{"id":248146,"date":"2026-04-02T07:48:36","date_gmt":"2026-04-02T07:48:36","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-ca\/248146\/"},"modified":"2026-04-02T07:48:36","modified_gmt":"2026-04-02T07:48:36","slug":"san-francisco-film-festival-reveals-2026-lineup","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-ca\/248146\/","title":{"rendered":"San Francisco Film Festival Reveals 2026 Lineup"},"content":{"rendered":"<p><a href=\"https:\/\/www.indiewire.com\/t\/sffilm\/\" id=\"auto-tag_sffilm\" data-tag=\"sffilm\" rel=\"nofollow noopener\" target=\"_blank\">SFFILM<\/a>\u2018s 69th edition of the San Francisco International <a href=\"https:\/\/www.indiewire.com\/t\/film\/\" id=\"auto-tag_film\" data-tag=\"film\" rel=\"nofollow noopener\" target=\"_blank\">Film<\/a> Festival returns to the Bay Area April 24 -May 4 for 11 days of globe-spanning cinema and conversations. The lineup includes 79 programs from 40 countries featuring talent such as Tilda Swinton, Danielle Brooks, Irrfan Khan, Dale Dickey, Dustin Hoffman, Tony Leung Chiu-wai, Paul Rudd, Lubna Azabal, Don Cheadle, Jamie Lee Curtis, Charlotte Rampling, and Demi Moore. <\/p>\n<p>This year\u2019s festival also marks a return to storied venues, including the <a href=\"https:\/\/www.indiewire.com\/news\/breaking-news\/san-francisco-castro-theatre-reopen-a24-pillion-1235176128\/\" rel=\"nofollow noopener\" target=\"_blank\">Castro Theatre<\/a> (which reopened this year) and the Grand Lake (celebrating its 100th anniversary this year).<\/p>\n<p>Director of programming Jessie Fairbanks said in an official statement, \u201cThis is the sixth festival I\u2019ve curated at SFFILM, and it remains a joy to collaborate with the team to shape a slate of distinctive, authentic stories. Alongside special programs, juried competitions, and marquee events \u2014 including our return to the Castro Theatre and Grand Lake \u2014 I wanted to honor our organization\u2019s roots as we look ahead to our 70th anniversary next year. We\u2019re especially thrilled to introduce a legacy retrospective from SFFILM\u2019s archives that will become a new festival staple. Films from the Vault opens up a rich new layer of cinematic discovery and celebrates a history that continues to shape what comes next at SFFILM.\u201d<\/p>\n<p> <a href=\"https:\/\/www.indiewire.com\/news\/breaking-news\/wagner-moura-flesh-of-the-gods-kristen-stewart-a24-1235187037\/\" title=\"\" target=\"_self\" rel=\"nofollow noopener\" data-card-index=\"0\" data-post-id=\"1235187037\"><img src=\"https:\/\/www.newsbeep.com\/us-ca\/wp-content\/uploads\/2026\/04\/Screen-Shot-2026-04-01-at-1.05.36-PM.png\" alt=\"Kristen Stewart and Wagner Moura at IndieWire Honors\" height=\"168\" width=\"300\"   loading=\"lazy\" decoding=\"async\" fetchpriority=\"auto\" data-attachment-id=\"1235187041\" data-wp-size=\"nova_size__sixteenbynine_small_cropped\"\/><\/a>  <a href=\"https:\/\/www.indiewire.com\/features\/commentary\/film-financing-supply-side-demand-side-thinking-1235186844\/\" title=\"\" target=\"_self\" rel=\"nofollow noopener\" data-card-index=\"1\" data-post-id=\"1235186844\"><img src=\"https:\/\/www.newsbeep.com\/us-ca\/wp-content\/uploads\/2026\/04\/bridge.jpg\" alt=\"Steven de Groot\" height=\"168\" width=\"300\"   loading=\"lazy\" decoding=\"async\" fetchpriority=\"auto\" data-attachment-id=\"1235186846\" data-wp-size=\"nova_size__sixteenbynine_small_cropped\"\/><\/a> <\/p>\n<p>The festival\u2019s opening night at the Castro offers a double bill of Kent Jones\u2019 \u201c<a href=\"https:\/\/www.indiewire.com\/criticism\/movies\/late-fame-review-1235148273\/\" rel=\"nofollow noopener\" target=\"_blank\">Late Fame<\/a>\u201d before it opens in theaters later this year, and starring Willem Dafoe and Greta Lee, who will be there in person. That\u2019s followed by Olivia Wilde\u2019s post-Sundance premiere of \u201c<a href=\"https:\/\/www.indiewire.com\/criticism\/movies\/the-invite-review-olivia-wilde-1235174788\/\" rel=\"nofollow noopener\" target=\"_blank\">The Invite<\/a>,\u201d with the filmmaker in person to show this San Francisco-set film on 35mm.<\/p>\n<p>Previously announced are the centerpiece screening of Boots Riley\u2019s \u201c<a href=\"https:\/\/www.indiewire.com\/criticism\/movies\/i-love-boosters-review-boots-riley-1235183563\/\" rel=\"nofollow noopener\" target=\"_blank\">I Love Boosters<\/a>\u201d and the closing night program on May 4, aka Star Wars Day, featuring \u201cThe Empire Strikes Back\u201d and a conversation with C-3PO actor Anthony Daniels and Lucasfilm veteran and SFFILM board VP Howard Roffman. <\/p>\n<p>See the full lineup below, with language courtesy of the festival.<\/p>\n<p><a\/>Big Nights<\/p>\n<p>Opening Night: The Invite<br \/>Director: Olivia Wilde, Producers: David Permut, Ben Browning, Megan Ellison<br \/>(USA 2026, 107 min)<\/p>\n<p>Nothing is off limits in Olivia Wilde\u2019s (Booksmart, Festival 2019) taboo-smashing third feature where two San Francisco couples meet for a casual get-to-know-one-another dinner but instead find themselves traversing surprising boundaries of intimacy and relationships. Penelope Cruz, Olivia Wilde, Edward Norton, and Seth Rogen star.