One of the hottest acts in bass music right now has to be the Chicago trio Levity. Over the last couple of years, these three have gone from promising up-and-comers to one of the most in-demand names in the scene, and all signs point to their rise only accelerating.
After wrapping a wildly successful 360-degree stage run in 2024, they’ve returned with the perfectly titled “Lasership” tour—and they just made an incredible two day stop at the Brooklyn Paramount over the weekend in New York.

During night one, Levity brought Brooklyn to a complete standstill last night at the Paramount, and it’s hard to imagine the borough’s bass scene looking the same afterward. From the second the lights dropped, the Chicago trio seized total control. Perched high atop their now-iconic spaceship stage, they wasted no time reminding everyone why they’re the fastest-rising name in the genre. The opening intro was extremely unique taking the crowd on a journey as they start up their spaceship.

The visual game was next-level. That massive, chameleon-skinned ship shifted colors throughout the show—deep purples bleeding into neon greens, fiery oranges, electric blues—always locked to whatever mood the track demanded. Lasers carved the historic Paramount ceiling into a thousand pieces, with dozens of beams turning the room into a living prism. Every heavy hitter got its own burst of synchronized lasers and the crowd was soaking it all up.

They hit the crowd early with their vicious flip of Britney Spears’ ‘Toxic’, a crowd favorite ‘Crystallized (Subtronics Remix)’ then slid into a ‘Sweet Caroline’ remix that had phones in the air and voices screaming every word. But the real carnage came from the unreleased arsenal—ID after ID, some clearly cooked up with Tape B, others screaming GRiZ. And of course, their showcased their original tracks in which the crowd seemed like they knew every drop and bass synth. The 90 minute show was incredible from start to finish and we can’t wait for what they’re cooking in 2026.

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