{"id":340242,"date":"2026-05-31T14:04:09","date_gmt":"2026-05-31T14:04:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-ca\/340242\/"},"modified":"2026-05-31T14:04:09","modified_gmt":"2026-05-31T14:04:09","slug":"review-espejos-clean-at-capital-stage","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-ca\/340242\/","title":{"rendered":"Review: ESPEJOS: CLEAN at Capital Stage"},"content":{"rendered":"<p>            \ud83c\udfad NEW! Sacramento Theatre Newsletter<\/p>\n<p class=\"newsletter-subtitle\" style=\"color: #cccccc; font-size: 16px; margin: 0 0 20px 0; line-height: 1.5; font-family: 'Arial', sans-serif;\">\n            Get all the top news &amp; discounts for Sacramento &amp; beyond.\n        <\/p>\n<p>Capital Stage once again demonstrates its dedication to producing works that illuminate the intricacies of human relationships. Christine Quintana\u2019s Espejos: Clean is a powerful production that explores assumptions and identity through storytelling in both English and Spanish. Director <a href=\"https:\/\/www.broadwayworld.com\/people\/Dena-Martinez\/\" rel=\"nofollow noopener\" target=\"_blank\">Dena Martinez<\/a> relies on the strength of the script, capturing the characters&#8217; authentic experiences of tension, misunderstanding, and the stark contrast between privilege and need.<\/p>\n<p>            \ud83c\udfad NEW! Sacramento Theatre Newsletter<\/p>\n<p class=\"newsletter-subtitle\" style=\"color: #cccccc; font-size: 16px; margin: 0 0 20px 0; line-height: 1.5; font-family: 'Arial', sans-serif;\">\n            Get all the top news &amp; discounts for Sacramento &amp; beyond.\n        <\/p>\n<p>The play is set in a luxury resort in Mexico, using its opulent surroundings to reinforce themes of inequality and assumptions. The two characters, Adriana (Sarita Oc\u00f3n) and Sarah (Stephanie Altholz), are a study in the dichotomy of haves and have-nots: one, a hotel housekeeping manager; the other, a comfortable Canadian tourist. At first glance, that\u2019s exactly how they seem. Adriana\u2019s options were limited as she escaped an abusive environment. A job in glamorous Cancun, surrounded by wealth, seemed perfect for her younger, idealistic self. Now that she has experience behind her and the glitz of the pristine property has worn off, she feels even more invisible to everyone who passes through her rooms. That is, until Sarah arrives at the resort for her sister\u2019s destination wedding. As the title suggests, they are more alike than they appear. As they begin to peel back layers and expose vulnerabilities, it\u2019s as if they\u2019re looking into espejos (mirrors) despite their different circumstances.<\/p>\n<p>Oc\u00f3n delivers her monologues almost entirely in Spanish, segueing to English periodically in scenes that emphasize the frustration and disparity between her two worlds. She cuts a mature figure that has been shaped by hardship and resilience. Altholz is always compelling, and her turn as Sarah is no exception. Their performances feel authentic, showing the complexities of people trying to navigate trauma and self-reflection. What makes the experience especially compelling is how they reveal the contradiction within their characters. Every interaction is rife with intention, and nothing feels out of place. A surprising treat is the humor peppered throughout the seriousness, particularly in the second act.<\/p>\n<p>Espejos: Clean continues to show Capital Stage\u2019s commitment to thoughtful artistic presence. Their work is consistently rewarding and enriching, and this show stands as another testament to excellence. It gleams with creativity and insight: another one not to be missed.<\/p>\n<p>Espejos: Clean plays at Capital Stage through June 7th. More information and tickets may be found online at Capstage.org, by telephone at (916) 995-5464, or in person at the Box Office at 2215 J Street in Sacramento.<\/p>\n<p>Photo: Stephanie Altholz and Sarita Oc\u00f3n by Charr Crail<\/p>\n<p><\/p>\n<p>   Reader Reviews<\/p>\n<p>            To post a comment, you must <a href=\"https:\/\/www.broadwayworld.com\/register.php\" rel=\"nofollow noopener\" target=\"_blank\">register<\/a> and <a href=\"https:\/\/www.broadwayworld.com\/newlogin.php\" rel=\"nofollow noopener\" target=\"_blank\">login<\/a>.