Bad Omens’ latest road trek is dubbed the Do You Feel Love Tour, after a refrain from the show-opening “Specter.”
And rest assured there was plenty of affection for the Virginia-formed heavy rock band from a packed Little Caesars Arena on Saturday night, Feb. 28.
Much has happened for the quartet since it first played in the metro area 10 years ago (almost to the day) at the Crofoot Ballroom in Pontiac. Back then it had just a couple of singles behind it, with its first album still six months away. Now Bad Omens is an undeniable global headliner and leader in its genre, with an aggregated fusion of styles — metal, metalcore, emo, ambient — that hits hard but is still mindful of melodies.
Bolstered by plenty of pre-recorded backing tracks, Bad Omens certainly had its share of high-octane bangers such as “Limits,” “Nowhere to Go,” “Artificial Suicide” and “Anything > Human.” But, along with Saturday’s show openers Beartooth and England’s entertainingly mysterious President, it applied a dynamic sensibility that keeps fans on their toes — moshing, crowd-surfing and even dancing to electro-fused songs like “V.A.N.,” “What Do You Want From Me” and the epic “Impose,” the latter one of four 2025 singles that vaulted the group’s popularity even further.
Bad Omens certainly greeted its moment visually as well. Saturday’s 90-minute show delivered an ample amount of spectacle, with 14 angled LED screens above the stage and three more on the sides and behind the band, as well as lasers, smoke jets and enough fire to melt the hockey ice beneath the arena’s seats. There was even a “plot” as five cryptic messages — portrayed with an old school cassette recorder on the screens — between the 18 songs; the contents were largely lost on the crowd but definitely provided a sense of drama that set up each set of ensuing songs.
And despite frontman Noah Sebastian’s assertion that he was “extra nervous” on Saturday, the group’s performance was spot-on, the live and synchronized elements synced tightly together, and with the special effects that accompanied every song. (He also noted that drummer Nick Folio had worked for Little Caesars Pizza for “about two weeks” before one of Bad Omens’ tours.) Confetti rained over the general admission floor during “Impose,” while the encore “Concrete Jungle”/”Dethrone” closed the night like an aural sledgehammer.
Heavy rock act Bad Omens performed Saturday, Feb. 28, to a packed Little Caesars Arena (Photo by Bryan Kirks for Bad Omens)
Saturday’s other acts teed things up nicely for Bad Omens, deploying much of the same kind of sonic synthesis. Bearthooth’s fifty minutes was driven by frontman Caleb Shomo’s physical charisma and infectious enthusiasm (not to mention wisdom in not mentioning the band’s hometown of Columbus, Ohio — never a great selling point in Michigan). And President made good on the intrigue surrounding it; nobody knows who the masked troupe — with monikers such as The President, Heist, Protest and Vice — really is, but that’s only added to the intrigue and its half-hour Detroit debut was certainly strong enough to bring fans back for more.
President also finished with a late-set, recorded message that, “We came to build a movement, a sound, a future” — a sentiment that rang true for all three bands on Saturday. And in their collective hands, that future seems undeniably solid.