{"id":289815,"date":"2026-04-28T15:06:14","date_gmt":"2026-04-28T15:06:14","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-ca\/289815\/"},"modified":"2026-04-28T15:06:14","modified_gmt":"2026-04-28T15:06:14","slug":"uc-berkeley-freshmans-short-film-little-things-has-a-big-heart-at-sffilm-film-television","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-ca\/289815\/","title":{"rendered":"UC Berkeley freshman\u2019s short film \u2018Little Things\u2019 has a big heart at SFFILM | Film &#038; Television"},"content":{"rendered":"<p style=\"text-align: center;\">Grade: 4.0\/5.0<\/p>\n<p>At its core, \u201cLittle Things\u201d \u2014 the short film by UC Berkeley freshman Noam Rignault Clement screening at SFFILM\u2019s San Francisco International Film Festival \u2014 feels like a plea to preserve innocence. The film follows Leftie, a 9-year-old boy who recently moved from the city to the countryside, played by the director\u2019s younger brother, Luca Rignault Clement. Taking his mother\u2019s advice to \u201cfind happiness in the little things\u201d with literal intensity, he forms a bond with a garden gnome. This object becomes both companion and test subject, symbolizing his attempt to understand the world on his own terms and distinguish abstract wisdom from something more concrete. The film is refreshing in its depiction of a childhood that doesn\u2019t revolve around screens, but rather teaches a valuable lesson in life\u2019s meaning.<\/p>\n<p>From the first moments of the film, the influence of filmmaker Wes Anderson is undeniable. The pastel-toned palette, delicate attention to sound and child narration evoke the curated innocence of films such as \u201cMoonrise Kingdom.\u201d Yet \u201cLittle Things\u201d establishes its own identity through a more intimate, fragile exploration of childhood perception, made all the more resonant by its real-life sibling collaboration. Noam Rignault Clement\u2019s direction often places the viewer just behind Leftie, quietly trailing him through his routines. This perspective, paired with meticulous sound design \u2014 the crunch of sand, the slosh of water and the swoosh of a kicked ball \u2014 creates a sensory immersion that mirrors a child\u2019s heightened awareness, where even the smallest action feels monumental.<\/p>\n<p>Visually, the film captures youth through soft pastel and warm light, contrasting with darker tones that hint at the urban life that has been left behind. Shots of Paris act as brief glimpses at the life that Leftie has moved away from. However, we\u2019re never left in these moments for long, as immediately we are thrown back to the present, forgetting our momentary sorrows as children often do.<\/p>\n<p>Beneath its whimsical surface, \u201cLittle Things\u201d carries a subtle tension about growing up. The garden gnome becomes central to Leftie\u2019s shifting understanding of life. Leftie expects the gnome to see, hear and smell just as any other living thing does. But it remains still, both magical and tranquil, much similar to childhood itself: rich with imagination, yet bound by reality. The film\u2019s nostalgic cinematography reinforces this emotional arc. Daylight and soft evening hues represent the warmth of youth, while darker imagery hints at the inevitability of change.<\/p>\n<p>Leftie\u2019s reflections \u2014 \u201cThe day goes faster if (you) don\u2019t enjoy the little things,\u201d followed later by \u201cmaybe it\u2019s good that the days go by faster\u201d \u2014 reveal a child grappling with time. His older brother, Rhys, embodies the endpoint of that trajectory. When Rhys offers him an alcoholic, \u201cadult\u201d drink, Leftie spits it out, a small but decisive act of resistance against growing up. At that moment, adulthood does not appear exciting, but disappointing, even gross. Leftie\u2019s reluctance to move forward feels deeply relatable. Many share the desire to return to a time when life felt simpler and the world still held a sense of effortless awe. Less explored, however, is the inverse \u2014 the way children often long to grow up. It\u2019s a dynamic that lingers in Rhys\u2019 presence and suggests a dimension that the film only begins to touch.<\/p>\n<p>The conclusion echoes the mother\u2019s closing advice: \u201cEvery good thing ends.\u201d This ending introduces the bittersweet truth that makes the search for little things both necessary and fleeting. After Leftie returns the gnome in the closing scene, a tiny bug lifts off his arm and the story comes full circle. Childhood, just as the gnome, cannot be held indefinitely; just as quickly as we find little things, we recognize their impermanence. \u201cLittle Things\u201d succeeds not by imitating its influences, but by understanding what gives youth emotional weight: attention to small details. Noam Rignault Clement captures the delicate space between innocence and awareness, where a child begins to sense time moving forward and quietly decides, at least for now, not to rush along with it.<\/p>\n","protected":false},"excerpt":{"rendered":"Grade: 4.0\/5.0 At its core, \u201cLittle Things\u201d \u2014 the short film by UC Berkeley freshman Noam Rignault Clement&hellip;\n","protected":false},"author":2,"featured_media":289816,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[123865,123866,123867,123864,143,145,144,93779,54740,149,123868],"class_list":{"0":"post-289815","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-oakland","8":"tag-little-things","9":"tag-luca-rignault-clement","10":"tag-moonrise-kingdom","11":"tag-noam-rignault-clement","12":"tag-oakland","13":"tag-oakland-headlines","14":"tag-oakland-news","15":"tag-san-francisco-international-film-festival","16":"tag-sffilm","17":"tag-uc-berkeley","18":"tag-wes-anderson"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/289815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/comments?post=289815"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/289815\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media\/289816"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media?parent=289815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/categories?post=289815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/tags?post=289815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}