{"id":145275,"date":"2026-01-31T10:54:06","date_gmt":"2026-01-31T10:54:06","guid":{"rendered":"https:\/\/www.newsbeep.com\/us-tx\/145275\/"},"modified":"2026-01-31T10:54:06","modified_gmt":"2026-01-31T10:54:06","slug":"barry-whister-gallery-presents-john-pomara-split-screen-_-opening-reception","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/us-tx\/145275\/","title":{"rendered":"Barry Whister Gallery presents John Pomara: &#8220;Split-screen-_\/\/-\/&#8230;&#8221; opening reception"},"content":{"rendered":"<p>Barry Whistler Gallery will present a new solo exhibition by gallery artist John Pomara, &#8220;Split-screen-_\/\/-\/&#8230;.&#8221;  The exhibition features works in various media, highlighting a return to canvas alongside Pomara\u2019s signature oil enamel and polyurethane paintings on aluminum.<\/p>\n<p>The exhibition opens with a sequential set of 10 works on paper (21 x 16 inches each) dealing with anti-portraiture using glitched layers of form and media, thus introducing the exhibition&#8217;s overall theme of facial disruption. Dominating the show is a set of 6 (71 x 46 inches) consecutive paintings of oil enamel, polyurethane, and pigment ink on canvas, along with the set of aluminum paintings (47 x 36 inches) with color coded bottoms. Additionally there will be a large scale wall installation, a collaboration with Dallas based video and performance artist Laura Kim.<\/p>\n<p>The paintings reveal the immediacy of disruptive facial breakdown. Shifting, blinking, glitching, into intoxicated algorithmic infinity of model Alex Curington.<\/p>\n<p>The exhibition will remain on display through March 21.<\/p>\n","protected":false},"excerpt":{"rendered":"Barry Whistler Gallery will present a new solo exhibition by gallery artist John Pomara, &#8220;Split-screen-_\/\/-\/&#8230;.&#8221; The exhibition features&hellip;\n","protected":false},"author":2,"featured_media":145276,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[36347,102,104,103,13528,825,60899],"class_list":{"0":"post-145275","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-dallas","8":"tag-36347","9":"tag-dallas","10":"tag-dallas-headlines","11":"tag-dallas-news","12":"tag-exhibitions-visual-arts","13":"tag-galleries","14":"tag-occurrence202601311700"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/posts\/145275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/comments?post=145275"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/posts\/145275\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/media\/145276"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/media?parent=145275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/categories?post=145275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/us-tx\/wp-json\/wp\/v2\/tags?post=145275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}