<\/p>\n<p>Opening Night: Late Fame<br \/>Director: Kent Jones, Producers: Pam Koffler, Christine Vachon, Mason Plotts, Danny Roberts, H.S. Naji, Jackie Langelier, Ethan Lazar, Taylor Shung<br \/>(USA 2025, 96 min)<\/p>\n<p>When a retired poet\u2019s forgotten writings capture the attention of a vibrant NYC group, admiration, longing, and desire stir in this heartfelt, witty meditation on ambition and second chances. Willem Dafoe and Greta Lee star.<\/p>\n<p>Centerpiece: I Love Boosters<br \/>Director: Boots Riley, Producers: Aaron Ryder, Andrew Swett, Allison Rose Carter, Jon Read, Boots Riley<br \/>(USA 2026, 106 min)<\/p>\n<p>A fearless crew of young women led by Corvette (Keke Palmer) shoplift designer clothes across the Bay Area and sell them at deep discounts. When fashion mogul Christie Smith (Demi Moore) takes notice, their rivalry escalates\u2014sparking a bold plan for one final heist.<\/p>\n<p>Closing Night: Star Wars: Episode V\u2014The Empire Strikes Back<br \/>Director: Irvin Kershner, Producer: Gary Kurtz<br \/>(USA 1980, 124 min)<\/p>\n<p>After the Rebellion\u2019s defeat on the ice planet Hoth, Luke journeys to the planet Dagobah to train with Jedi Master Yoda. Darth Vader attempts to convert Luke to the dark side.<\/p>\n<p><a\/>Awards &amp; Special Events<\/p>\n<p>An Evening with Ritesh Batra + \u201cThe Lunchbox\u201d<br \/>Director: Ritesh Batra, Producers: Shahnaab Alam, Marc Baschet, Benny Drechsel, Nina Lath Gupta, Arun Rangachari, Anurag Kashyap, Guneet Monga<\/p>\n<p>A mistaken lunchbox delivery through the famed dabbawala network sparks an unexpected connection between a lonely office worker and a thoughtful homemaker in Mumbai.<\/p>\n<p>Persistence of Vision Award: Lynne Sachs + \u201cEvery Contact Leaves a Trace\u201d<br \/>Director: Lynne Sachs, Producer: Lynne Sachs<\/p>\n<p>This year\u2019s Persistence of Vision Award celebrates experimental filmmaker and poet Lynne Sachs. Following a moderated conversation, there will be a screening of Lynne\u2019s new film Every Contact Leaves a Trace, a rumination of memory and assumptions using as inspiration a stack of business cards collected over 40 years.<\/p>\n<p>Mel Novikoff Award: Michelle Satter with a Special Screening of Beasts of the Southern Wild<br \/>Director: Benh Zeitlin, Producers: Michael Gottwald, Dan Janvey, Josh Penn<\/p>\n<p>The 2026 Mel Novikoff Award honors Michelle Satter, Founding Senior Director of Sundance Institute\u2019s Artist Programs, who has championed independent filmmakers there since 1981. She will be joined in conversation by Bay Area filmmaker Peter Nicks. Followed by a screening of the celebrated 2012 film Beasts of the Southern Wild, a project supported by both Sundance and SFFILM.<\/p>\n<p>Music + Film: Mysterious Bird with Musical Performance by Gabriela Quintero featuring Daniel Ho<br \/>Director: Beth Aala, Producers: Beth Aala, Violet Du Feng<br \/>(Mexico, USA 2026, 37 min)<\/p>\n<p>Grammy-winning guitarist Gabriela Quintero steps into her first solo spotlight in Beth Aala\u2019s intimate film, blending music, advocacy, and personal discovery, with a live performance and conversation to follow.<\/p>\n<p>Special Screening: Power Ballad<br \/>Director: John Carney, Producers: Anthony Bregman, John Carney, Peter Cron, Rebecca O\u2019Flanagan, Robert Walpole<\/p>\n<p>After former boy-band star Danny (Nick Jonas) turns a song stolen from wedding singer Rick (Paul Rudd) into a global hit, the two musicians clash in a hilarious, heartfelt, and chaotic battle over creativity and credit.<\/p>\n<p>Special Screening: The Kidnapping of Arabella<br \/>Director: Carolina Cavalli, Producers: Antonio Celsi, Annamaria Morelli<\/p>\n<p>Precocious seven-year-old Arabella convinces a troubled young woman to take her on a road trip, accidentally faking her own kidnapping\u2014and leaving her father, played by Chris Pine, in a panic.<\/p>\n<p><a\/>Narratives: USA<\/p>\n<p>Hot Water<br \/>Director: Ramzi Bashour, Producers: Jesse Hope, Max Walker-Silverman, Josh Peters<br \/>(USA 2026, 97 min)<\/p>\n<p>Ramzi Bashour\u2019s poignant road movie depicts an anxious mother transporting her delinquent son from Indiana to California and highlights the glories of the American Midwest while unpacking the dynamics of parenting and letting go. With Lubna Azabal and Dale Dickey<\/p>\n<p>If I Go Will They Miss Me<br \/>Director: Walter Thompson-Hern\u00e1ndez, Producers: Josh Peters, Saba Zerehi, Ben Stillman<br \/>(USA 2026, 89 min)<\/p>\n<p>Set in South Los Angeles, this coming-of-age story blends social and magical realism, Greek mythology, and v\u00e9rit\u00e9 observation, crafting a poetic yet grounded portrait of family, legacy, and the realities of growing up. With Danielle Brooks.<\/p>\n<p>Sender<br \/>Director: Russell Goldman, Producers: Jamie Lee Curtis, Molly Hallam, Jake Katofsky<br \/>(USA 2025, 94 min)<\/p>\n<p>Severance\u2019s Britt Lower stars as a young woman whose online shopping habit turns terrifying when mysterious packages containing eerily personal items begin arriving. With Rhea Seehorn and Jamie Lee Curtis.