{"id":102981,"date":"2025-12-20T21:07:21","date_gmt":"2025-12-20T21:07:21","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-ca\/102981\/"},"modified":"2025-12-20T21:07:21","modified_gmt":"2025-12-20T21:07:21","slug":"the-english-beat-delivers-dance-worthy-escape-to-sold-out-belly-up","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-ca\/102981\/","title":{"rendered":"The English Beat delivers dance-worthy escape to sold-out Belly Up"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/timesofsandiego.com\/wp-content\/uploads\/2025\/12\/The-English-Beat.jpg?ssl=1\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"780\" height=\"395\" src=\"https:\/\/www.newsbeep.com\/us-ca\/wp-content\/uploads\/2025\/12\/The-English-Beat.jpg\" alt=\"The English Beat\" class=\"wp-image-360174\"  \/><\/a>The English Beat at Belly Up. (Photo by Donovan Roche\/Special for Times of San Diego)<\/p>\n<p>On the first of two sold-out nights at <a href=\"https:\/\/bellyup.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Belly Up<\/a>, <a href=\"http:\/\/englishbeat.net\/\" rel=\"nofollow noopener\" target=\"_blank\">The English Beat<\/a>\u2019s Dave Wakeling invited the crowd to forget the worries of the world for a while. It took all of one song to open those gates. As the band launched into the opening \u201cRough Rider,\u201d the packed dance floor bounced and skanked to the sax-fueled Prince Buster cover.\u00a0<\/p>\n<p>The seven-piece, bolstered by two keyboardists, kept the vibe going with the brisk \u201cTwist &amp; Crawl\u201d and an extended take on \u201cHands Off\u2026She\u2019s Mine,\u201d which gave saxophonist Matt Morrish ample room to shine. His bright, punchy lines became a recurring theme throughout the night, cutting cleanly through the groove-heavy arrangements.<\/p>\n<p>An affable frontman with a knack for storytelling and permanent boyish grin, Wakeling, 69, peppered the 90-minute set on Dec. 12 with his dry British wit. After running through \u201cTwist &amp; Crawl,\u201d he shared how challenging it is to sing the wordy song, then revealed that co-writer Dick Bradsell, a British bartender, went on to invent the Espresso Martini in the 1980s.<\/p>\n<p>When haphazard dancing led to a scuffle in the audience, Wakeling diffused the moment with a perfectly timed quip: \u201cThere\u2019s a fine line between being excited and being an asshole. We\u2019ve all been there.\u201d Laughter rippled through the room, and the party carried on.<\/p>\n<p>Then, during the crowd-pleasing singalong \u201cCan\u2019t Get Used to Losing You\u201d \u2014 dedicated to original bandmates who have passed, including Ranking Roger, who died in 2019 after a battle with cancer \u2014 Wakeling punctuated the Andy Williams cover with a pitch-perfect whistle, then joked, \u201cWhen is the last time you saw Sting or Bono do their own whistling?\u201d<\/p>\n<p>Filling Roger\u2019s formidable role stage left, toaster Antonee First Class proved to be far more than a rapper and rhymester. He doubled as Wakeling\u2019s hype man and rallied the \u201crude boys and rude girls\u201d in the audience to keep the energy level high.<\/p>\n<p>Early on, he let the crowd know they were getting two for one tonight, explaining that the <a href=\"https:\/\/en.wikipedia.org\/wiki\/General_Public\" rel=\"nofollow noopener\" target=\"_blank\">General Public<\/a> band was backing Wakeling\u2019s English Beat. They even proved it by playing their concert staple, \u201cTenderness,\u201d with Wakeling rhetorically asking, \u201cWhere do you find tenderness? Right here in Solana Beach!\u201d<\/p>\n<p>While other General Public favorites like \u201cNever You Done That\u201d and \u201cHot You\u2019re Cool\u201d were left off the set list, they did deliver its rousing 1994 cover of The Staples Singers\u2019 \u201cI\u2019ll Take You There,\u201d which became the group\u2019s only No. 1 hit.\u00a0<\/p>\n<p>Wakeling and company also skipped some popular English Beat songs, like \u201cI Confess\u201d and the Smokey Robinson &amp; The Miracles cover \u201cThe Tears of a Clown.\u201d Instead, they opted for deeper cuts such as the politically charged \u201cStand Down Margaret,\u201d which was warmly received, \u201cToo Nice to Talk To\u201d and \u201cRanking Full Stop,\u201d released as a B-side in 1979.<\/p>\n<p>The Beat (known as the English Beat in the U.S.) formed in Birmingham, England, in 1978. Blending ska, soul, reggae, pop and punk, the band released three studio albums and numerous singles between 1980 and 1982. When they split in 1983, Wakeling and Roger teamed with members of The Clash, The Specials, and Dexys Midnight Runners to form General Public, releasing two albums in the mid-\u201880s. After several years of solo projects, the duo reunited one final time for 1995\u2019s Rub it Better.\u00a0<\/p>\n<p>Rotating through his trademark left-handed Vox Teardrop guitars, Wakeling was in strong voice throughout the night, particularly on reimagined versions of \u201cSave It for Later\u201d and \u201cMirror in the Bathroom.\u201d\u00a0<\/p>\n<p>As he exited the stage to rolling applause, his bandmates worked through introductions, brief solos, and a playful, Belly Up-inspired freestyle call-and-response that transformed the cozy Solana Beach club into a communal release valve, fully realizing Wakeling\u2019s invitation at the top of the show.\u00a0<\/p>\n<p>Donovan Roche is a regular music and culture contributor to Times of San Diego.<\/p>\n<p>READ NEXT\n\t<\/p>\n","protected":false},"excerpt":{"rendered":"The English Beat at Belly Up. (Photo by Donovan Roche\/Special for Times of San Diego) On the first&hellip;\n","protected":false},"author":2,"featured_media":102982,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[46511,55897,20678,18245,55898,29484,55899,74,76,75,54573,55900],"class_list":["post-102981","post","type-post","status-publish","format-standard","has-post-thumbnail","category-san-diego","tag-belly-up","tag-dave-wakeling","tag-general-public","tag-music-review","tag-new-wave","tag-punk","tag-reggae","tag-san-diego","tag-san-diego-headlines","tag-san-diego-news","tag-ska","tag-the-english-beat"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/102981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/comments?post=102981"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/102981\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media\/102982"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media?parent=102981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/categories?post=102981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/tags?post=102981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}