Posted: 23rd March, 2026 by The Alt Editing Staff
In spaces like this, what feels “cool” is individualism at its finest. An explosion of expression that cloaked the concrete venue of Brooklyn’s Knockdown Center. It’s spaces like these that open its doors to all, and why Geordie Greep feels so fitting to be playing at this venue. The black midi lead takes influence from various times, cultures, and genres to cultivate his sound. Yet, it all feels so modern and fitting, literally “The New Sound”. Greep’s mix of older sounds with a refreshing twist reflected itself in the diverse crowd. All gathered together for the love of music.
First opener was a modest band, Still House Plants. A 3 piece band consisting of solely, guitar, drums, and vocals. The vocals are really what carries this band. Wailing, almost Morriessy-style vocals that accompany the garage rock riffs and drums. Next, was Delroy Edwards, who’s gritty, experimental sound was a nice touch in the overall bill. Some riffs were catchy and swayable, and the vocals added a reverby layer to the composition of the track.
Julianna Barwick was up next with Mary Lattimore. Both artists held the breath of the space in the palm of their hands. Etherial, almost witchy at times, the two felt like they were playing the stylings of generations before them who embodied their vessels at this current time and space. Barwick and Lattimore both noted their most recent release Tragic Magic, which was recorded in Paris at Philharmonie de Paris, playing instruments that haven’t been played in years. The way at these two played so instinctually and from the soul felt like the venue was intruding on something private and secretive. Minimalistic, yet it engulfed the venue with an incredible sound.
Last, what everyone has been waiting for, Geordie Greep. The young musician has already made his mark in the post-rock scene with his band, black midi, but now has expanded his sound further with his debut LP The New Sound. The title is so fitting as Greep takes this next step in his career and pushes the envelope almost into a rip with how complex the songwriting is. With 6 players on stage, the sound was infatuating, but yet not overpowering. All of the musicians on the stage, Greep included, are masterful at their craft. The whole set felt like a love letter to music. This wasn’t just playing, it was joy, which is much needed in these trying times.
Sarah Knoll | @slick_filmphoto
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