theater

Madeline CashLost LambsFarrar, Straus and Giroux, 2026 Over the last decade, numerous studies have shown the average length…

Christian Marclay: DoorsBrooklyn MuseumJune 13, 2025–April 12, 2026 It is not accidental that the doors come after the…

We Exist in the Ambivalence of Those MotherfuckersOrganized by Anh Vo, Lumi Tan, maura nguyễn donohuePerformance Space New…

I have a memory of Michael Fried standing in a crowd under the central grey dome of Tate…

Rail: You’re right, they’re your neon lights flickering very gently. In any case, looking back now, your admiration…

Transcend/Transport: Paintings 1965–1976Galerie Lelong January 8–February 14, 2026 New York At Galerie Lelong we see paintings begun after…

Notes from the Radical Whirlwind New Mexico Museum of Art Vladem ContemporaryOctober 24, 2025–August 9, 2026Santa Fe, NM…

In a well-worn SoHo loft, the dancer and filmmaker Michelle Uranowitz has spent the last year-and-change building something…

Ellis ScottNight TerminusDundurn Press, 2026 Queer literature can oftentimes feel lonely. In perusing through the canon of queer…

MONUMENTSMOCA Geffen Center & The BrickOctober 23, 2025–May 3, 2026 Los Angeles I’m writing this review from Vienna:…

Formal WearAmerican Academy of Arts and LettersSeptember 27, 2025–February 8, 2026New York Diane Simpson has gained considerable visibility…

Rail: What about the wallpaper work, Evening Peak Time is Back (2022)? Kim: That piece is a collaboration…