<\/p>\n<p>Tuner<br \/>Director: Daniel Roher, Producers: JoAnne Sellar, Lila Yacoub, Teddy Schwarzman, Michael Heimler<br \/>(USA 2024, 109 min)<\/p>\n<p>When a piano tuner\u2019s extraordinary hearing reveals a knack for cracking safes, his quiet New York routine gives way to a risky life of crime\u2014just as the possibility of love suggests another future. Dustin Hoffman and Leo Woodall star.<\/p>\n<p><a\/>Narratives: International<\/p>\n<p>The Arch<br \/>Director: T\u2019ang Shushuen, Producer: Paul Lee<br \/>(Hong Kong 1968, 98 min)<br \/>Presented at the 1968 Festival and little-seen since then, The Arch focuses on a proud widow who has allowed herself to be treated almost as a deity because of her virtuous behavior.<\/p>\n<p>The original black-and-white 35mm negatives of the film have been lost. The restoration was made using extant materials from 1968, including a 35mm release print preserved at the Berkeley Art Museum and Pacific Film archive and a 35mm release print preserved and scanned at the BFI National Archive. The digital restoration was undertaken at Silver Salt Restoration. Special thanks to the descendants of Paul Lee; Les Blank Films; and the Hong Kong Film Archive, Leisure and Cultural Services Department. The Arch is one of the films under M+ Restored, an initiative supported by CHANEL. The Arch is presented in support by Hong Kong Economic and Trade Office of San Francisco.<\/p>\n<p>Bad Blood<br \/>Director: Leos Carax, Producer: Alain Dahan<br \/>(France 1986, 105 min)<\/p>\n<p>This noir-ish drama involving a robbery and a doomed love triangle earned director Leos Carax comparisons to David Lynch and Martin Scorsese when it screened at the 1987 Festival. Juliette Binoche stars.<\/p>\n<p>Beau Travail<br \/>Director: Claire Denis, Producers: Patrick Grandperret, Eric Zaouali<br \/>(France 1999, 93 min)<\/p>\n<p>Claire Denis, who attended the Festival with the film in 2000, presents her hypnotic adaptation of Herman Melville\u2019s Billy Budd, transposing the tale to the French Foreign Legion of 1999 and exploring obsession, discipline, and desire.<\/p>\n<p>Blue Heron<br \/>Director: Sophy Romvari, Producers: Ryan Bobkin, Sara Wylie, Sophy Romvari, G\u00e1bor Osv\u00e1th<br \/>(Canada, Hungary 2025, 90 min)<\/p>\n<p>Depicting a young girl whose family is contending with a challenging older sibling, this masterful debut weaves autobiographical and documentary elements to capture the sights and sounds of adolescence impeccably.<\/p>\n<p>Cronos<br \/>Director: Guillermo del Toro, Producers: Arthur Gorson, Bertha Navarro<br \/>(Mexico 1993, 93 min)<\/p>\n<p>Guillermo del Toro made his arresting debut with this vampire movie with a Latin-American twist that screened with the director in attendance at the 1994 Festival.<\/p>\n<p>Elder Son<br \/>Director: Cecilia Kang, Producers: Juan Pablo Miller, Louise Bellicaud, Claire Charles-Gervais<br \/>(Argentina, France 2025, 118 min)<\/p>\n<p>An Argentinian teenager and her Korean immigrant father navigate family, memory, and identity across three generations, as past and present collide in a beautifully photographed drama inspired by the filmmaker\u2019s own family.<\/p>\n<p>The Fall of Sir Douglas Weatherford<br \/>Director: Se\u00e1n Robert Dunn, Producers: Scott Macaulay, Alex Polunin, Jennifer Monks<br \/>(UK, Scotland 2026, 103 min)<\/p>\n<p>Peter Mullan stars as a widower and devoted local history guide whose orderly life unravels when a flamboyant fantasy TV production descends on his Scottish village, sparking chaos and upheaval.<\/p>\n<p>Filipi\u00f1ana<br \/>Director: Rafael Manuel, Producers: Jeremy Chua, Alex Polunin, Bianca Balbuena, Bradley Liew, Nadia Turincev, Omar El Kadi, Rafael Manuel<br \/>(Singapore, UK, Philippines, France, Netherlands 2025, 100 min)<\/p>\n<p>In this auspicious debut feature, a new hire arrives for work at a luxurious golf course on the outskirts of Manila, where she discovers something sinister hiding beneath its pristine surface.<\/p>\n<p>The Fox King<br \/>Director: Woo Ming Jin, Producers: Yulia Evina Bhara, Woo Ming Jin, Edmund Yeo, Chua Jing Xuan<br \/>(Malaysia, Indonesia 2025, 94 min)<\/p>\n<p>Malaysian filmmaker Woo Ming Jin returns to SFFILM with this fable-like story about twin brothers trying to make a life for themselves with scant resources as they reel from their mother\u2019s death.<\/p>\n<p>Ghost School<br \/>Director: Seemab Gul, Producer: Seemab Gul<br \/>(Pakistan, Germany, Saudi Arabia 2025, 88 min)<\/p>\n<p>When her school in rural Pakistan shuts down, Rabia is told it\u2019s the work of a spirit. Undeterred, she embarks on an adventure to investigate the tales the adults tell her.<\/p>\n<p>If We Don\u2019t Burn, How Do We Light Up the Night<br \/>Director: Kim Torres, Producer: Alejandra Vargas Carballo<br \/>(Costa Rica, Mexico, France 2025, 90 min)<\/p>\n<p>In rural Costa Rica, Laura steps out of girlhood and into the world of adults. As she navigates teenage angst and messy emotions, a quiet and foreboding unease seeps into her life.