{"id":299090,"date":"2026-07-17T23:05:10","date_gmt":"2026-07-17T23:05:10","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-ny\/299090\/"},"modified":"2026-07-17T23:05:10","modified_gmt":"2026-07-17T23:05:10","slug":"the-primary-art-form-of-the-21st-century-reviewing-culture-lab-lics-groundbreaking-exhibition-queens-the-art-of-drag-nyc","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-ny\/299090\/","title":{"rendered":"\u201cThe primary art form of the 21st century\u201d Reviewing Culture Lab LIC\u2019s Groundbreaking Exhibition Queens: The Art of Drag &#038; NYC"},"content":{"rendered":"<p class=\"image_caption\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/07\/6b179df93d5fed9f6798e62623a475c4.jpeg\" alt=\"\"\/>Photo of the exhibition opening, taken by Sean Perreira. Shared courtesy of Tess Howsam.<\/p>\n<p class=\"image_caption\">\u00a0<\/p>\n<p class=\"standard_paragraph\">BY EMMA CIESLIK July 17th, 2026<\/p>\n<p dir=\"ltr\">This past June 4th, <a href=\"https:\/\/www.culturelablic.org\/\" rel=\"nofollow noopener\" target=\"_blank\">Culture Lab LIC<\/a> opened Queens: The Art of Drag &amp; NYC, a show dedicated to exploring the artistry of drag in New York City. The multimedia exhibition&#8211;featuring photography, portraiture, costume, video, installation, and performance materials, highlights the rich creativity and artistic labor behind the form. The exhibition importantly roots itself within New York City\u2019s cultural history, highlighting how the ballroom scene and queer nightlife not only led to the creation of modern drag culture but also the modern LGBTQ+ rights movement as we know and are fighting for today.\u00a0<\/p>\n<p dir=\"ltr\">While there is a rich history of exhibitions exploring drag artistry at museums and cultural institutions outside of the United States, including <a href=\"https:\/\/franshalsmuseum.nl\/en\/see-and-do\/the-art-of-drag\" rel=\"nofollow noopener\" target=\"_blank\">The Art of Drag<\/a> at the Frans Hals Museum, Queens: The Art of Drag &amp; NYC is one of the first exhibitions based in the United States, following in the footsteps of the Museum of Art and Design\u2019s 2022-2023 show <a href=\"https:\/\/madmuseum.org\/exhibition\/queer-maximalism-x-machine-dazzle\" rel=\"nofollow noopener\" target=\"_blank\">Queer Maximalism x Machine Dazzle<\/a> and Rachel Rampleman\u2019s solo exhibition <a href=\"https:\/\/somad.nyc\/exhibitions\/life-is-drag\" rel=\"nofollow noopener\" target=\"_blank\">Life is Drag<\/a> premiered in 2025.\u00a0<\/p>\n<p class=\"image_caption\">\u00a0<img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/07\/95864569f2770a53eba8059a649eef3e.jpg\" alt=\"\"\/>Skin, a wearable piece created by Bradshaw. Photo shared courtesy of Bradshaw.<\/p>\n<p dir=\"ltr\">A few other shows, including Albuquerque 516 Arts\u2019s <a href=\"https:\/\/516arts.org\/exhibitions\/the-rest-is-drag\/\" rel=\"nofollow noopener\" target=\"_blank\">The Rest Is Drag<\/a> which premiered this past July 11th, have popped up in the past two years, but Queens is one of the few exploring drag as both a historical and cultural phenomenon as well as a formal art form. While far right leaders continue to fight for laws banning drag performers and performances from public spaces, Queens is a timely reflection on drag not just as an art form rooted in revolutionary visibility but also a rich history of community making.\u00a0<\/p>\n<p dir=\"ltr\">For Benjy Bradshaw, a performer, designer, and artist, \u201cthere is no reason this art form shouldn\u2019t be shown because drag is culture and part of this country\u2019s history. Ultimately,\u201d he continued, \u201cI believe we all wear drag whether we admit it or not. What we choose to wear and how we choose to present ourselves is one element of this. I believe drag pushes culture, expands boundaries, and creates spaces\/places for exploration in gender, identity, and politics.\u201d\u00a0<\/p>\n<p dir=\"ltr\">For Bradshaw, a history of American culture&#8211;especially as many are celebrating the nation\u2019s 250th birthday&#8211;has to include drag, as well as the history of alternative and underground spaces, including <a href=\"https:\/\/cfda.com\/news\/in-ballroom-culture-style-is-self-definition-discipline-legacy\/\" rel=\"nofollow noopener\" target=\"_blank\">ballroom culture<\/a>, that led to its development. From <a href=\"https:\/\/www.smithsonianmag.com\/history\/the-first-self-proclaimed-drag-queen-was-a-formerly-enslaved-man-180982311\/\" rel=\"nofollow noopener\" target=\"_blank\">William Dorsey Swann<\/a>, a formerly enslaved man who hosted private balls and became the first self-proclaimed drag queen, to modern drag performers like RuPaul and Murray Hill with their own television shows, drag is fundamentally tied to the history of American pop culture, gender, and fashion&#8211;captured beautifully in Queen\u2019s exploration of drag as an art form beyond just the performers.