{"id":117930,"date":"2026-01-10T07:37:25","date_gmt":"2026-01-10T07:37:25","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-tx\/117930\/"},"modified":"2026-01-10T07:37:25","modified_gmt":"2026-01-10T07:37:25","slug":"tommy-tune-donates-collection-to-university-of-houston","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-tx\/117930\/","title":{"rendered":"Tommy Tune donates collection to University of Houston"},"content":{"rendered":"<p>The art world looks to the Museum of Fine Arts, Houston this month as it unveils a monumental <a href=\"https:\/\/houston.culturemap.com\/news\/arts\/frida-kahlo-museum-fine-arts-houston\/\" target=\"_blank\" rel=\"nofollow noopener\">Frida Kahlo exhibition<\/a>, but there\u2019s many other shows around Houston opening this month, especially of contemporary and new art. From possible AI photographic futures to photo art that weaves the past and present together, from ceramics turned inside out to magic mirrors, and the art of agriculture, Houston museums and galleries bring us a very artful New Year.<\/p>\n<p>\u201cAnachronous\u201d at Holocaust Museum Houston (now through March 8)<br \/>In this new exhibition of work from Argentinian photographer Cynthia Isakson, the artist has selected old family photos taken and kept over decades through war, displacement, and travels across continents. She then takes those images and incorporates them into her contemporary photography. Melded together, these layered images become new stories and expansive portraits of a family over many years. <\/p>\n<p>The 18 digital photographs in the exhibition were printed on fabric and thematically draw ties between the past and present, illustrating the family threads woven through time. Generations and place also become linked, as viewers witness the connections between Warsaw, Buenos Aires, and Houston through five generations of one family.<\/p>\n<p>\u201cnorMAL and unreMARKable\u201d at Throughline (January 10-February 7)<br \/>Featuring works by Heather L. Johnson and Henry G. Sanchez, this show of recent pieces explore how we define the \u201cunusual\u201d and \u201cexceptional\u201d in both psychological and sociological terms. Johnson works with embroidery and drawing to explore physical manifestations of environmental toxicity brought on by society\u2019s technological dependence. After being diagnosed with cancer, Sanchez broke with his past social art practice to experiment with multimedia installations. He uses this work as a way to consider how that diagnosis has changed his artistic and personal mission. Taken together, these \u201cnorMAL and unreMARKable\u201d pieces examine the fragility of contemporary life.<\/p>\n<p>\u201cThe Uncanny In-Between\u201d at Blaffer Art Museum (January 10-March 14)<br \/>This exhibition of ceramic work will showcase five acclaimed artists of Korean heritage who work across the U.S., including Audrey An (Philadelphia), Wansoo Kim (Clarksville), Hoon Lee (Allendale), Texan Hayun Surl, and Hae Won Sohn (Alfred, New York). Organized by Sso-Rha Kang, curator at the Carnegie in Covington, Kentucky, these ceramic pieces have subversive forms that weave together personal mythologies, traditional techniques, and technological interventions. <\/p>\n<p>At once an exhibition and also an archival project, the ceramic pieces will be shown beside high-resolution 3D digital renderings of the interiors of each artwork. These renderings allow Blaffer visitors to glimpse the interior of some of the pieces, viewing the art beyond the surface into their hidden depths.<\/p>\n<p>\u201cEnd Cash Bail\u201d at Lawndale Art Center (January 14-17)<br \/>This limited-time exhibition centered on Texas prison systems brings together the visual and literary arts with works of poetry, paintings, collages, cyanotypes, photography, and more. Curated by KB Brookins, the ACLU of Texas artist-in-residence, Lawndale states that the exhibition is intentionally wide-spanning in perspective and art mediums and genre to show the extensive impact and responses to the Texas jail crisis.<\/p>\n<p>\u201cMagic Mirrors\u201d at Art League Houston (January 16-April 19)<br \/>While the term probably conjures up vain queens in need of a beauty pep talk , magic mirrors are real historic pieces of art first invented in ancient China. When light hits the front of the \u201cmirror,\u201d an engraving on the back is projected onto an opposite surface. Interdisciplinary artist Jamie Ho began with the concept of a \u201cmagic mirror\u201d to create art that explores how Chinese American women and their bodies have been depicted historically and in popular culture. <\/p>\n<p>Ho\u2019s work uses GIFs, sculptures, new media, and installations to play with concepts of mirror images. As her sculptures reference historical and current Chinese diasporic objects, Ho also projects GIFs of her body onto the surfaces of some of her sculptures to create ghostly afterimages.<\/p>\n<p>\u201cThe River Entered My Home\u201d at Art League Houston (January 16-April 19)<br \/>Collaborating as Hammonds + West, Austin multimedia artist Hollis Hammonds and Austin poet and professor Sasha West interweave Morton\u2019s drawings and West\u2019s poetic text into multimedia installations and exhibits. The duo create work with an ecological and environmental focus on a personal and societal scale. Hammonds\u2019 drawings depict the melancholy and darkness manifested in West\u2019s poems, while West\u2019s poems connect to Hammond\u2019s visual landscapes which are often reflections on a fire that consumed her childhood home in Kentucky. As they collaborate across several different mediums, they blend sound with sculptural installation, video with drawings, and words with images.