{"id":820692,"date":"2026-11-01T11:36:17","date_gmt":"2026-11-01T11:36:17","guid":{"rendered":"https:\/\/www.newsbeep.com\/uk\/820692\/"},"modified":"2026-11-01T11:36:17","modified_gmt":"2026-11-01T11:36:17","slug":"newhaven-artist-recalls-illustrating-harry-potter-books","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/uk\/820692\/","title":{"rendered":"Newhaven artist recalls illustrating Harry Potter books"},"content":{"rendered":"<p>\n  But few will know that the man responsible for bringing that magical scene to life grew up on the clifftops of Newhaven, where he lives to this day.\n<\/p>\n<p>\n  Cliff Wright, 63, is the artist behind the original covers of Harry Potter and the Chamber of Secrets, and Harry Potter and the Prisoner of Azkaban.\n<\/p>\n<p>\n  When he was first approached to illustrate the second book in JK Rowling&#8217;s series &#8211; which was published in 1998 &#8211; he had little idea of the extraordinary phenomenon it would become.\n<\/p>\n<p>\n  &#8220;It was just another job because,&#8221; he said. &#8220;There was none of the Harry Potter hype that there is now.&#8221;\n<\/p>\n<p>\n  <img   width=\"100%\"\/>Cliff&#8217;s cover for Harry Potter and the Chamber of Secrets, which was published in 1998 (Image: Wikimedia)\n<\/p>\n<p>\n  By that point, Cliff had already established himself as a successful children&#8217;s book illustrator, having spent years building a career after graduating from Brighton College of Art in 1986.\n<\/p>\n<p>\n  Publishers commissioned him to illustrate the second Harry Potter book, giving him a relatively loose brief and suggesting a passage from the story for the cover.\n<\/p>\n<p>\n  The resulting illustration, featuring Harry and Ron Weasley flying the enchanted Ford Anglia, would become one of the defining images of the series.\n<\/p>\n<p>\n  But creating it presented some unusual challenges.\n<\/p>\n<p>\n  &#8220;I&#8217;m no car expert,&#8221; Cliff admitted.\n<\/p>\n<p>\n  &#8220;I had to do some research to get flying angles of Ford Anglias. And you couldn&#8217;t find many pictures of Anglias flying, obviously, because that&#8217;s magic.\n<\/p>\n<p>\n  &#8220;So that was a challenge.&#8221;\n<\/p>\n<p>\n  <img   width=\"100%\"\/>Cliff has spent many years teaching drawing and giving workshops around the world (Image: Cliff Wright)\n<\/p>\n<p>\n  The final painting, an A3-sized watercolour, was produced following a series of exchanges with the publishers and author JK Rowling.\n<\/p>\n<p>\n  &#8220;I would get comments from her via faxes to the publisher, which were then passed on to me,&#8221; he said.\n<\/p>\n<p>\n  &#8220;I remember one about a castle that was going on the back cover. After a first rough drawing I&#8217;d done, the comment came back from JK Rowling that the castle wasn&#8217;t &#8216;shambolically turreted&#8217; enough.\n<\/p>\n<p>\n  &#8220;I put many more turrets on after that.&#8221;\n<\/p>\n<p>\n  Although the character would later become one of the most instantly recognisable fictional figures in the world, another challenge was deciding what Harry Potter himself should look like.\n<\/p>\n<p>\n  &#8220;The character descriptions are limited in the book,&#8221; Cliff said.\n<\/p>\n<p>\n  &#8220;All we&#8217;re really told is that Harry has dark hair, a scar on his forehead, and heavy-rimmed glasses.\n<\/p>\n<p>\n  &#8220;In terms of inventing the character, that was all left to me.&#8221;\n<\/p>\n<p>\n  <img   width=\"100%\"\/>Cliff&#8217;s cover for Harry Potter and the Prisoner of Azkaban, which was published in 1999 (Image: Wikimedia)\n<\/p>\n<p>\n  Cliff went on to illustrate the cover of the third book, Harry Potter and the Prisoner of Azkaban (1999), featuring Harry and Hermione riding the hippogriff Buckbeak.\n<\/p>\n<p>\n  It was following that book&#8217;s publication that he began to grasp the extraordinary scale of the phenomenon he had become involved in.\n<\/p>\n<p>\n  &#8220;Once that third book was published, it was breaking records all over the world and people were queuing in bookshops like they never had before,&#8221; Cliff recalled.\n<\/p>\n<p>\n  &#8220;That was when I realised.&#8221;\n<\/p>\n<p>\n  More than two decades later, his illustrations remain familiar to generations of readers around the world.\n<\/p>\n<p>\n  <img   width=\"100%\"\/>In recent years, Cliff has been taking commissions for portraits in the style of his famous Harry Potter illustrations (Image: Cliff Wright)\n<\/p>\n<p>\n  For Cliff, the experience is still slightly surreal.