SAN FRANCISCO, CA \u2014 San Francisco Ballet is in the midst of its second program of 2026, a sublime presentation called “Balanchine: Father of American Ballet.” <\/p>\n
Three complementary dances exemplify genius choreographer George Balanchine’s brilliance and breadth. The gorgeous company members hold up their end as well, executing his moves with precision and passion. <\/p>\n
The show opens with “Diamonds,” the exacting piece reflective of the dancemaker’s Russian upbringing, showcasing the women in white tutus and sparkles. It continues with the ethereal and elegant “Serenade,” the first piece Balanchine made in America, offering the semblance of a story as the dancers look up to the sky, searching and seeking. It closes with the boisterous “Stars and Stripes,” set to John Philip Sousa’s unabashedly patriotic marches, and clearly a love letter to Balanchine’s adopted home. <\/p>\n
On opening night, one longtime fan in the audience gushed, “We’ve seen these pieces so many times, but they never get old.” Sasha De Sola and Harrison James stood out in the solos in “Diamonds,” while Madeline Woo and Cavan Conley displayed their prowess in “Stars and Stripes.” But with Balanchine, it’s always a treat to watch members of the corps in particular, as they seamlessly create his nifty formations. <\/p>\n
Performances continue through Feb. 15 at the War Memorial Opera House in San Francisco. Tickets are $30-$595 at sfballet.org.<\/p>\n
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