<\/p>\n<p>Inside Amir<br \/>Director: Amir Azizi, Producers: Amir Azizi, Ali Azizi, Elham Azizi<br \/>(Iran 2025, 104v)<\/p>\n<p>A young man hovers on the precipice of a major life change, biking through his beloved Tehran as he awaits a visa approval. This evocative tale explores the uncertainty of leaving home, even if departing means rejoining a cherished relationship.<\/p>\n<p>It Would Be Night in Caracas<br \/>Directors: Mariana Rond\u00f3n, Marit\u00e9 Ug\u00e1s, Producers: Stacy Perksie, Edgar Ramirez, Stephanie Correa, Jill Littman<br \/>(Mexico, Venezuela 2025, 97 min)<\/p>\n<p>The lawlessness afoot in Venezuela\u2019s capital city is vibrantly captured in this gripping adaptation of Karina Sainz Borgo\u2019s novel from the filmmaking team behind Bad Hair (Festival 2014).<\/p>\n<p>Lost Land<br \/>Director: Akio Fujimoto, Producer: Kazutaka Watanabe<br \/>(Japan, France, Malaysia 2026, 99 min)<\/p>\n<p>Nine-year-old Somira and her younger brother Shafi are the focus of this moving drama that follows the Rohingya siblings as they journey from a refugee camp in Bangladesh to join relatives in Malaysia.<\/p>\n<p>Memory of Princess Mumbi<br \/>Director: Damien Hauser, Producers: Damien Hauser, Kaleem Aftab, Shandra Apondi<br \/>(Kenya, Switzerland, Saudi Arabia 2025, 79 min)<\/p>\n<p>In this futuristic sci-fi mockumentary, a filmmaker repurposes footage shot in the African nation of Umata as a love letter to the life of Princess Mumbi.<\/p>\n<p>Milk Teeth<br \/>Director: Mihai Mincan, Producers: Radu Stancu, Ioana Lasc\u0103r, Cyriac Auriol, Monica Hellstr\u00f6m, Kostantinos Vassilaros, Poli Angelova, Nikolay Todorov<br \/>(Romania 2025, 104 min)<\/p>\n<p>With deftly nuanced performances and atmospheric cinematography, this riveting drama unfolds as a story of innocence lost when young Maria\u2019s sister goes missing without a trace.<\/p>\n<p>Renoir<br \/>Director: Chie Hayakawa, Producers: Eiko Mizuno Gray, Jason Gray, Fran Borgia, Christophe Bruncher, Keisuke Konishi<br \/>(Japan, France, Singapore, Philippines, Indonesia, Qatar, USA 2025, 118 min)<\/p>\n<p>In 1987 suburban Tokyo, an 11-year-old girl\u2019s irrepressible imagination transforms everyday life into a vivid, inventive, and deeply moving adventure.<\/p>\n<p>Risa and The Wind Phone<br \/>Director: Juan Cabral, Producer: Flora Fern\u00e1ndez Marengo<br \/>(Argentina 2025, 94 min)<\/p>\n<p>In a small town where the dead call from an abandoned phone booth, a young girl discovers she alone can hear them, setting off a whimsical quest to help spirits\u2014and find her father.<\/p>\n<p>Recommended for ages 10 and up.<\/p>\n<p>Rose of Nevada<br \/>Director: Mark Jenkin, Producer: Denzil Monk<br \/>(UK 2025, 114 min)<\/p>\n<p>Two Cornish villagers crew on a fishing boat that was previously lost at sea and return to a world both familiar and utterly changed in this eerie, enigmatic drama. Callum Turner and George MacKay star.<\/p>\n<p>A Sad and Beautiful World<br \/>Director: Cyril Aris, Producers: Georges Schoucair, Jennifer Goyne Blake, April Shih, Georg Neubert, Jasper Wiedh\u00f6ft<br \/>(Lebanon, USA, Germany, Saudi Arabia, Qatar 2025, 110 min)<\/p>\n<p>Ambitious and emotionally potent, this dynamic drama explores one couple\u2019s romantic travails with three tumultuous decades of Lebanese history as the backdrop.<\/p>\n<p>Salvation<br \/>Director: Emin Alper, Producers: Nadir \u00d6perli, Ersan \u00c7ongar, Laurent Lavol\u00e9, Mil\u00e9na Poylo, Gilles Sacuto, Stienette Bosklopper, Maarten Swart, Yorgos Tsourgiannis, \u0130rem Akbal<br \/>(Turkey, France, Netherlands, Greece, Sweden, Saudi Arabia 2026, 120 min)<\/p>\n<p>Winner of the Berlinale\u2019s Silver Bear, Emin Alper\u2019s tense, visually striking drama explores the explosive consequences when territorial rivalries ignite in a remote Turkish mountain village.<\/p>\n<p>Silent Friend<br \/>Director: Ildik\u00f3 Enyedi, Producers: Reinhard Brundig, Monika M\u00e9cs, Nicolas Elghozi, Morgane Olivier, Meng Xie<br \/>(Germany, Hungary, France 2025, 147 min)<\/p>\n<p>An ancient ginkgo tree enchants longing souls across more than a century in this spellbinding cinematic triptych starring Tony Leung Chiu-wai and L\u00e9a Seydoux.<\/p>\n<p>The Son and the Sea<br \/>Director: Stroma Cairns, Producers: Imogen West, Kelly Peck<br \/>(UK 2025, 102 min)<\/p>\n<p>A restless young man leaves London for the Scottish coast in search of purpose. Along the way, unexpected friendships force him to confront who he is\u2014and who he might become.<\/p>\n<p>Space Cadet<br \/>Director: Kid Koala, Producer: Ginette Petit<br \/>(Canada 2025, 86 min)<\/p>\n<p>A young astronaut embarks on her first mission, leaving her caretaker robot behind in this music-driven, animated adventure that spans the universe.<\/p>\n<p>A crafting hour for families with guest Lillian Chan following the screening and Q&amp;A. Recommended for ages 7 and up.<\/p>\n<p>Those Who Whistle After Dark<br \/>Director: P\u0131nar Yorganc\u0131o\u011flu, Producers: Bekir Yusuf Aciksoz, Dilde Mahalli, Furkan Besli, P\u0131nar Yorganc\u0131o\u011flu, Zeynep Ekmekci, Vanya Rainova, Victoria Mitreva, Sandra M\u00fcller, Michael Eckelt, Kanat Do\u011framac\u0131<br \/>(Turkey, Bulgaria, Germany 2025, 108 min)<\/p>\n<p>Retired Melih drifts through life as his wife and daughter pursue risky professional schemes. When ghostly figures appear, domestic absurdity spirals in this offbeat, comic, and charming portrait of family life.