\n<\/p>\n<p>\n  &#8220;It&#8217;s really odd,&#8221; he said. &#8220;It&#8217;s amazing. You can&#8217;t tell that&#8217;s going to happen when you create the piece.\n<\/p>\n<p>\n  &#8220;And to be honest, it isn&#8217;t the best work I&#8217;ve ever done. But it&#8217;s easily the best known.\n<\/p>\n<p>\n  &#8220;It&#8217;s very strange how these things happen. I look back on it with fondness because that work is recognised all over the world.&#8221;\n<\/p>\n<p>\n  He remembers travelling to Nepal shortly after the publication of the third book and discovering just how far his artwork had travelled.\n<\/p>\n<p>\n  &#8220;I was in the middle of the mountains, in the middle of nowhere, signing kids&#8217; books,&#8221; he said.\n<\/p>\n<p>\n  &#8220;It was just bizarre. And of course wonderful as well, at the same time.&#8221;\n<\/p>\n<p>\n  <img   width=\"100%\"\/>A self-portrait of Cliff, who said growing up on the clifftops in Newhaven inspired him to draw as a child (Image: Cliff Wright)\n<\/p>\n<p>\n  Despite his place in Harry Potter history, Cliff is not overly devoted to the wizarding world.\n<\/p>\n<p>\n  &#8220;I wasn&#8217;t particularly into the first two books,&#8221; he said. &#8220;But I did think the third one was a good read and a good page-turner.\n<\/p>\n<p>\n  &#8220;Then I got 50 or 60 pages into the fourth book and got bored to death.\n<\/p>\n<p>\n  &#8220;So I never read the rest of them.&#8221;\n<\/p>\n<p>\n  Long before Hogwarts entered his life, Cliff&#8217;s artistic imagination had been shaped by the natural landscape surrounding his childhood home in Newhaven.\n<\/p>\n<p>\n  Growing up on the clifftops, he spent much of his time exploring the countryside and observing wildlife \u2013 interests which have remained with him throughout his life.\n<\/p>\n<p>\n  He began drawing from an early age, despite having no particular family background in the arts.\n<\/p>\n<p>\n  <img   width=\"100%\"\/>Harry Potter author JK Rowling, who gave feedback on Cliff&#8217;s illustrations throughout the process (Image: John Mathew Smith)\n<\/p>\n<p>\n  Between 1982 and 1986, Cliff studied at the Brighton College of Art &#8211; now part of the University of Brighton &#8211; before embarking on a laborious journey into professional illustration.\n<\/p>\n<p>\n  For more than two years, he travelled regularly to London, sometimes visiting three or four publishers in a single day.\n<\/p>\n<p>\n  One idea in particular \u2013 a children&#8217;s book he had written and illustrated himself \u2013 began attracting interest.\n<\/p>\n<p>\n  He eventually secured a deal for When the World Sleeps, which was published in 1989 and was named runner-up for the Mother Goose Award for best debut.\n<\/p>\n<p>\n  Cliff was immediately offered a second book by the same publisher, and never looked back.\n<\/p>\n<p>\n  His artistic talents have also found an outlet in one of Sussex&#8217;s most distinctive traditions: Lewes Bonfire Night.\n<\/p>\n<p>\n  Over the years, Cliff has helped create some of the enormous effigies, specialising in caricature heads.\n<\/p>\n<p>\n  <img   width=\"100%\" alt=\"osama bin laden\"\/>Cliff spent a number of years working on effigies for Lewes Bonfire Night, designing heads for figures including Osama Bin Laden\n<\/p>\n<p>\n  Among those he has depicted are Osama bin Laden, George Bush, Peter Mandelson and Gordon Brown.\n<\/p>\n<p>\n  &#8220;I loved being involved,&#8221; he said. &#8220;It&#8217;s nice to build something that you give to somebody else who fills it with fireworks and blows it to pieces.\n<\/p>\n<p>\n  &#8220;It&#8217;s a good way of letting go of your artwork.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"But few will know that the man responsible for bringing that magical scene to life grew up on&hellip;\n","protected":false},"author":2,"featured_media":820693,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[6225,6485,6486,1120,96,56,54,55],"class_list":["post-820692","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-design","tag-entertainment","tag-uk","tag-united-kingdom","tag-unitedkingdom"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/820692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/comments?post=820692"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/posts\/820692\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media\/820693"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/media?parent=820692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/categories?post=820692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/uk\/wp-json\/wp\/v2\/tags?post=820692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}