Applications are now open through Monday, July 6th. Prospective applicants are encouraged to attend an informational Webinar at 6PM EST on Monday, June 15th.<\/p>\n
The 2026 Prince Fellowship year will run from September 2026 through August 2027. Prospective applicants can visit https:\/\/princefellowship.com\/apply\/<\/a> for more information about the program and the upcoming Webinar.<\/p>\n Support for The Prince Fellowship is generously provided by The Broadway League and The John Gore<\/a> Organization. The Prince Fellowship Mentors include Kristin Caskey<\/a>, Sue Frost<\/a>, Tom Schumacher<\/a>, David Stone<\/a>, and Orin Wolf<\/a>. The program is managed by Columbia University School of the Arts.<\/p>\n Fellows also have access to an advisory group of industry specialists who share their expertise and perspective and complement the mentorship and academic curriculum. The Advisors group includes Victoria Bailey<\/a>, Christopher Burney<\/a>, Lisa Dawn Cave<\/a>, Nina Essman<\/a>, Kamilah Forbes<\/a>, Robert Fried, Colleen Jennings-Roggensack, Brian Moreland<\/a>, Julio Peterson<\/a>, Natasha Sinha<\/a>, Donna Walker-Kuhne<\/a>, Schele Williams<\/a>, and Kumiko Yoshii<\/a>.<\/p>\n The Fellowship was founded in 2005. Shortly thereafter, Orin Wolf<\/a> and John Pinckard<\/a> were awarded the first two T. Fellowships in 2006, followed by\u00a0Aaron Glick<\/a> (2013), Jen Hoguet (2015), Christopher Maring<\/a> (2016), Allison Bressi (2017), Rachel Sussman<\/a> (2018), Ben Holtzman<\/a> (2019), Osh Ghanimah<\/a> (2021), Lawryn Lacroix (2021), Jamila Ponton Bragg (2022), Cynthia Dorsey (2022), Yes Haven (2023), Maxwell Beer<\/a> (2023), George Strus<\/a> (2024), Eric Emauni (2024), and Giuliana Carullo<\/a> (2025) and Miranda Gohh (2025).<\/p>\n Multiple Prince Fellowship projects were produced in the past season, including: Yes Haven’s project Trophy Boys produced by MCC Theater<\/a>; George Strus<\/a>‘ project Bigfoot! produced off-Broadway; and Maxwell Beer<\/a>‘s project Marcel on the Train produced by Classic Stage Company<\/a>.<\/p>\n The Prince Fellowship is managed by Co-Directors Orin Wolf<\/a> (President of NETworks Presentations<\/a>, Former T. Fellow), Steven Chaikelson<\/a> (Head of the MFA Theatre Management & Producing Program at the Columbia University School of the Arts), Aaron Glick<\/a> (Producer, Former T. Fellow), and Rachel Sussman<\/a> (Producer, Former T. Fellow).<\/p>\n ABOUT THE PRINCE FELLOWSHIP<\/p>\n The goal of the Fellowship is to support the development of gifted emerging creative theatrical producers. The Prince Fellowship is committed to sustaining the finest traditions of producing by exposing new talent to the producing process in a manner that supports creative involvement. Although the environment in which theatre is produced continues to change, many of the underlying challenges and principles remain and must be understood and adapted if the art form is to thrive.<\/p>\n The Fellowship is a project-based program that supports the development of the chosen fellow and their project over the course of one year.\u00a0 Each fellow is given access to a selection of courses in the MFA Theatre Management & Producing Program at Columbia University School of the Arts. The specific courses are chosen to best support the fellow’s growth.\u00a0 In addition, each\u00a0fellow\u00a0receives structured mentorship from a handful of industry leaders who specialize in creative producing and related fields.\u00a0 The goal is to provide consistent mentorship tailored to the needs of the individual fellow. Through these academic and professional support systems, the program aims to empower the fellows as they begin exercising their new skills in all the creative and business areas of development.<\/p>\n The philosophy is that which is good for the art form is good for business. The Fellowship emphasizes that the creative producer’s role is to be the instigator, the collaborator, and the leader who gets art on the stage and to the public. The program neither wishes to turn back the clock to 1950 nor settle for the status quo. The Prince Fellowship is looking to empower new producers to reinvent the wheel themselves, on their own terms.<\/p>\n HISTORY<\/p>\n The original T. Fellowship grew out of an idea that T. Edward Hambleton<\/a> first had in the mid-1990s.\u00a0 He imagined a program that would help\u00a0foster a new generation of creative theatrical producers who would stand apart from those who were strictly financiers.\u00a0He worked with Harold Prince<\/a>, the late Geraldine Stutz, Ed Wilson<\/a> and the Theater Development Fund and the idea for the fellowship took shape.<\/p>\n The Founders believed the program would be best served under the umbrella of one of New York’s top level educational institutions and approached Columbia University.\u00a0 The University, through Gregory Mosher<\/a> at the Columbia Arts Initiative and Steven Chaikelson<\/a> in the Theatre Program at Columbia University School of the Arts, who further developed the vision and structure for the fellowship, provides the Fellows access to the extraordinary academic and cross-disciplinary strengths that Columbia University offers.<\/p>\n MENTORS AND ADVISORS<\/p>\n The Prince Fellowship resides in the Theatre Program at Columbia University School of the Arts. A Committee of Mentors and Advisors, including working theater professionals and members of the Theatre Management & Producing faculty, guide the activities of the Fellowship.\u00a0 The committee members select the Fellows and make themselves available to the Fellows on a one\u2010on\u2010one basis; additionally, they are a resource to the broader Columbia student population through participation in seminars and panel discussions.<\/p>\n Harold Prince<\/a> directed the original productions of She Loves Me, It’s a Bird\u2026Superman, Cabaret, Zorba, Company, Follies, A Little Night Music, Pacific Overtures, On the Twentieth Century, Sweeney Todd, Evita, Merrily We Roll Along, The Phantom of the Opera, Kiss of the Spider Woman, Parade, and LoveMusik. He has also directed acclaimed revivals of Candide and Show Boat. Before becoming a director, Mr. Prince produced the original productions of The Pajama Game, Damn Yankees, New Girl in Town, West Side Story, Fiorello!, Tenderloin, Flora the Red Menace, A Funny Thing Happened on the Way to the Forum, and Fiddler on the Roof. Among the plays he has directed are Hollywood Arms, The Visit, The Great God Brown, End of the World, Play Memory, and his own play, Grandchild of Kings. His opera productions have been seen at Lyric Opera of Chicago, the Metropolitan Opera, San Francisco Opera, Houston Grand Opera<\/a>, Dallas Opera, Vienna Staatsoper and the Theater Colon in Buenos Aires. His most recent version of Candide\u00a0was seen at New York City Opera in January of 2017. Prince of Broadway, a musical compendium of Mr. Prince’s entire career, opened on Broadway in August of 2017. Mr. Prince was a trustee for the New York Public Library and instrumental in developing the Theatre On Film and Tape collection for the Library for the Performing Arts at Lincoln Center. He previously served on the National Council on the Arts for the NEA. Mr. Prince was an Officier in the Ordre des Arts et des Lettres, given to him by the French government in 2008. He is the recipient of 21 Tony Awards, a Kennedy Center Honor, and the Eugene O’Neill Theatre Center’s Monte Cristo Award. Mr. Prince was inducted into the Lincoln Center Hall of Fame as a part of their inaugural class and received a National Medal of the Arts from President Clinton for a career in which \u201che changed the nature of the American musical.\u201d<\/p>\n
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