<\/p>\n<p dir=\"ltr\">\u00a0<\/p>\n<p class=\"image_caption\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/07\/21c9fbf183b6c0a7b46e01b71f8869f7.jpeg\" alt=\"\"\/>Photo of the exhibition opening, taken by Sean Perreira. Shared courtesy of Tess Howsam.\u00a0<\/p>\n<p class=\"image_caption\">\u00a0<\/p>\n<p class=\"image_caption\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/07\/b9e6eded92f558fdd49aa10f95668182.jpg\" alt=\"\"\/>Blood, a wearable piece created by Bradshaw. Photo shared courtesy of Bradshaw.<\/p>\n<p class=\"image_caption\">\u00a0<\/p>\n<p dir=\"ltr\">As Daniel Dabdoub, also known as drag queen DD Fuego who appeared on RuPaul\u2019s Drag Race Season 18 and is featured in Queens told me, \u201cno artist truly works alone, especially in drag, which is all about community.\u201d\u00a0<\/p>\n<p dir=\"ltr\">\u201cWhat I love the most is that even if this exhibit is technically showcasing \u2018my\u2019 work, it truly is a celebration of my collaborators. Among many things, I am so grateful to be sharing a dress that has been created very collaboratively,\u201d Dabdoub said, specifically a dress made for a runway category on RuPaul\u2019s Drag Race with his sister Renata and friend Morgan. His mom originally wore the dress to his brother\u2019s wedding five years ago, and with the help of their friend, he created something exciting and new that carried a piece of their mom. He used the dress as a base before stitching on a beaded fringe skirt that Mexican fashion designer and artist Kevin Pascual created in Oaxaca, Mexico and mailed all the way to Brooklyn.\u00a0<\/p>\n<p dir=\"ltr\">This intense, often unseen labor, Dabdoub explained, is part of the human art form that is drag. Part of his hope is that visitors to Queens \u201cremember that everything that creates drag is so human. It\u2019s creativity from people&#8211;it\u2019s stitching, sketching, sculpting. It\u2019s dancing, sweating, feet hurting. Drag like many of the highest art forms is unreplicatable by machine. The details of the work in the exhibit should remind people of the depth of this, so next time you\u2019re at a drag brunch, late night at a bar show, or watching queens and kings of screen, people won\u2019t take for granted the magic that is in front of them.\u201d<\/p>\n<p class=\"standard_paragraph\">Because, as Sam Branman, also known as DJ Ten Yards, shared with me, \u201cdrag is the primary art form of the 21st century in the US, especially post 2016.\u201d\u00a0\u00a0<\/p>\n<p class=\"image_caption\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/07\/c1f845975ad457295c08e79ae2ebb4df.jpeg\" alt=\"\"\/>Photo of the exhibition opening, taken by Sean Perreira. Shared courtesy of Tess Howsam.<\/p>\n<p class=\"image_caption\">\u00a0<\/p>\n<p class=\"image_caption\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/07\/312603c4b81e7cc43fa504e84ba066d1.jpg\" alt=\"\"\/>Queer Prom, a drag performance piece created by Bradshaw. Photo shared courtesy of Bradshaw.\u00a0<\/p>\n<p dir=\"ltr\">\u201cIt is collage, it is performance, it is dance, it is critique, it is comedy, it is fashion, it is painting, it is pastiche and drama and satire and confessional and film and music,\u201d Branman said&#8211;citing a recent conversation with his roommate critic <a href=\"https:\/\/www.tylekurner.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Kyle Turner<\/a>. \u201cA critical part of drag is the actual people because you can put photography or fashion anywhere and have it be art, so documentation like Rachel Rampelman\u2019s is really critical in showing that it\u2019s not just an outfit or makeup.\u201d Rampelman, as mentioned above, recently debuted a solo exhibition drawing from the largest digital archive of drag performance in the United States.<\/p>\n<p dir=\"ltr\">Part of the conservative backlash to drag is rooted in its transformative power&#8211;and as Bradshaw shares, its fundamental connection to the performance of gender throguh clothing, makeup, and behavior. During a time when the Trump administration and White House Domestic Policy Council are targeting <a href=\"https:\/\/www.advocate.com\/politics\/national\/trump-objects-smithsonian-lgbtq-stories\" rel=\"nofollow noopener\" target=\"_blank\">drag history<\/a> and far right leaders <a href=\"https:\/\/www.hrc.org\/magazine\/2023-fall\/threats-and-bans\" rel=\"nofollow noopener\" target=\"_blank\">falsely accuse<\/a> drag artists of sexualizing children, drag has become a representative of the wider LGBTQ+ community and a target for far right leaders decrying gender exploration and affirmation through art.\u00a0<\/p>\n<p dir=\"ltr\">As Dabdoub explained to me, drag is not only the product of strong communities but also builds them up, welcoming in people&#8211;especially trans, queer, and nonbinary people&#8211;who have long found kinship in an art form that allows them to express themselves and challenge gendered assumptions and norms. \u201cThe power of drag to me,\u201d Dabdoub explained, \u201cis that ephemeral energy that is shared with an audience that empowers a room, emboldens a crowd, reminds people of their strength and lights people up from the inside.