<\/p>\n<p>Two Pianos<br \/>Director: Arnaud Desplechin, Producer: Pascal Caucheteux<br \/>(France 2025, 115 min)<\/p>\n<p>Arnaud Desplechin\u2019s high-pitched drama follows a tempestuous pianist reconnecting with his mentor Elena (Charlotte Rampling, at her diva best) for one final duet before her retirement.<\/p>\n<p>Ungrateful Beings<br \/>Director: Olmo Omerzu, Producer: Ji\u0159\u00ed Kone\u010dn\u00fd<br \/>(Czech Republic, Slovenia, Poland, Slovakia, Croatia, France 2025, 110 min)<\/p>\n<p>What begins as a summer crush evolves into a snowballing disaster in this darkly comedic family drama that sees a recently separated father desperately try to reconnect with his kids.<\/p>\n<p>Vagabond<br \/>Director: Agn\u00e8s Varda, Producer: Oury Milshtein<br \/>(France 1985, 105 min)<\/p>\n<p>Agn\u00e8s Varda\u2019s Golden Lion winner starring Sandrine Bonnaire as a young drop-out roaming a wintery South of France returns to the Festival for the first time since 1986.<\/p>\n<p>The Wages of Fear<br \/>Director: Henri-Georges Clouzot, Producer: Raymond Borderie, Henri-Georges Clouzot<br \/>(France 1953, 152 min)<\/p>\n<p>Four men risk their lives driving rickety trucks loaded with nitroglycerine in Henri-Georges Clouzot\u2019s classic thriller that last played the Festival in 1978 as part of a tribute to star Yves Montand.<\/p>\n<p>The World of Love<br \/>Director: Yoon Ga-eun, Producers: Kim Se-hun, Jenna Ku<br \/>(South Korea 2025, 119 min)<\/p>\n<p>Boisterous and unshakable, a young girl\u2019s harmonious world unravels after a public clash and anonymous letters force her to confront long-buried truths, testing her sense of self and resilience.<\/p>\n<p><a\/>Documentaries: USA<\/p>\n<p>American Doctor<br \/>Director: Poh Si Teng, Producers: Poh Si Teng, Kirstine Barfod, Reem Haddad<br \/>(USA, Palestine, Malaysia, Qatar, Denmark 2026, 93 min)<\/p>\n<p>Three U.S. doctors\u2014Palestinian, Jewish, and Zoroastrian\u2014strive to alleviate suffering in Gaza as war devastates its hospitals, confronting impossible choices, human suffering, and moral peril.<\/p>\n<p>Cookie Queens<br \/>Director: Alysa Nahmias, Producers: Michael Dweck, Gregory Kershaw, Alysa Nahmias, Jennifer Sims (USA 2026, 91 min)<\/p>\n<p>Four young Girl Scouts race to sell as many cookies as possible over the course of a season in this charming and warm-hearted crowd pleaser.<\/p>\n<p>Recommended for film for ages 7 and up.<\/p>\n<p>Figaro Up, Figaro Down<br \/>Director: Javid Soriano, Producers: Javid Soriano, Rob Richert<br \/>(USA 2026, 75 min)<\/p>\n<p>Tim Blevins trained at Juilliard, enthralling opera fans with his baritone before losing it all to addiction and landing on the streets of San Francisco. But then he pulled off a stunning comeback.<\/p>\n<p>First They Came for My College<br \/>Director: Patrick Bresnan, Producers: Holly Herrick, Patrick Bresnan<br \/>(USA 2026, 105 min)<\/p>\n<p>As the threat of a conservative curriculum takeover looms over Florida\u2019s New College, a group of students and their professor come together to resist and push back.<\/p>\n<p>Give Me the Ball!<br \/>Directors: Liz Garbus, Elizabeth Wolff, Producers: Liz Garbus, Elizabeth Wolff, Dominic Crossley-Holland, Dan Cogan, Chris James, Gentry Kirby<br \/>(USA 2026, 102 min)<\/p>\n<p>Through rare archival footage and candid interviews in this vivid and electrifying documentary, Billie Jean King recalls the victories, struggles, and sacrifices behind her trailblazing career.<\/p>\n<p>How to Clean a House in 10 Easy Steps<br \/>Director: Carolina Gonz\u00e1lez Valencia, Producers: Brenda \u00c1vila-Hanna, Olga Segura-Gall<br \/>(USA, Colombia, Mexico 2026, 80 min)<\/p>\n<p>Filmmaker Carolina Gonz\u00e1lez Valencia and her immigrant mother celebrate generational joy in a striking directorial debut that brings a dose of magic and a sense of honor to domestic labor.<\/p>\n<p>Joybubbles<br \/>Director: Rachael Morrison, Producers: Sarah Winshall, Will Butler, Annie Marr<br \/>(USA 2026, 79 min)<\/p>\n<p>Born blind and longing for connection, Joe Engressia\u2014later known as Joybubbles\u2014discovers he can hack the analog telephone network with whistles, transforming curiosity into connection and sparking the phone-phreak movement. Presented with open audio description and open captions.<\/p>\n<p>Nuisance Bear<br \/>Directors: Gabriela Osio Vanden, Jack Weisman, Producers: Michael Code, Teddy Leifer, Will N. Miller<br \/>(USA, Canada, UK 2025, 90 min)<\/p>\n<p>A yearling polar bear embodies his species in this immersive, poetic Sundance Grand Jury Prize winner, revealing the tense, fraught balance between humans and nature\u2019s apex predator.<\/p>\n<p>The Oldest Person in the World + Paper Trail<br \/>Director: Sam Green, Producers: Alison Byrne Fields, Josh Penn<br \/>(USA 2025, 87 min)<\/p>\n<p>Director Sam Green makes his triumphant return to SFFILM with a deeply personal, lovingly crafted film documenting the world\u2019s oldest people, as recognized by the Guinness Book of World Records.