\n As Carole Kaye later said, the extensive work he put into \u2018Good Vibrations\u2019 was unusual, but, if for nothing else, his razor-sharp focus only served to prove how much of a \u201cgenius\u201d he already was. \u201cBy that time, Brian was showing a lot of genius writing,\u201d she said. \u201cHe was growing all the time, and we didn\u2019t know where it would end.\u201d<\/p>\n Further reading: From The Vault<\/p>\n And when it comes to the genius of Wilson, \u2018Good Vibrations\u2019 is a pretty spot-on catch-all for what, precisely, that term means in the broader context of his career and legacy. When he passed away last year, that was a word that came up a lot, and for good reason. And beyond the song\u2019s reputation as music\u2019s most quintessential feel-good anthem<\/a>, it\u2019s also a definitive masterclass in poetic, catchy, cathartic goodness.<\/p>\n After all, you will, quite literally, never hear another song quite like it. A pop standard and prolific cultural touchpoint, \u2018Good Vibrations\u2019 is a piece of meticulous brilliance with production that could have just as easily been created yesterday. Wilson went on to create several other career-defining masterpieces, but it\u2019s hard to find any that quite top the stark simplicity of this era-defining classic.<\/p>\n<\/p>\n
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