\u201d<\/p>\n<p dir=\"ltr\">\u201cThat energy is radical. The world may want to dim the light of people they deem on the sidelines, but I see my value as a drag creator and entertainer that I get to remind people of who they are through this artistry. And then we all get to take this shared energy we have built, and change the world.\u201d<\/p>\n<p class=\"standard_paragraph\">Bradshaw agreed, sharing that drag is about learning to love and live as yourself. \u201cAt the core, drag is both an expression and a rebellion. Drag takes confidence, self-love, and a sort of unapologetic ability to trust your creative intuition and embrace one\u2019s inner super hero,\u201d he explained, and that is inherently tied to New York City where he and others moved to have the freedom to walk around&#8211;and perform&#8211;as themselves.\u00a0<\/p>\n<p class=\"image_caption\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/07\/c868efb1177b3a33c4b6de2339ade249.png\" alt=\"\"\/>The flyer for Queens, shared courtesy by Tess Howsam, who curated the show alongside Parker Phillips.\u00a0\u00a0<\/p>\n<p class=\"image_caption\">\u00a0<\/p>\n<p class=\"image_caption\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/07\/e61db8bf37c73125edfe4f56b7ae9e9c.jpeg\" alt=\"\"\/>Photo of the exhibition opening, taken by Sean Perreira. Shared courtesy of Tess Howsam.\u00a0<\/p>\n<p class=\"image_caption\">\u00a0<\/p>\n<p class=\"image_caption\"><img decoding=\"async\" class=\"img-responsive\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/07\/0f6cda0a048c98d980299ad434e73c75.jpeg\" alt=\"\"\/>Photo of the exhibition opening, taken by Sean Perreira. Shared courtesy of Tess Howsam.\u00a0<br \/>\u00a0<\/p>\n<p dir=\"ltr\">But celebration of this art form, Branman explains, is also about paying drag artists for this artistic labor and acknowledging that not all drag has to inherently have a revolutionary message. Drag can be fun, surprising, and joyful. It can play with gender just for the sake of that exploration, for the sake of performance and the art form itself. \u201cDrag has always been here, trans people have always been here, even in the face of respectability politics and oppression. It also doesn\u2019t need to be activism, most of it isn\u2019t,\u201d he said.\u00a0<\/p>\n<p dir=\"ltr\">While our queer and trans bodies are increasingly politicized by far right groups, just as drag queens are targeted by conservative Americans as part of their ongoing anti-LGBTQ+ bigotry, queer art can and should be able to just exist and serve its own purposes rather than to accomplish a specific task. In much the same way, queer and trans people should be able to just exist as they are. But in today\u2019s political climate, creating and performing the art of drag is a political act, and Queens is a groundbreaking exhibition recognizing and highlighting drag as an art form. Queens is a timely exploration of not just how drag got its start but also how it continues to revolutionize the world through visibility and community making.\u00a0<\/p>\n<p dir=\"ltr\">Queens: The Art of Drag &amp; NYC is an organization dedicated to sharing and showcasing local, national, and international art in Western Queens. Their institutional recognition of drag as an art form is vital, especially as drag is increasingly targeted by far right leaders, and follows in the footsteps of queer and trans-led historical and arts organizations that center community engagement and supporting contemporary performers alongside curatorial work. Queens will be on display through August 9th, 2026. WM<\/p>\n","protected":false},"excerpt":{"rendered":"Photo of the exhibition opening, taken by Sean Perreira. Shared courtesy of Tess Howsam. \u00a0 BY EMMA CIESLIK&hellip;\n","protected":false},"author":2,"featured_media":299091,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[8360,8363,8362,8361,9,24,63,122,124,123,8359,8364],"class_list":["post-299090","post","type-post","status-publish","format-standard","has-post-thumbnail","category-queens","tag-art-magazine","tag-art-news","tag-art-show-reviews","tag-contemporary","tag-new-york","tag-new-york-city","tag-nyc","tag-queens","tag-queens-headlines","tag-queens-news","tag-whitehot","tag-whitehot-art"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/posts\/299090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/comments?post=299090"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/posts\/299090\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/media\/299091"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/media?parent=299090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/categories?post=299090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/tags?post=299090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}