<\/p>\n<p>This film will be preceded by the short film Paper Trail, directed by Don Hertzfeldt (USA 2026, 14 min).<\/p>\n<p>Time and Water<br \/>Director: Sara Dosa, Producers: Shane Boris, Elijah Stevens, Jameka Autry, Sara Dosa<br \/>(USA, Iceland 2026, 90 min)<\/p>\n<p>Writer Andri Sn\u00e6r Magnason reckons with the death of Okj\u00f6kull, the first glacier lost to climate change, as Sara Dosa\u2019s striking documentary blends vanishing ice, family memory, and urgent witness.<\/p>\n<p>Yo (Love Is a Rebellious Bird)<br \/>Directors: Anna Fitch, Banker White, Producers: Sara Dosa, Hannah Roodman, Anna Fitch, Banker White<br \/>(USA 2026, 78 min)<\/p>\n<p>Through beautifully constructed miniature sets and puppets, directors Anna Fitch and Banker White craft an elegy to the life and times of Anna\u2019s beloved friend, Yo.<\/p>\n<p><a\/>Documentaries: International<\/p>\n<p>Am\u00edlcar<br \/>Director: Miguel Eek, Producers: Marie Dumoulin, Luis Correia , Mario Adamson, Natacha Ceuninck<br \/>(France, Portugal 2025, 87 min)<\/p>\n<p>The life of Am\u00edlcar Cabral, revolutionary leader of Guinea-Bissau and Cape Verde, unfolds in this essayistic documentary, weaving letters, photographs, music, and archival footage into a vivid, striking portrait of a singular political voice.<\/p>\n<p>Black Is Beautiful: The Kwame Brathwaite Story<br \/>Director: Yemi Bamiro, Producers: Joanna Boateng, Lizzie Gillett, Ian Bonh\u00f4te, Andrew Calof<br \/>(USA, UK 2025, 98 min)<\/p>\n<p>Yemi Bamiro\u2019s enthralling documentary celebrates photographer and activist Kwame Brathwaite, whose monumental work chronicled the joy, beauty, and glory of Black lives and experiences.<\/p>\n<p>A Child of My Own<br \/>Director: Maite Alberdi, Producers: Sandra God\u00ednez, Carla Gonz\u00e1lez Vargas, Maximiliano Sanguine<br \/>(Mexico 2026, 90 min)<\/p>\n<p>Director Maite Alberdi employs reenactments to tell the fascinating story of a woman who fabricates a pregnancy to fulfill her dream of motherhood, triggering a months-long charade that is gripping and morally fraught.<\/p>\n<p>Daughters of the Forest: Mycelium Chronicles<br \/>Director: Otilia Portillo Padua, Producers: Paula Arroio, Elena Fortes, Otilia Portillo<br \/>(Mexico 2026, 87 min)<\/p>\n<p>The mushrooms speak in this inventive sci-fi documentary that follows indigenous female mycologists as they document and preserve the intricate bonds between humans and fungi.<\/p>\n<p>Enough Is Enough<br \/>Director: Elis\u00e9 Sawasawa, Producers: Marianne Dumoulin, Jacques Bidou, Christian Bitwaiki<br \/>(Democratic Republic of the Congo, France 2025, 65 min)<\/p>\n<p>Displaced Congolese filmmaker Elis\u00e9 Sawasawa chronicles life amid the Kivu War, capturing shocking attacks, refugee struggles, and frontline chaos in a fearless, urgent, and unflinching documentary about resilience.<\/p>\n<p>Hair, Paper, Water\u2026<br \/>Directors: Nicolas Graux, Tr\u01b0\u01a1ng Minh Qu\u00fd, Producers: Julie Freres, Thomas Hakim, Julien Graff<br \/>(Belgium, France, Vietnam 2025, 71 min)<\/p>\n<p>A woman regales her grandchildren with her wisdom and stories, a gift of language with which they can navigate life.<\/p>\n<p>Jaripeo + Born at Night<br \/>Directors: Efra\u00edn Mojica, Rebecca Zweig, Producer: Sarah Strunin<br \/>(Mexico, USA, France 2026, 71 min)<\/p>\n<p>Questions of masculinity, sexuality, and belonging swirl in this vivid documentary that explores Michoac\u00e1n\u2019s signature \u201cjaripeos,\u201d rural rodeos that also serve as a somewhat secret space for queer cowboys.<\/p>\n<p>This film will be preceded by the short film Born at Night, directed by Alba Cros Pellis\u00e8 (Spain 2025, 18).<\/p>\n<p>One in a Million<br \/>Directors: Itab Azzam, Jack MacInnes, Producers: Itab Azzam, Jack MacInnes, Andrew Palmer, James<br \/>(UK 2026, 102 min)<\/p>\n<p>Change unfolds swiftly and powerfully in this intimate, decade-spanning portrait of Syrian refugee Israa and her family as they navigate life across multiple countries.<\/p>\n<p>The Queen and the Smokehouse<br \/>Director: Iga Lis, Producers: Jerzy Kapuscinski, Magdalena Tomanek<br \/>(Poland 2025, 65 min)<\/p>\n<p>The queen of the Polish town of \u0141eba does not wear a crown or sit on a throne. Instead, her kingdom is a smokehouse from which she feeds mackerel and cod to thousands.<\/p>\n<p>To Hold a Mountain<br \/>Directors: Biljana Tutorov, Petar Glomazi\u0107, Producers: Biljana Tutorov, Petar Glomazi\u0107, Quentin Laurent, Rok Bi\u010dek<br \/>(Serbia, France, Montenegro, Slovenia, Croatia 2026, 105 min)<\/p>\n<p>Armed with lessons learned from a painful past, women put up a quiet but resilient fight to preserve the dignity of their lives and home in the breathtaking Montenegrin highlands.