<\/p>\n<p>\u201cMud + Corn + Stone + Blue\u201d at Blaffer Art Museum (January 17-March 14)<br \/>Art, political history, and agriculture meet in this new exhibition organized by Blaffer chief curator Laura Augusta. Through the art works selected, the exhibition traces historical entanglements between the United States and Central America through the distinctive angle of U.S. agricultural policy. <\/p>\n<p>The show looks to be both expansive and personal as Augusta has drawn upon connections between her family\u2019s history in the Great Plains and her relationships built through art in Guatemala. She notes the shared histories across the U.S. and Central America since the 1960s related to the corn industry. The artists showcased in \u201cMud + Corn + Stone + Blue\u201d are from the U.S. Corn Belt, Guatemala, Nicaragua, El Salvador, and Honduras, with the exhibition drawing links between these places to illustrate their connections that cross borders and time.<\/p>\n<p>\u201cFrida: The Making of an Icon\u201d at Museum of Fine Arts, Houston (January 19-May 17)<br \/>Fridamania will grip Houston this year, as the MFAH opens this brand new exhibition that they also organized. (Dance lovers should also look for the Houston Ballet to present Broken Wings, a ballet about the life of Kahlo in March.) What makes \u201cFrida: The Making of an Icon\u201d so different from most of the other surveys and retrospectives of Kahlo\u2019s work around the world is this exhibition\u2019s focus on how both her life and art inspired other artists over the many decades since her death. <\/p>\n<p>While the show will feature 35 masterpieces by Kahlo herself, it will also examine her great legacy and influence on other artists, including painters, sculptorsm and photographers, as well as activists and social communities. Organized thematically around some of those movements, like \u201cSurrealism\u201d and \u201cGendered Dialogues,\u201d the show will also feature a special gallery of Frida related mass produced merchandise, as well as handcrafted tributes to her.<\/p>\n<p>\u201cThe exhibition reveals how the different facets of Kahlo\u2019s complex persona(lity), which she so carefully crafted and projected, were adapted again and again over her decades-long transformation into an icon,\u201d explains exhibition curator Mari Carmen Ram\u00edrez.<\/p>\n<p>\u201cImaging after Photography\u201d at Rice\u2019s Moody Center for the Arts (January 23-May 9)<br \/>With the rise of AI as a tool to generate visual imaging, seeing may no longer be believing when it comes to the use of photography for documenting reality. As artists and photographers explore this new technology, they wrestle with how AI technology might reshape their art and how we see the world. <\/p>\n<p>Always on the vanguard of where art and science meet, the Moody Center presents this new exhibition of works by seven acclaimed national and international artists, including Nouf Aljowaysir, Refik Anadol, Gr\u00e9gory Chatonsky, Sofia Crespo, Joan Fontcuberta, Lisa Oppenheim, and Trevor Paglen. Though working in different photographic and video mediums, they all incorporate contemporary technologies into their practice in order to reflect on the history and future of photography. While their perspectives on a future where AI becomes a significant component of everyday life span a range from optimistic to pessimistic, these artists never shy from the complexity of those possibilities.<\/p>\n<p>\u201cThere are few topics as urgent as artificial intelligence and its impact on all facets of society,\u201d describes Alison Weaver, Moody Center executive director and co-curator of the exhibition. \u201cThrough this presentation of works by some of today\u2019s most thoughtful and visionary artists, we hope to inspire dialogue about the influence of new technologies on the images that populate our daily lives and shape our visual culture.\u201d<\/p>\n<p>Nickolas Muray, Frida with her Pet Eagle, Coyoaca\u0301n, 1939, printed 2024, inkjet print, the Museum of Fine Arts, Houston, gift of Nickolas Muray Photo Archives.<\/p>\n","protected":false},"excerpt":{"rendered":"The art world looks to the Museum of Fine Arts, Houston this month as it unveils a monumental&hellip;\n","protected":false},"author":2,"featured_media":117931,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[6980,56,58,57,51715,513],"class_list":["post-117930","post","type-post","status-publish","format-standard","has-post-thumbnail","category-houston","tag-celebrities","tag-houston","tag-houston-headlines","tag-houston-news","tag-tommy-tune","tag-university-of-houston"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/posts\/117930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/comments?post=117930"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/posts\/117930\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/media\/117931"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/media?parent=117930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/categories?post=117930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/tags?post=117930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}