{"id":353352,"date":"2026-09-22T09:32:32","date_gmt":"2026-09-22T09:32:32","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-ny\/353352\/"},"modified":"2026-09-22T09:32:32","modified_gmt":"2026-09-22T09:32:32","slug":"garod-collective-brings-rare-armenian-films-to-brooklyn","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-ny\/353352\/","title":{"rendered":"Garod Collective Brings Rare Armenian Films to Brooklyn"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-239243\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/09\/posthumous-4-e1790029429499.jpg\" alt=\"\" width=\"600\" height=\"800\"\/>\n<\/p>\n<p>It is Anahid Yahjian\u2019s piece, \u201cDomestic Demon\u201d (2026), which opened the evening. It is a beautiful and dizzying array of pictures, arranged with a frontality that recalls Parajanov. Each shot is meticulous, ranging from the intimate, the grotesque, the bizarre, and the amusing, as Yahjian narrates the way others see her not long after giving birth to her first child.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-239244\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/09\/posthumous-5-e1790029465462.jpeg\" alt=\"\" width=\"800\" height=\"450\"\/>A still from Anahid Yahjian\u2019s \u201cDomestic Demon\u201d\n<\/p>\n<p>\u00a0\n<\/p>\n<p>In the middle of the event, acting as its fulcrum, was Garin\u00e9 Torossian\u2019s \u201cGirl From Moush\u201d (1994). It is the oldest film in the program and the shortest: six minutes of photographs and film stock hand-spliced into a homeland the filmmaker, born in Beirut and raised in Toronto, had never seen. Here, an unnamed narrator speaks to another person, narrating their experiences of being Armenian, in Armenian. She pleads her desires to have someone (anyone!) hear her words, and to acknowledge her feelings. The imagery, detached from the narration, is a series of stills of various Armenian monuments and landscapes, acting as if they were a personal home movie.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-239245\" src=\"https:\/\/www.newsbeep.com\/us-ny\/wp-content\/uploads\/2026\/09\/posthumous-6-e1790029518155.jpg\" alt=\"\" width=\"800\" height=\"577\"\/>A still from Garin\u00e9 Torossian\u2019s \u201cGirl from Moush\u201d\n<\/p>\n<p>\u201cWorld\u201d (2020), by Christine Haroutounian, was a masterclass in subtlety. It explores the relationship between a young, lonely woman and her dying mother. Much was unsaid between the two, yet the entire history of their relationship was deftly communicated. Similarly, Naira Sargsyan\u2019s \u201cGeneral Cleaning\u201d (2020) focuses on a specific family\u2019s interpersonal relationships, as they clear their home and prepare for a move. The protagonist, the grandfather, is a caretaker at a graveyard, and while the film is permeated with sadness, there are moments of levity that make it feel like one is inhabiting a real Armenian home.\n<\/p>\n<p>The last film of the evening was \u201cFarewell\u201d (2004) by Maria Saakyan, who trained at Moscow\u2019s prestigious VGIK and graduated in 2003; \u201cFarewell\u201d is her final student work. She died of cancer in 2018, at thirty-seven, making this viewing a truly rare treat. What little dialogue that appears in the film is in Russian, but it\u2019s not a prerequisite for enjoying the piece, which has a young child imagining the life of her recently deceased father. Saakyan spent her working life trying to build an Armenian cinema, and she is the only filmmaker here for whom \u201cposthumous traces\u201d is a literal description.<\/p>\n","protected":false},"excerpt":{"rendered":"It is Anahid Yahjian\u2019s piece, \u201cDomestic Demon\u201d (2026), which opened the evening. It is a beautiful and dizzying&hellip;\n","protected":false},"author":2,"featured_media":353353,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[98,100,99,2554,749,9,24,63],"class_list":["post-353352","post","type-post","status-publish","format-standard","has-post-thumbnail","category-brooklyn","tag-brooklyn","tag-brooklyn-headlines","tag-brooklyn-news","tag-cinema","tag-film","tag-new-york","tag-new-york-city","tag-nyc"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/posts\/353352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/comments?post=353352"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/posts\/353352\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/media\/353353"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/media?parent=353352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/categories?post=353352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-ny\/wp-json\/wp\/v2\/tags?post=353352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}