{"id":136159,"date":"2026-02-17T15:00:13","date_gmt":"2026-02-17T15:00:13","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-ny\/136159\/"},"modified":"2026-02-17T15:00:13","modified_gmt":"2026-02-17T15:00:13","slug":"reframing-the-pacific-in-the-queens-house","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-ny\/136159\/","title":{"rendered":"Reframing the Pacific in the Queen\u2019s House"},"content":{"rendered":"<p>            Different perspectives: \u2018The view from the canoe\u2019<\/p>\n<p>One of the most revealing and powerful moments during our day with Robbie came when we were looking at Hodges\u2019s painting of the northern coast of Tahiti, looking towards the island of Moorea. In the foreground are two Tahitian men in a canoe. Robbie was drawn to these figures, commenting that, if he were there, he would be fishing from a canoe \u2013 just like them.\u00a0\u00a0<\/p>\n<p>                  <img fetchpriority=\"high\" decoding=\"async\" loading=\"eager\" width=\"1280\" height=\"918\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/02\/bhc1936 Hodges.jpg.webp.webp\" alt=\"Painting of two men in a canoe at dusk with mountains behind them\"\/><\/p>\n<p>    View of the Province of Oparree [Pare], Island of Otaheite [Tahiti], with part of the Island of Eimeo [Moorea] by William Hodges (<a href=\"https:\/\/www.rmg.co.uk\/collections\/objects\/rmgc-object-13414\" data-gtm-name=\"CTA\" data-gtm-detail=\"formatted content\" rel=\"nofollow noopener\" target=\"_blank\">BHC1936<\/a>)<\/p>\n<p>This comment from Robbie stayed with us because it echoed an online article by art historian Manon Gaudet, which had inspired our curatorial approach. Entitled \u2018<a href=\"https:\/\/britishart.yale.edu\/whose-view-limitations-labels\" data-gtm-name=\"CTA\" data-gtm-detail=\"formatted content\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Whose View? The Limitations of Labels<\/a>\u2019, Gaudet\u2019s piece analysed Hodges\u2019s View of Matavai Bay in the Island of Otaheite [Tahiti] in the collection of the Yale Centre for British Art.\u00a0\u00a0<\/p>\n<p>In Gaudet\u2019s words, \u2018as viewers of Hodges\u2019s painting, we share in the artist\u2019s elevated position on a ship overlooking the bay\u2019, but she also points out this is \u2018not the only subject position available\u2019.\u00a0\u00a0<\/p>\n<p>Drawing on the work of Tuscarora artist and scholar <a href=\"https:\/\/scholarlypublishingcollective.org\/psup\/ab-original\/article-abstract\/2\/2\/141\/201807\/View-from-the-Canoe-vs-the-View-from-the-Ship-The\" data-gtm-name=\"CTA\" data-gtm-detail=\"formatted content\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Rick Hill<\/a>, Gaudet encourages us to consider not only the \u2018view from the ship\u2019 (the British perspective) but also the \u2018view from the canoe\u2019 (the Indigenous one).\u00a0\u00a0<\/p>\n<p>As a settler scholar, Gaudet makes no claims to know what the view from a Tahitian canoe would have looked like in the 1770s, nor what a present-day Tahitian perspective on Hodges\u2019s painting might be \u2013 and neither do we. However, we embraced the invitation, as Gaudet puts it, \u2018to look differently and think critically about whose perspectives are privileged and whose are absent from the interpretive framework on offer [in the gallery].\u2019\u00a0<\/p>\n<p>Robbie\u2019s identification with the men in the canoe affirmed to us the importance of bringing the \u2018view from the canoe\u2019 into the Queen\u2019s House. It also underscored the necessity of working with co-curators from Pacific communities to achieve this.\u00a0\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"Different perspectives: \u2018The view from the canoe\u2019 One of the most revealing and powerful moments during our day&hellip;\n","protected":false},"author":2,"featured_media":136160,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[9,24,63,122,124,123],"class_list":{"0":"post-136159","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-queens","8":"tag-new-york","9":"tag-new-york-city","10":"tag-nyc","11":"tag-queens","12":"tag-queens-headlines","13":"tag-queens-news"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/posts\/136159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/comments?post=136159"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/posts\/136159\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/media\/136160"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/media?parent=136159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/categories?post=136159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/tags?post=136159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}