The earth, for all its fading sanctity and human-induced burning, is ours to pass on. As mankind becomes increasingly removed from our roots as a part of the natural world — and continually destroys it — acts of resistance and preservation become pressing in their aesthetic power.
Melanie Daniel’s solo exhibit at Maybaum Gallery, “Yours to Inherit,” is a gorgeous dip into the growth of worlds’ past, where the anthropocene becomes secondary to the forests that granted us life long ago.
“Hope Flickers” (2025) is a gaze onto a suburban grid; familiar planned, domestic lines are flickering fireflies in a sprawling, molten-orange valley. Daniel depicts these human-occupied spaces with the colors of the apocalypse; the amber of gas-powered lamplights becomes a consuming fire-like glow. The elevated foreground is anchored in feathered purple and blue lines — mountainous, thread-like marks are made to show the cool-toned terrain that has not yet been robbed of its natural fertility.
“Yours to Inherit” (2025) is perhaps fittingly the piece the show is named after. With simple yet gorgeous marks, Daniel shows a classic home whose garden has become its entirety. Mushrooms playfully lean in lines; they climb the stairs to the tree branch-boasting front door, and a bay window seats not human residents but the trunk of a tree. The home’s driveway becomes a waterway; with blue drips and pooling white and teal, scenes of brushed, beautifully textured life are rendered.
The strength of Daniel’s work lies in its stylized landscapes. Snow, foliage and dripping water are recognizable but layered with patterns, playful strokes and stripes. In every imagined section of sediment, Daniel places paint lines and curves that feel like ocean waves or feathers or fish scales — she works in prints from the stamps of natural life.
“Mentor” renders the reflections of a setting red sun over water in blotches, reds and blues — tiny dots and emerging rocks, shadows and shorelines are all crafted with seemingly simple yet exceptional and intentional sections of color. Daniel’s style is endlessly creative; her tools of representation in this collection are unpredictable yet constantly unified in their intricacy and expression. Each painting is discoverable: like earth itself, curiosities lurk between each branch and layer of sky or soil.
With such exceptional depictions of what it feels like to see beauty in a crumbling world — perhaps the sunset sky or twinkling lights through a child’s eye — Daniel makes viewers think about why we see the world this way. In “Night Drifts Across the Bay” (2025), a few thin marks and blooms of green render grass and hilled terrain. Human perception of nature in “Yours to Inherit” is both gorgeously depicted and poignantly questioned.
“Seated Here in Contemplations” (2025) indeed echoes the words of peaceful isolation. Like many other works in the collection, a sign of human life is present with Daniel’s signature twinkling heatmap. A white bench is untouched among purple trees and brown bushes, while a pink glowing grid signals settled human life in the righthand background.
At the forefront of this painting, though, is the bath this forest takes — a pond beneath mirrors back this fantastical scene. From its edge is an abstracted purple blotch; out of it drips paint, evoking how water moves and sparkles to show shadowed trees at night. Shades of gray and black are placed in perfect space, just before the touches of white moonlight kiss their edges. A glowing orb at the bottom of the canvas is the anchoring second moon of this piece — Daniel, in this spectacular creation, represents the facades and depths of water in no more than simple shapes.
Daniel’s pieces reclaim what has been taken from the natural world: Sea creatures dangle from the sky; water pools in concrete spaces; rich, cool soil is the subject that places urban sprawl in its background. She represents the textures of nature with exceptional artistic sense — varied between corners but with the granularity of weaving a blanket from individual threads. Melanie Daniel cultivates a curiosity in the natural world and represents it with the respect it deserves.
“Yours to Inherit” will be up at Maybaum Gallery in San Francisco until Dec. 15.