Elvis’s appearance at the Olympia unleashed a wave of youth hysteria unlike anything Miami had ever seen, and left behind one of the wildest—yet least remembered—nights in the city’s cultural history.
On August 2, 1956, Elvis Presley arrived in Miami in his lavender Lincoln Premier. The following day he would give his first performance in the city, seven in total. He had already passed through Jacksonville, Fort Myers, Orlando, and Tampa, places where the conservative South reacted with suspicion as teenagers greeted him with unrestrained fever. Heartbreak Hotel topped the charts, and the country was living, officially, in the era of Pre-Presleymania. Everything suggested that Miami would be no different. The Miami Herald even ran a warning that “every young delinquent” in town would gather at the venue over the weekend.
The concerts took place at the Olympia Theater, in the heart of Downtown, a building that has survived—almost miraculously—Miami’s unkind habit of blowing up its own history. In the 1970s it nearly met that fate, but magnate and philanthropist Maurice Gusman purchased it, donated it to the city, and spared it from destruction. It was restored and relaunched as a cultural mecca. Decades later, someone again floated the idea of demolishing it to make way for a Shopping Center, and recently it was even proposed as the site for a public school. Its stage has hosted the Kings of Spain, Pavarotti, The Police, Supertramp, and a long list of names that have given it an unmistakable glow.
The Olympia was built between 1925 and 1926 by Paramount Pictures, just as cinema was preparing to abandon silence and enter the age of sound. Architect John Eberson designed it during Miami’s first real estate boom, when the city was beginning to appear on the national map. It was Miami’s first air-conditioned building, raised in the Mediterranean Revival style, with an interior evoking a nighttime amphitheater—false balconies, arabesque motifs, and a main floor worthy of an opera house. In 1984, it was added to the National Register of Historic Places.
At the time, it was reported that the Olympia had never sold so many tickets so far in advance as it did for Elvis’s concerts. Crowds began forming at four in the morning for his debut. Presley appeared wearing a pink jacket and dark trousers. The frenzy inside was so great that, when the show ended, fans broke through the police line, surrounded him, and managed to tear off his pants. There are photographs of the King of Rock standing in his underwear, in white socks and shoes, amid screams and shoving.
That concert gave rise to a host of urban legends. One of the most repeated claims that Elvis, from the window of his suite, leaned out and tossed to the fans the scraps of clothing they had ripped from him. What is documented, however, is the testimony of June Juanico, his girlfriend at the time. In an interview, she said that although Elvis caused a stir in every city, she had never seen anything like the madness he unleashed in Downtown Miami.
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