As the Live Music Capital of the World, Austin is home to a whole host of venues, musicians and music lovers who flood bars and dance halls each night of the week to seek community and reprieve. Among them are the mix of newer and legendary honky-tonk venues that have ushered in seasoned dancers and newcomers to the craft of a little thing Texans like to call the two-step.
It’s a legacy that has seen revitalization and resurgence in recent years, both within Austin and beyond the Lone Star State. As country music reaches new heights of popularity and is capitalized all the more by cross-genre music icons like Houston’s Beyoncé, with it comes a renewed appetite for all things honky-tonk – and that’s something Austinites are looking to commemorate at Austin Monthly’s Honky Tonk Fest.
Austin Monthly announced the creation of the festival in early September, noting it as “a love letter to the culture that has taken over nightlife in Austin and beyond.” Seasoned two-steppers and newer fans of the honky-tonk scene will gather at Jester King Brewery on Saturday, November 8, where the festival will spotlight nine artists across two different stages as well as feature two-stepping lessons, art, fashion, food vendors and other amenities.
For Bryan C. Parker, executive editor at Austin Monthly and the festival’s creator, he said he was inspired by the influx of newer honky-tonk venues and dance halls in recent years – like White Horse and Sagebrush – as well as offering an ode to legacy institutions like Sam’s Town Point and The Little Longhorn Saloon. At the heart of those venues, and honky-tonk culture at large, he said, is a communal spirit. But, he added, it wasn’t until he did a cover story on honky-tonk culture for Austin Monthly earlier this year that he really found himself inundated within, and mentally fixated on, the enduring legacy of that culture.
The band Mrs. Glass from Austin, Texas perform at the White Horse during 2012 SXSW Music, Film + Interactive Festival on March 16, 2012 in Austin, Texas. (Michael Buckner/Getty Images)
“I’ve lived in Austin for 24 years, but after I did that deep dive to report that story, I just couldn’t stop thinking about [Austin’s honky-tonk community],” he told MySA. “I found myself going out more – dancing and hanging out – and the bands are so good, and that fascination and love has kind of lingered, and I wanted to do something to celebrate that. So that’s how Honky Tonk Fest was born.”
Within that communal scene is a cross-generational and cross-cultural reach, where 20-somethings who might be newer to the dance form link hands and partner with seasoned dancers decades older than them. That sense of welcoming is something he said has helped broadened the reach of honky-tonk venues and two-stepping.
“I feel like Austin is a place that embraces all kinds of people, and that is true of these honky-tonks as well,” Parker said. “You’ll see people that look like hipsters at the club, but you’ll see people that look like cowboys at the club – you know, tried and true cowboys. It’s truly a place where everyone feels welcome.”
Debra Watson dances with Shaan Shirazi to the music of James Intveld at the Little Longhorn Saloon on Sunday February 19, 2017 in Austin, Texas. Sunday at the bar features bingo centering on chicken droppings. (The Washington Post/The Washington Post via Getty Im)
Part of that welcoming effort is reflected in Honky Tonk Fest’s music line up, which features Austin’s Aaron McDonnell & the Neon Eagles and Chaparelle, join the likes of Nashville’s Emily Nenni and New York’s Honky Tonkin’ in Queens. That eclectic mix of artists across the country is indicative of the cultural currency Texas’ music and dance scene has had nationally, with Parker referring to the Lone Star State as a “cultural taste maker.”
And, if you happen to be a honky-tonk newcomer coming out on November 8? Parker’s biggest encouragement is that while this festival is a one-day event, you can find quality live music, dance lessons and communities in venues across Austin year-round.
“When you come to Austin, I think you find something that feels like it’s grassroots: It’s ground up, and it’s really driven by the people who are here and working here, and especially live music,” he said. “We love DJ sets and having fun, and obviously we’re bringing DJs in for the festival. But in Austin, everything comes back to and is driven by live music. And the amount of talent we have in our live music every night of the week is pretty astonishing.”
Austin Monthly’s Honky Tonk Fest runs on Saturday, November 8, from 1 to 11 p.m. at Jester King Brewery,
Find it: 13187Â Fitzhugh Road, Austin, TX 78736
This article originally published at Austin Monthly’s Honk Tonk Fest pens ode to Texas country music, 2-stepping.