{"id":64266,"date":"2025-11-21T21:31:17","date_gmt":"2025-11-21T21:31:17","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-ca\/64266\/"},"modified":"2025-11-21T21:31:17","modified_gmt":"2025-11-21T21:31:17","slug":"artwork-in-mercury-20-surrounds-the-soul-during-oakland-first-fridays-visual-art","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-ca\/64266\/","title":{"rendered":"Artwork in Mercury 20 surrounds the soul during Oakland First Fridays | Visual Art"},"content":{"rendered":"<p dir=\"ltr\">Nestled in the creative hub of 25th Street, Mercury 20 gallery displayed the works of Leah Korican, Laura Malone and Jill McLennan at the most recent Oakland First Fridays event. Working in the realm between figurative and representational, these artists are intertwined in their focus on environments. Between nature\u2019s retaking of developed land, the human body\u2019s emotional background and natural renderings to depict the wilting of important political vocabulary, these three collections are stylized with skill \u2014 confident and clear in every message.<\/p>\n<p dir=\"ltr\">From the sidewalk, Leah Korican\u2019s titular piece of her exhibit \u201cThese Truths\u201d is visible. Hanging in three triangles at a staggering 96 inches by 70 inches, Korican renders the outline of lace doilies and marks of resonant words on watercolor paper with stencils and airbrushed effects. Cut out of the paper is the refrain \u201cWe hold these Truths,\u201d while words that are being erased from the nation\u2019s vocabulary are depicted in faint yet noticeable marks. \u201cWater conservation,\u201d \u201cwhite privilege,\u201d \u201ctrauma\u201d and \u201ctransgender\u201d are among the disappearing statements.\u00a0<\/p>\n<p dir=\"ltr\">Echoing patterns of nature and the removal of paper in her other hung pieces, Korican cuts leaf-shaped eyelets from her large paper works. With heavy emphasis on color and loose pattern through application of paint, she renders figures floating upside down in a seeming bubble of flowing, bubbling marks. Her surface of choice \u2014 watercolor paper \u2014 shows its curve as a result of the artist\u2019s work; the craft of figurative representation, and the human effect on natural elements, is clear in both her subject matter and techniques.<\/p>\n<p dir=\"ltr\">Just around the gallery wall, Laura Malone\u2019s figurative paintings of \u201cThe Shimmering Self\u201d are a mesmerizing glance into human movement, emotion and the act of modelling itself. Works such as \u201cPenelope, Times Three\u201d (2020) were crafted using live nude models online, where Malone became fascinated by their movements between poses. These models\u2019 humanity, in the way she displays their lack of stagnance, is emphasized through colorful streaks of oil paint, intertwined and nearly growing upon each other as they creep up onto the model\u2019s skin. Her marks are mirrors of natural life \u2014 green brush lines become ivy and vines.<\/p>\n<p dir=\"ltr\">Malone\u2019s paintings are larger than the body itself. Colors swirl in abstract marks around the human figure, yet their hues, seeping into the portrait of her models themselves, become a part of the body. In her work, environment informs emotion. \u201cApril, Stepping Out\u201d (2020) shows a model glancing down at her legs, but its real effect is that of her disappearance into the loose marks and deep reds beneath. Natural elements such as fire and coals light up the imagination on this canvas. What informs such a depiction \u2014 is it her personal state, or the artist\u2019s impression?<\/p>\n<p dir=\"ltr\">Jill McLennan\u2019s printmaking and multimedia work makes its home in \u201cAncestral Pathways\u201d at the back of Mercury 20. Rendering nearby scenes of West Oakland and car lots by the freeway, her works feel familiar not just in physical subject but also in its techniques. \u201cCoyotes in West Oakland\u201d (2025) shows a glowing yellow ground and sky, with white shipping cranes in the background; nevertheless, coyotes start their migratory march into this space.\u00a0<\/p>\n<p dir=\"ltr\">\u201c12th St. view from Bart\u201d (2023) depicts its titled subject matter in a myriad of techniques. McLennan uses photographs of the under-freeway space in Oakland placed among her ink-drawn lines and watercolor hues on its wood panel. She applies variations of paper, including colored, deconstructed pulp to depict tree brush, as well as patterned pieces to render the sky and chain link fences. The legacy of human presence is clear here, with old cars and metal structures \u2014 yet a colored, playful hand imbues these spaces with a natural glow. In McLennan\u2019s other pieces, too, animals wander into urban spaces \u2014 made with real leaves, photographs and watercolor-rendered coyotes atop the hills of San Francisco. Through her work, the environment is reclaimed.<\/p>\n<p dir=\"ltr\">\u201cThese Truths,\u201d \u201cThe Shimmering Self\u201d and \u201cAncestral Pathways\u201d are three artists displayed in their distinct senses about self and surroundings. Working in unique and skilled techniques, Korican, McLennan and Malone seem to understand the possibilities of resonance \u2014 as embodied humans, residents of the Bay and citizens of an ever-changing world.<\/p>\n","protected":false},"excerpt":{"rendered":"Nestled in the creative hub of 25th Street, Mercury 20 gallery displayed the works of Leah Korican, Laura&hellip;\n","protected":false},"author":2,"featured_media":64267,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[38619,38615,38614,38613,38616,143,27349,145,144,38618,38617],"class_list":["post-64266","post","type-post","status-publish","format-standard","has-post-thumbnail","category-oakland","tag-ancestral-pathways","tag-jill-mclennan","tag-laura-malone","tag-leah-korican","tag-mercury-20","tag-oakland","tag-oakland-first-fridays","tag-oakland-headlines","tag-oakland-news","tag-the-shimmering-self","tag-these-truths"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/64266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/comments?post=64266"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/posts\/64266\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media\/64267"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/media?parent=64266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/categories?post=64266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ca\/wp-json\/wp\/v2\/tags?post=64266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}