{"id":214198,"date":"2026-03-11T03:12:10","date_gmt":"2026-03-11T03:12:10","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-ca\/214198\/"},"modified":"2026-03-11T03:12:10","modified_gmt":"2026-03-11T03:12:10","slug":"central-works-confronts-ecology-and-pirates-in-after-happy","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-ca\/214198\/","title":{"rendered":"Central Works confronts ecology and pirates in &#8216;After Happy&#8217;"},"content":{"rendered":"<p>The old axiom holds that \u201cpower corrupts and absolute power corrupts absolutely.\u201d<\/p>\n<p>Indeed, history is awash with once-humble figures who became tyrants once given the slightest control over others. Yet, there\u2019s a strong counter-argument that power doesn\u2019t corrupt a person, but merely lays bare their ethics or lack thereof.<\/p>\n<p>Does status bankrupt someone of morals, or is it merely a tool for someone whose moral compass is already set?<\/p>\n<p>Bay Area playwright Patricia Milton\u2019s answer to that may fall somewhere in the middle. In fact,<br \/>one could argue that her new play \u201cAfter Happy,\u201d being presented through March 29 by Central Works in Berkeley, almost borders on pure fantasy in its depiction of ethical oligarchs.<\/p>\n<p>Her story drops us into a posh mansion in Lake Charles, Louisiana, where we meet pirate aficionado Brenda Barrow (Jan Zvaifler). Her passion is apparent through several tiny pirate ships around the room, the massive oil painting above the hearth, and Brenda\u2019s first appearance being a panicked phone call about the annual Lake Charles Pirate Festival. She\u2019s frantic because the<br \/>festival has just lost its Pirate Queen to illness. Brenda\u2019s family founded the Noble Oil<br \/>Company, which affords them the luxury of financing a frivolous tribute to high-seas criminals<br \/>each year.<\/p>\n<p>She\u2019s soon joined by a would-be intruder, revealed to be her tree-hugging niece Katherine<br \/>Freeport (Lauren Dunagan). Katherine was once part of the family business before denouncing<br \/>her work and dedicating her life to environmentalism. This hasn\u2019t exactly endeared her to<br \/>Brenda, especially since the last time the two spoke was when Katherine needed $26,000 in bail<br \/>money.<\/p>\n<p>Dirty and tired, Katherine asks to stay the night since Brenda\u2019s husband, Will, is away in Liberia<br \/>trying to influence government officials. The \u201cfamily-first\u201d Brenda can\u2019t bear to turn away a<br \/>blood relation, so she agrees to put Katherine up for the night. Except that Katherine\u2019s intentions<br \/>aren\u2019t so cut-and-dry, something that becomes all the more apparent with the arrival of Steph<br \/>(Rezan Asfaw), an extremist comrade in Katherine\u2019s pro-climate group. The two have until<br \/>sunrise to convince Brenda to make a radical change for the sake of saving the world. Brenda has<br \/>just as long to convince one of them to fit into the Pirate Queen costume.<\/p>\n<p>The biggest strength of Milton\u2019s script is the way it provides each character ample time to speak<br \/>without automatically making them right: Brenda sincerely believes Noble\u2019s \u201ccarbon-offset\u201d<br \/>program somehow makes up for the environmental devastation they wreak every year. Katherine<br \/>professes shame at her family and former employers, but their blood money has paid for her<br \/>boldest pro-climate ventures. And Steph \u2014 who may or may not carry a Glock in her backpack \u2014 is quick to jump to last resorts as she throws judgement at reckless oligarchs.<\/p>\n<p>It gives the trio moral gray areas that feel realistic, with straw-people arguments only brought up to be emphasized as such. Also helping is dialogue that\u2019s both funny (like the unprintable new name for Katherine and Steph\u2019s group) and timely (\u201cYou know who the government calls a terrorist? Anyone they\u00a0shoot at a protest.\u201d). The play remains satirical without falling too far into farce.<\/p>\n<p>The least-realistic part may be the ending, since it\u2019s hard to believe one particular character could so fundamentally change after one loquacious night.<\/p>\n<p>As helmed by company co-codirector Gary Graves, \u201cAfter Happy\u201d is exemplary of Central Works\u2019 MO \u2014 doing a lot with only a little. Their intimate performance space in the Berkeley City<br \/>Club turns every production into a chamber play, yet \u201cAfter Happy\u201d feels grand in the way one<br \/>feels the characters\u2019 pressing issues at play. Though not all the characters are given the most to do (Steph feels the least-developed of the trio), Graves keeps the audience\u2019s attention sharp as he moves the performers around the confined space.<\/p>\n<p>The play may not end on the most realistic note, but perhaps it\u2019s Milton using her power to shape<br \/>the conclusion she wanted rather than one most likely to happen. It is a satire, after all.<\/p>\n<p>Charles Lewis III claims to be an award-nominated journalist, culture critic, and performing artist born and raised in San Francisco. He alleges to have been published in the San Francisco Chronicle, KQED, the San Francisco Examiner, and many more. Dodgy evidence of this can be found at The Thinking Man\u2019s Idiot.<\/p>\n<p>\u2018AFTER HAPPY\u2019<\/p>\n<p>By Patricia Milton, presented by Central Works<\/p>\n<p>Through: March 29<\/p>\n<p>Where: Berkeley City Club, 2315 Durant Ave, Berkeley<\/p>\n<p>Running time: 70 minutes, no intermission<\/p>\n<p>Tickets: $35-$45; centralworks.org<\/p>\n","protected":false},"excerpt":{"rendered":"The old axiom holds that \u201cpower corrupts and absolute power corrupts absolutely.\u201d Indeed, history is awash with once-humble&hellip;\n","protected":false},"author":2,"featured_media":214199,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[143,145,144,1058,420,77],"class_list":["post-214198","post","type-post","status-publish","format-standard","has-post-thumbnail","category-oakland","tag-oakland","tag-oakland-headlines","tag-oakland-news","tag-theater","tag-things-to-do","tag-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/214198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/comments?post=214198"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/214198\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media\/214199"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media?parent=214198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/categories?post=214198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/tags?post=214198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}