<\/p>\n<p><a\/>Mid-Length Programs<\/p>\n<p>The Baddest Speechwriter of All + La Tierra del Valor (The Home of the Brave) + Scenes from the Divide<br \/>Total Runtime: 84 min<\/p>\n<p>A trio of documentaries survey the American political landscape, both past and present. Featuring MLK Jr. speechwriter Clarence B. Jones (in Stephen Curry\u2019s directorial debut); Rising voice Nezza, who sings an anthem of hope at an LA Dodger game; and the supporters and opponents of Zohran Mamdani within NYC\u2019s Jewish community.<\/p>\n<p>Scenes from the Divide<br \/>Director: Alison Klayman, Producer: Arielle Angel, Daniel May, Alison Klayman, Courtney Powell<br \/>(USA 2026, 32 min)<\/p>\n<p>Zohran Mamdani\u2019s campaign for New York City mayor exposes divisions within the city\u2019s Jewish communities, reflecting broader national debates on Palestine.<\/p>\n<p>The Baddest Speechwriter of All<br \/>Directors: Ben Proudfoot, Stephen Curry, Producers: Ben Proudfoot, Rachel Greenwald, Erick Peyton, Stephen Curry<br \/>(USA 2026, 29 min)<\/p>\n<p>Stephen Curry\u2019s directorial debut, co-directed with SFFILM alumni Ben Proudfoot, follows Clarence B. Jones, Martin Luther King Jr.\u2019s speechwriter, blending storytelling and playful animated sequences to celebrate his life and impact.<\/p>\n<p>La Tierra del Valor (The Home of the Brave)<br \/>Director: Cristina Costantini, Producers: Eugen Br\u00e4unig, Joanna Br\u00e4unig, Cristina Costantini, Alfie Koetter<br \/>(USA 2026, 23 min)<\/p>\n<p>Nezza (Vanessa Hernandez) defies orders at a Dodgers game, singing the US national anthem in Spanish, honoring the 1945 \u201cEl Pend\u00f3n Estrellado,\u201d and inspiring hope in her community.<\/p>\n<p>Still Playing + The Curfew + Nava<br \/>Total Runtime: 72 min<\/p>\n<p>Three protagonists and their quietly courageous gestures of resilience weave together a cinematic journey across the world. Documenting a father\u2019s struggle in Palestine, a woman\u2019s fateful return to Iran, and the quotidian experiences of Pakistani diaspora, this trio of films raises essential questions about proximity to cruelty, colonialism\u2019s lasting impacts, and what it means to show love and devotion under harrowing circumstances.<\/p>\n<p>Still Playing<br \/>Directors: Mohamed Mesbah, Producer: Yannick Beauquis, Quentin Brayer<br \/>(France 2025, 37 min)<\/p>\n<p>Palestinian video game creator Rasheed Abueideh raises two sons in the West Bank, where Israeli army raids are as common as his children\u2019s robotics competitions.<\/p>\n<p>The Curfew<br \/>Director: Shehrezad Maher, Producers: Lindsay Blair Goeldner, Meetra Javed<br \/>(USA 2025, 19 min)<\/p>\n<p>As Pakistani American Ayaan moves into a new apartment and becomes the caretaker for his grandmother, he hears intergenerational echoes of language and history.<\/p>\n<p>Nava<br \/>Director: Dena Rassam, Producers: Hadi Babaeifar, Mehrnaz Davanipour<br \/>(Iran 2025, 25 min)<\/p>\n<p>Iranian singer Nava has 24 hours to spend with her father before she must leave the country.<\/p>\n<p><a\/>Shorts Programs<\/p>\n<p>Shorts 1: Human Flow<br \/>Total Runtime: 84 min<\/p>\n<p>Traverse cityscapes, valleys, highways, and borders through films by an international ensemble of storytellers. Conversations between people and land are as alive as human dialogue in these earnest portrayals of gathering and return.<\/p>\n<p>Films are in alphabetical order rather than order of play.<\/p>\n<p>Drifting, South, Di Zhang (China, Canada 2025, 19 min)<\/p>\n<p>highways take me anywhere I want, Mar\u00eda Luisa Santos (USA, Costa Rica 2026, 8 min)<\/p>\n<p>In the Morning Sun, Serville Poblete (Canada, Philippines 2025, 21 min)<\/p>\n<p>La Petite Reine Blanche, Th\u00e9o Hanosset, Mathieu Georis (Belgium, France 2026, 15 min)<\/p>\n<p>Tamashi, Jess X. Snow, Ashima Shiraishi (USA, France 2026, 13 min)<\/p>\n<p>Villa 187, Eiman Mirghani (Sudan, Qatar 2025, 8 min)<\/p>\n<p>Shorts 2: Under Pressure<br \/>Total Runtime: 90 min<\/p>\n<p>Across cultures, five women confront the forces pressing in on their lives, tracing the moments when endurance gives way to reckoning and reclaiming one\u2019s voice becomes both risk and necessity.<\/p>\n<p>Films are in alphabetical order rather than order of play.<\/p>\n<p>Because Today Is Saturday, Alice E\u00e7a Guimar\u00e3es (Portugal, France, Spain 2025, 12 min)<\/p>\n<p>Buried Under Years of Dust, Sophie Sartain (USA 2026, 30 min)<\/p>\n<p>Dark Skin Bruises Differently, Susan Wokoma (UK 2025, 11 min)<\/p>\n<p>Dua Ji, YuHan Tsai (Taiwan, USA 2025, 18 min)<\/p>\n<p>A South Facing Window, Lkhagvadulam Purev-Ochir (France, Mongolia 2025, 19 min)<\/p>\n<p>Shorts 3: Shapes of Love<br \/>Total Runtime: 95 min<\/p>\n<p>In stories of queer love, intergenerational love, self-love, and love across borders, filmmakers deftly mediate between intimacy and universality. From before greetings to after goodbyes, these films trace love\u2019s ever-evolving shapes.<\/p>\n<p>Films are in alphabetical order rather than order of play.