Listen to article \u2022\u00a00:00 min<\/p>\n
Classics scholar Emily Wilson was in Greece\u2019s Costa Navarino last year when she heard the news that would change her life: Filmmaker Christopher Nolan was planning to release a star-studded adaptation of The Odyssey, the epic poem that Wilson had spent years painstakingly translating from Homeric Greek into English. <\/p>\n
Nolan\u2019s film crew, Wilson learned, had just left the Greek town where she was now staying. As she walked along the beach, the University of Pennsylvania<\/a> professor imagined what scenes of adventure had been conjured on the ground where she stood. <\/p>\n The seductively scary sirens calling out to Odysseus? The giant Cyclops who eats his men? (Spoiler alert: It was the latter, shot at Nestor\u2019s Cave in nearby Messenia<\/a>.) <\/p>\n Nolan\u2019s film was a thrilling prospect for the classicist who made her name penning a quick-paced and strikingly contemporary translation<\/a> of the nearly 2,700-year-old story for modern audiences. While the Oppenheimer director wrote his own version for the big screen, along with partner-collaborator Emma Thomas, he has cited several translations, including Wilson\u2019s<\/a>, as references. <\/p>\n \u201cIt\u2019s great that there\u2019s going to be a whole new wave of people who may not have thought much about The Odyssey, may not even be familiar with the narrative, who may then get excited about it, because Christopher Nolan is a big name,\u201d said Wilson, who lives in West Philly with her partner, David Foreman, a Swarthmore<\/a> College administrator, her two younger daughters, Psyche and Freya, their cats, Pumpkin and Spice, and their dog, Pepper. (Her eldest daughter, Imogen, just graduated from Temple University<\/a>.)<\/p>\n The Nolan bump is already in effect: The Odyssey made $263.7 million globally on opening weekend<\/a>, and it has been hailed as a total triumph for the filmmaker behind Inception and Interstellar. The cast features Nolan regulars like Matt Damon (Odysseus), Anne Hathaway (Penelope), Robert Pattinson (Antinous), and Elliot Page (Sinon), as well as Tom Holland (Telemachus, son of Odysseus and Penelope), Zendaya (Athena), John Leguizamo (Eumaeus), and Lupita Nyong\u2019o (Helen of Troy\/Clytemnestra). <\/p>\n But even before the red carpets and glitzy media tours, Wilson saw a surge of interest in her 2017 translation. Last year saw a significant increase in book sales following the film announcement, and those numbers have continued to rise into 2026, said Louise Brockett, head of communications at W.W. Norton & Co., Wilson\u2019s publisher. <\/p>\n As of July 2 this year, sales have seen an even bigger boost: \u201cIn 2026, notably, domestic sales across all formats surpassed 1,000,000 copies,\u201d Brockett wrote in an email. <\/p>\n For Wilson, the overwhelming response has been stunning to witness. Long before The Odyssey again seized the zeitgeist, she took on the project with rather low expectations of readership. <\/p>\n \u201cI remember being very much aware that most retranslations maybe sell 1,000 copies if you\u2019re lucky \u2026 you\u2019re going to work very, very hard on it for five years, and then maybe a tiny number of people will read it \u2014 and of course I thought it was still worthwhile,\u201d said Wilson, who first became enamored with Greek mythology as a child growing up in Oxford, England. <\/p>\n Her book was a success, lauded for its compelling storytelling and accessible, modern language; it led to her being named a prestigious MacArthur \u201cgenius\u201d fellow.<\/a> With its release, Wilson also earned special recognition that initially surprised her: She was the first woman<\/a> to publish an English translation of The Odyssey.<\/p>\n \u201cI used lots of translations of Homer in my teaching, and it hadn\u2019t actually occurred to me that they were all by men. It was only once that became the headline about my translation that I then looked back at it, and realized how there is a pattern here,\u201d she said. <\/p>\n But that distinction does not quite resonate with her. While classical studies still tend to be male-dominated, Wilson said, literary studies feature many women scholars in classics who have made major strides in scholarship across generations before her. <\/p>\n \u201cSo I guess I partly want to push back against the idea that it\u2019s completely unique to be a woman in classics, because it certainly isn\u2019t,\u201d she said. \u201cThere are many other women classicists, and I don\u2019t want the headlines to serve as a way of erasing their work. It makes me really uncomfortable.\u201d<\/p>\n She doesn\u2019t think<\/a> her translation is inherently feminist because she has earned the title of \u201cfirst.\u201d A better example of a feminist retelling, for her, is Circe, Madeline Miller\u2019s popular fantasy novel adaptation of several Greek myths, including The Odyssey. (Miller\u2019s book focuses on the perspective of the eponymous witch who turns men into animals, played by a chilling Samantha Morton in the Nolan film.)<\/p>\n Still, Wilson\u2019s translation provided new language that stripped away some of the previous translators\u2019 gendered biases: For instance, when the poem mentions the servant women in Ithaca who cater to Penelope\u2019s suitors, other translators called them \u201csluts\u201d and \u201cwhores,\u201d but Wilson eschewed those derogatory terms<\/a> and instead opted for \u201cslaves\u201d and \u201chouse girls.\u201d <\/p>\n That nuance, however, was lost when Nolan\u2019s Odyssey became a proxy for culture wars on the internet. Scores of mostly male critics decried Nolan\u2019s casting decisions as inaccurate for racist and transphobic reasons (many claim Helen of Troy, portrayed by Nyong\u2019o, cannot be a Black woman<\/a>). <\/p>\n Wilson herself has become a target for much of the outrage, too \u2014 so much so that she added a contact form to her website<\/a> specifically marked for \u201cmisogynistic trolling\u201d alongside the other button for \u201ckind words and praise.\u201d<\/p>\n She has brushed off the noise, though, and kept working at her craft with little regard for the haters who believe The Odyssey is meant to portray only one demographic. <\/p>\n From more than two decades of teaching, she knows they are simply wrong because these myths hold universal power. <\/p>\n \u201cIt is really exciting to see just how many young people, especially young women, are fired up about ancient literature and classics in a new way,\u201d she said. \u201cIt\u2019s a whole wave of current classical scholarship and books for the general public that are showing that these texts are not just for men, not just for white people, not just for any particular modern demographic. \u2026 This is a subject that anyone from any background can engage with.\u201d <\/p>\n Wilson\u2019s teen daughters have been swept up in the Nolan excitement, too. After Zendaya was pictured holding her book<\/a>, Wilson\u2019s daughters were thrilled. <\/p>\n \u201cThere\u2019s nobody cooler than Zendaya, obviously, so now I\u2019ve made it,\u201d she said, laughing.<\/p>\n Beyond all the film news, Wilson is now hard at work on another translation of The Odyssey with different parameters than her first; primarily that it will be longer. Maybe Nolan\u2019s film will spark some new ideas. <\/p>\n Her next release, Crossing the Wine-Dark Sea: Journeys Through Ancient Literature, comes out this fall. It is a series of essays about her translation process and the work of connecting modern audiences with ancient literature. <\/p>\n It can serve as a blueprint for anyone else eager, like her and Nolan, to take on an epic challenge. <\/p>\n