Claudette Godfrey is stepping down as vice president of the Film & TV Festival after nearly two decades with the organization, including the past several years as head of programming for that section of the event. She will be succeeded by Peter Debruge, the longtime chief film critic at Variety, who assumes the role of director beginning April 6. Variety is owned by Penske Media Corporation which acquired a 50% stake in SXSW in 2021 when the festival was financially vulnerable after pandemic-era cancellations.
SXSW’s news release did not provide a reason for Godfrey’s departure.
The leadership shift comes as SXSW adjusts to structural and financial changes following its post-pandemic reset and a condensed 2026 format. Once a 10-day event anchored by the Austin Convention Center, the festival has shifted to a shorter, decentralized model amid ongoing questions about attendance, sponsorship and long-term direction. Early bird passes to SXSW 2027 in Austin are on sale now, but organizers have not released dates for next year’s event.
Godfrey’s departure follows a long tenure that began as a volunteer role and culminated in leading the Film & TV division after she succeeded Janet Pierson in 2022. Under Godfrey’s direction, the festival served as a platform for directors including Janicza Bravo, Josh Safdie and Benny Safdie, as well as Daniel Kwan and Daniel Scheinert, the duo behind the Oscar-winning “Everything Everywhere All at Once,” one of the festival’s most prominent recent premieres.
“Claudette has been an integral part of SXSW for many years, and her leadership has helped shape what the Film & TV Festival is today,” said Greg Rosenbaum, senior vice president of programming. “She has built a program that is both globally relevant and deeply rooted in discovery, and we’re incredibly grateful for her contributions.”
Debruge arrives with a background in criticism and festival coverage rather than programming. During a 20-year career at Variety, he became the third chief film critic in the publication’s history, writing over 2,000 reviews and reporting from major international festivals.
The appointment also marks a homecoming for Debruge. A native of Waco, he studied film at the University of Texas at Austin and worked at The Daily Texan alongside former SXSW Film head Matt Dentler. Debruge later contributed to The Austin Chronicle.
His appointment also reflects the growing influence of Penske Media Corporation, based in Los Angeles and New York City, on the Austin-born event. In addition to Variety, the company’s portfolio includes major entertainment and culture publications such as The Hollywood Reporter, Deadline, Billboard and Rolling Stone. The latter two publications produce ticketed events that are some of the festival’s most popular music showcases.
Before this year’s event, Godfrey told the American-Statesman that Penske’s investment saved SXSW and that festival organizers work with the Penske publications the same way they work with other presenting partners. Debruge’s move to head of film seems to tie SXSW closer to the media ecosystem covering its core industries.
SXSW spokesman Brett Cannon told the American-Statesman that the shakeup was film-specific and no leadership changes are expected on the music team.