Oakland’s Lethal Limits, the solo project of Bay Area punk lifer Jeff Corso, has released “Elevate,” out now. The four-song EP lands like a familiar jolt, loud, melodic, and wired with the same nervous energy that once spilled out of basements, skate ramps, and all-ages rooms up and down the 510. Listen here.

Corso, who splits his roots between Oakland and Half Moon Bay, has spent decades embedded in the region’s punk and hardcore underground. Lethal Limits lives at the intersection of punk crunch and power pop clarity, with songs that hit fast but linger, built on hooks that feel genuinely earned. A strong 90s backbone runs through “Elevate,” recalling flyer-stapled lampposts and Gilman Street matinees, drawing on the melodic punch of bands like Hüsker Dü and The Pixies without ever drifting into pure nostalgia. Corso writes like someone who came up in an era when melody mattered as much as volume, back when songs had to survive blown PAs and half-attentive rooms.

Arriving nearly four years after Lethal Limits’ self-titled debut, a roughshod, self-produced record that quietly turned heads, “Elevate” shows a project sharpening its instincts. The edges remain intact, but new textures creep in, including flashes of Thin Lizzy-style guitar swagger, heavier 90s grunge weight, and a thicker low end, all while keeping the choruses front and center. Recorded between February and April 2025 at Vam Vam Studios in Oakland, the EP was mixed and mastered by Jack Shirley at Atomic Garden, giving the songs clarity without sanding off their grit. Corso handles nearly everything himself, guitars, bass, vocals, keys, and tambourine, while drummer Aesop Dekker, known for his work with Hickey, Ludicra, and Agalloch, adds weight and precision beneath the hooks.

Corso’s history runs deep through the Bay Area punk scene, with past stints in bands including Nightstick Justice, No Dice, Coffin Party, and Second Opinion. Lethal Limits feels like the distillation of years spent skating between practice spaces and loading gear into small cars, learning what actually makes a song last beyond the night it’s played. “Elevate” is rooted firmly in the independent spirit of the East Bay, where punk, skate culture, and power pop hooks have always bled together.

There’s real weight behind these songs too. Corso survived a serious health scare in recent years, and “Elevate” carries that awareness throughout, not as a confession, but as genuine fuel. It’s music made by someone who’s seen how close everything can come to slipping away, and it shows in how much every note counts.