<\/p>\n<p>Betty St. Clair, Syra McCarthy, Kyle Casey Chu (USA 2025, 12 min)<\/p>\n<p>Buckskin, Mars Verrone (USA 2026, 17 min)<\/p>\n<p>Can I Put You On Hold, James Cutler (USA 2025, 11 min)<\/p>\n<p>Living with a Visionary, Stephen P. Neary (USA 2026, 15 min)<\/p>\n<p>Long Live Livia, Zach Dorn (USA, South Korea 2025, 16 min)<\/p>\n<p>Rehearsal for an Encounter, Dahee Kim (USA 2025, 5 min)<\/p>\n<p>Una Notte, Rob Harris (UK 2025, 19 min)<\/p>\n<p>Shorts 4: Shapes of Menace<br \/>Total Runtime: 89 min<\/p>\n<p>Six sinister stories shine a piercing spotlight on every shade of menace, originating from the darkest depths of our psyches and leading to new heights of depravity.<\/p>\n<p>Films are in alphabetical order rather than order of play.<\/p>\n<p>Callback, Matthew Puccini (USA 2026, 16 min)<\/p>\n<p>Corpus Christi, Bea Lema (Spain 2025, 12 min)<\/p>\n<p>The Fall, Maxime Tevissen, Tom Alcamo, Hugo Hannache, Dylan Cam, Alexandre Velves, Titouan Kervajan, Ya\u00eblle Alberti (France 2025, 7 min)<\/p>\n<p>The Veil, Gabriel Motta (Brazil 2025, 20)<\/p>\n<p>Vultures, Dian Weys (France, South Africa 2025, 15 min)<\/p>\n<p>A Year of Marriage, Pablo Camargo L\u00f3pez (Mexico 2025, 19 min)<\/p>\n<p>Shorts 5: Family Films<br \/>Total Runtime: 64 min<\/p>\n<p>From intergalactic cardboard adventures to magical whales, stubborn staircases, and unexpected animal mishaps, this delightful collection of short films celebrates imagination, resilience, and the connections that bring us together.<\/p>\n<p>Recommended for ages 5 and up. Films are in alphabetical order rather than order of play. Total runtime 58 min<\/p>\n<p>The Apricot, Alex Z. Avila (USA, Mexico 2025, 9 min)<\/p>\n<p>Cardboard, J.P. Vine (UK 2025, 8 min)<\/p>\n<p>Duet, L\u00e9o Brunel (France 2025, 1)<\/p>\n<p>First Winter, Schantelle Alonzo (USA 2025, 5 min)<\/p>\n<p>Little Things, Noam Rignault Clement (France, Spain, USA 2026, 6 min)<\/p>\n<p>A Pain in the Butt, Elena Walf (Germany, Croatia 2025, 5 min)<\/p>\n<p>Swim Sistas, Catherine Joy White (UK 2025, 11 min)<\/p>\n<p>THEY, Ren\u00e9e Zellweger (UK 2025, 8 min)<\/p>\n<p>Whale 52 \u2013 Suite For Man, Boy, And Whale, Daniel Neiden (USA 2025, 11 min)<\/p>\n<p>Shorts 6: Youth Works<br \/>Total Runtime: 74 min<\/p>\n<p>Young filmmakers from across the globe showcase their daring creativity and craft in this collection of films that address the complexity of growing up and the innocence of youth.<\/p>\n<p>Recommended for ages 11 and up. Films are in alphabetical order rather than order of play. Total runtime 74 min<\/p>\n<p>Cindy Undead, Mariella Guti\u00e9rrez (USA 2025, 3 min)<\/p>\n<p>Dandelion Child, Isabella Montesi (USA 2025, 6 min)<\/p>\n<p>Fishbowl, Hana Taylor (USA 2025, 8 min)<\/p>\n<p>Little Things, Noam Rignault Clement (France, Spain, USA 2026, 6 min)<\/p>\n<p>Out of the Blue, Vivian Nguyen (USA 2026, 3 min)<\/p>\n<p>Paper Boat, Yeobin Park (South Korea 2025, 10 min)<\/p>\n<p>Rewinded, Aaliyah Idrissa (USA 2025, 7 min)<\/p>\n<p>Rising Above the Ashes, Cade Savage Schwartz (USA 2025, 15 min)<\/p>\n<p>Sonder, Lancey Quan (USA 2025, 9 min)<\/p>\n<p>Tropical Fish, Shirley Xie (China 2025, 7 min)<\/p>\n<p>Sound and Cinema Showcase<br \/>Total Runtime: 90 min<\/p>\n<p>The second annual Sound and Cinema Showcase celebrates our partnership with the San Francisco Conservatory of Music, our filmmaking fellows, and student composers. After the films screen, there will be a Q&amp;A with the participants.<\/p>\n<p>Films are in alphabetical order rather than order of play.<\/p>\n<p>Breathing Room, Elivia Shaw (USA, 18 min)<\/p>\n<p>The Darkest Night, Andr\u00e9s Gallegos (Chile, 22 min)<\/p>\n<p>Perm and Circumstance, Maria Victoria Ponce (USA, 12 min)<\/p>\n<p><a\/>Talks &amp; Workshops<\/p>\n<p>Teen Filmmaking Workshop: Collaboration &amp; Creativity<\/p>\n<p>Join director duo and multi-disciplinary artists Jess X. Snow and Ashima Shiraishi, for a filmmaking workshop for teens focused on collaboration and creativity through multiple mediums. This workshop will delve into the process behind their narrative shorts as well as their latest collaborative experimental documentary, Tamashi (part of the Festival\u2019s Shorts 1: Human Flow program), co-directed with artist and world record-breaking rock climber Ashima Shiraishi.<\/p>\n","protected":false},"excerpt":{"rendered":"SFFILM\u2018s 69th edition of the San Francisco International Film Festival returns to the Bay Area April 24 -May&hellip;\n","protected":false},"author":2,"featured_media":248147,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[839,1924,101,103,102,104,106,105,54740],"class_list":{"0":"post-248146","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-san-francisco","8":"tag-festivals","9":"tag-film","10":"tag-san-francisco","11":"tag-san-francisco-headlines","12":"tag-san-francisco-news","13":"tag-sf","14":"tag-sf-headlines","15":"tag-sf-news","16":"tag-sffilm"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/248146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/comments?post=248146"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/248146\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media\/248147"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media?parent=248146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/categories?post=248146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/tags?post=248146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}