<\/p>\n<p>            <a href=\"https:\/\/www.broadwayworld.com\/vote.php\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n                <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/us-ca\/wp-content\/uploads\/2026\/05\/1778624529_742_CHOICEAWARDS-1777549390.png\" width=\"800\" height=\"200\" style=\"width:100%; height:auto;\" alt=\"Theater Fans' Choice Awards\"\/><br \/>\n            <\/a><\/p>\n<p>\n                2026 Theater Fans&#8217; Choice Awards &#8211; Live Stats\n            <\/p>\n<p>\n                    Best Off-Broadway Play &#8211; Top 3\n                <\/p>\n<p>\n                            1.<br \/>\n                            A Christmas Carol (Thorne Adaptation)                                                            &#8211; PAC NYC                                                    <\/p>\n<p>\n                            7.5% of votes\n                        <\/p>\n<p>\n                            2.<br \/>\n                            Prince F****t                                                            &#8211; Playwrights Horizons                                                    <\/p>\n<p>\n                            5.9% of votes\n                        <\/p>\n<p>\n                            3.<br \/>\n                            Andre De Shields is Tartuffe                                                            &#8211; House of the Redeemer                                                    <\/p>\n<p>\n                            4.8% of votes\n                        <\/p>\n<p><\/p>\n<p>            <a href=\"#\" class=\"d-block\"><br \/>\n              <img decoding=\"async\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%201%201%22%2F%3E\" class=\"img-fluid bww-rec-img\" alt=\"\" style=\"padding:0px;\"\/><\/p>\n<p>            <\/a><\/p>\n<p>            <a href=\"#\" class=\"d-block\"><br \/>\n              <img decoding=\"async\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%201%201%22%2F%3E\" class=\"img-fluid bww-rec-img\" alt=\"\" style=\"padding:0px;\"\/><\/p>\n<p>            <\/a><\/p>\n<p>Courtney Symes is a long-time theatre aficionado who has been writing for BroadwayWorld since 2017. She has been active in theatre and youth organizations in her community.\u00a0After trying law schoo&#8230; <a style=\"display: contents;\" href=\"https:\/\/www.broadwayworld.com\/author\/Courtney-Symes\" rel=\"nofollow noopener\" target=\"_blank\">(read more about this author)<\/a><\/p>\n<p>  <a class=\"title-16\" href=\"#\"><br \/>\n    <img decoding=\"async\" loading=\"lazy\" class=\"bww-author-img\" style=\"height:auto;max-width:100%\" height=\"148\" width=\"360\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%201%201%22%2F%3E\" alt=\"\"\/><\/p>\n<p>  <\/a><\/p>\n<p>  <a class=\"title-16\" href=\"#\"><br \/>\n    <img decoding=\"async\" loading=\"lazy\" class=\"bww-author-img\" style=\"height:auto;max-width:100%\" height=\"148\" width=\"360\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%201%201%22%2F%3E\" alt=\"\"\/><\/p>\n<p>  <\/a><\/p>\n<p>  <a class=\"title-16\" href=\"#\"><br \/>\n    <img decoding=\"async\" loading=\"lazy\" class=\"bww-author-img\" style=\"height:auto;max-width:100%\" height=\"148\" width=\"360\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%201%201%22%2F%3E\" alt=\"\"\/><\/p>\n<p>  <\/a><\/p>\n<p>  <a class=\"title-16\" href=\"#\"><br \/>\n    <img decoding=\"async\" loading=\"lazy\" class=\"bww-author-img\" style=\"height:auto;max-width:100%\" height=\"148\" width=\"360\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%201%201%22%2F%3E\" alt=\"\"\/><\/p>\n<p>  <\/a><\/p>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"\ud83c\udfad NEW! Sacramento Theatre Newsletter Get all the top news &amp; discounts for Sacramento &amp; beyond. Capital Stage&hellip;\n","protected":false},"author":2,"featured_media":340243,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[121,123,122],"class_list":["post-340242","post","type-post","status-publish","format-standard","has-post-thumbnail","category-sacramento","tag-sacramento","tag-sacramento-headlines","tag-sacramento-news"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/340242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/comments?post=340242"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/340242\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media\/340243"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media?parent=340242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/categories?post=340242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/tags?post=340242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}